Topic: websites

ULTRAORBISM brings performing arts a step forward

The impact of the distributed performance, as new forms of Cultural Heritage expression, is studied in the framework of the RICHES project. “ULTRAORBISM” opens new doors for experimental and creative formats using advanced visual environments in the field of telematics and distributed events. The potential utilities of the results are very rich from a technical point of view and also from an artistic perspective, and the excellent results of this experience present a very optimistic future in the development of co-creation environments in Europe and the use of ICT in the fields of culture and the arts. Continue reading


ADDICTed to creative and cultural industries!

Last month EBN welcomed ADDICT – Creative Industries Portugal, the Creative Industries Agency in Portugal. ADDICT is a non-profit association created in 2008. It currently gathers around 100 members and is recognised by the Ministry for Economy as the coordinator of the Creative Industries Cluster in Portugal. ADDICT’s mission is to foster a favourable environment for culture and creative economy to thrive, advocating the sector interests and acting as platform for knowledge and innovation. Continue reading


PREFORMA Starts Prototyping Phase

The three consortia awarded with contracts for the prototyping phase – veraPDF consortium, Easy Innova and MediaArea – start development on open source file compliance checkers for documents, still images and moving image materials. This phase will last until December 2016. Continue reading


Getting cultural heritage to work for Europe

The report “Getting cultural heritage to work for Europe”, by the Expert Group on Cultural Heritage established under the Horizon 2020 Work Programme 2014, provides the rationale for setting a renewed European Research & Innovation policy agenda on cultural heritage. It outlines the general framework about cultural heritage in Europe and the contribution it can make towards smarter, more inclusive and more sustainable development. The report further describes recommendable actions, drawing upon successful cases where cultural heritage has been a positive driver for sustainable development. Continue reading


Excellent evaluation for Preforma!

On 26 March 2015 PREFORMA underwent its first review, obtaining an excellent evaluation. The EC reviewers gave the consortium useful recommendations to improve the networking activities and to start planning the testing phase. Continue reading


Meet the Team pre-event for the EuropeanaTV hackathon was a success

Hacking Culture Bootcamp, the first hackathon of Europeana Space project, took flight on 9 April 2015 with the pre-event, where the hackathonees met the team and learnt practical information about technology, the toolkit and available content for experimenting with Europeana TV pilot. Continue reading


Europeana Space and CRe-AM

CRe-AM and Europeana Space are two projects which both aim to enhance the creative industry by leveraging on ICT and digital cultural content. Europeana Space intends to do this by originating concrete scenarios, best practice and tools, and further by offering … Continue reading


ULTRAORBISM by Marcel•lí Antúnez Roca

Ultraorbism was an interactive distributed action between two networked connected spaces in two cities: Barcelona and Falmouth. The story was a linear interpretation of the first of the two books of True Story by Lucian of Samosata (a Syrian writer who lived in the second century AD), who tells an impossible journey on which everything is invented, with references to the mythology and literature of the era. Ultraorbism, a project directed by Marcel•lí Antúnez Roca, is part of the European project SPECIFI and case study of the RICHES European project’s research area. Continue reading


Article about PREFORMA published in Archival Science

The article “Digital curation and quality standards for memory institutions: PREFORMA research project” has just been published in the Archive Science Journal – S.I. Digital Curation – and it is available as ‘Online First’ on SpringerLink. Continue reading