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- RELEVANT NEWS from Digitalmeetsculture
- Call for papers, deadline15th September - event to take place at the FernUniversität in Hagen 23 – 24 November 2023
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- audiovisual Berlin Brussels call for tender conformance check cultural heritage digital archive digital preservation DPF Manager FFv1 file format validation file formats IPRES Matroska MediaArea.net MediaConch Open Source Portal open source software PCP PDF/A policy checker PREFORMA standards TIFF VeraPDF
PRESENTATION OF THE PROJECT
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A new Pre-Commercial-Procurement project started in January 2014
Memory institutions are facing increasing transfers of electronic documents and other media content for long term preservation. Preservation models are often inspired by ISO 14721:2003, known as “the OAIS model”, where transfers and preservation are built on information packages containing both data and metadata. Continue reading →
IN FOCUS
You can find the Executive Summary and the full report on Europeana Pro
EUreka3D project was presented at the Spanish Presidency Europeana Conference back in October the 17th 2023, by project coordinator Antonella Fresa. The conference fostered a multidisciplinary dialogue on 3D capacity building for the cultural heritage sector, in order to promote … Continue reading →
London, 25-26 October 2018
MediaArea and the British Film Institute are pleased to announce the third No Time to Wait conference, a free two-day symposium focused on open media, open standards, and digital audiovisual preservation hosted by the British Film Institute, who are about to begin a 5 year digitisation of obsolete videotape formats, preserving to open formats. Continue reading →
Boston, 24-27 September 2018
iPRES 2018 BOSTON – Where Art and Science Meet – The Art In the Science & The Science In the Art of Digital Preservation – will be co-hosted by MIT Libraries and Harvard Library on September 24-27, 2018. The call for contributions seeks abstracts for papers that tell stories about bridging knowledge gaps in teams, implementing technologies, and overcoming barriers towards proper digital stewarding of digital items, assets, works and collections. Continue reading →
No time to wait – Conference on Open Source Software in (Digital) Archives
Merle Friedrichsen attended the “No Time To Wait 2” symposium organised by PREFORMA in November 2017 and gave a presentation on “Open Source Tools in the Digital Archive Workflow” from the perspective of the German National Library of Science and Technology. They both veraPDF (PDF/A), and MediaConch (for Matroska/FFV1 – for film) and the result is that all the requirements that they identified regarding open source software for validation are fulfilled (or are possible to fulfill) by these tools. Continue reading →
New release of the PDF/A conformance checker.
The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. There are also a number of other fixes and improvements which are documented in the latest release notes. Continue reading →
The November 2017 updates for Acrobat DC, now available from Adobe, include some significant news for those who pay attention to ISO standards-adoption. Among the enhancements of the preflight tools there is also PDF/A compatibility with veraPDF. Now, Acrobat preflight tools can find and report issues that are not compatible with the veraPDF tests. Continue reading →
MediaConch in Action! Issue #9
This is the nineth in a series of interviews with people using MediaConch within their institutions. Brian is the head of the Digital Production Unit for the Special Collections & Archives Research Center at Oregon State University Libraries & Press. He is using MediaConch for validation and policy checking during the quality control process for the video files. He also used DPF Manager and veraPDF for quality control of TIFF and PDF files. Continue reading →