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The SECreTour Network is growing! We are very glad to announce that Omnis Vision SA has joined the SECreTour Network of Common Interest. Omnis Vision SA is a strategic partner for the enhancement, management, and development of real estate assets … Continue reading
The SECreTour Network is growing! Studio Macaco has joined the SECreTour Network of Common Interest. Studio MACACO (Ludens Sagl) is a Swiss-based creative software company focused on developing interactive digital experiences for the tourism and cultural sectors. Through the use … Continue reading
Topic: home_heritage
The historically important city of Mosul holds artefacts of huge cultural and historical importance and the Mosul Museum is the second largest museum in Iraq after the National Museum of Iraq in Baghdad. Photo of Ishtar temple lion from Project Mosul website. Photo in public domain. Special thanks go to the volunteers who have submitted the images: Suzanne E. Bott, Col. Mary Prophit, and Diane Siebrandt
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A collaboration between academics from Goldsmiths, University of London, and Coventry University, Photomediations: An Open Book is the outcome of the Open and Hybrid Publishing pilot – which is one of six Europeana Space pilots. Through a comprehensive introduction and four specially commissioned chapters on light, movement, hybridity and networks that include over 200 images, it tells a unique story about the relationship between photography and other media. Continue reading
On Monday the 16th March 2015, the German partners of the E-Space TV Pilot and the E-Space Museums Pilot had a meeting concerning their cooperation, at the Institute for Museums Research in Berlin. Photo by Beatrix Lehmann (Museumsmedien) Continue reading
The CSA (Audiovisual Experimental Center) is a workshop for cine-audiovisual shooting, which was established during the academic year 2013-14, as part of the “Prosmart” master’s degree (in Prato), promoted by University of Florence in partnership with PIN (the University Center … Continue reading
The review meeting, hosted by the project Coordinator Fred Truyen at the premises of KU Leuven, welcomed the Project Officer Krzysztof Nichczynski and the reviewers Makx Dekkers and Tom Wachtel with whom the Europeana Photography WP leaders had the possibility to illustrate and discuss the project achievements. Photo courtesy TopFoto.co.uk Continue reading
On 25-26th of February 2015, the EuropeanaTV team organized a workshop at Rundfunk Berlin-Brandenburg (RBB) in Potsdam to work out a SmartTV app. It had to use RBB content about the Berlin wall together with related materials from Europeana. This workshop is part of the work realized in the TV pilot of Europeana Space project. Continue reading
The Select Committee was appointed by the House of Lords on 12 June 2014 “to consider and report on information and communications technology, competitiveness and skills in the United Kingdom”. Computer technology brings “huge opportunities for the UK, but also significant risks”, the Committee warns. The internet should be viewed as a utility service, alongside water and electricity, it says. But without action, the UK may fall behind in the new digital era. Continue reading
The workshop “Aerial photogrammetry surveys with drones” was held in Tirana, Albania, at the National Museum, on 13 March 2015. It presented examples of aerial photogrammetry surveys conducted by means of drones in the Albanian Drino Valley, Valona Region, in the Hellenistic sites of Hadrianopolis, Jergucat, Frashtan and Antigonea. Continue reading
it is a portal for the people all over Israel and the globe. It enables Israel to be a leading member of the global community for digital culture and heritage, integrated with Europeana and functions a common platform for other cultural branches once they are moving toward the digital era. Continue reading
FutureEverything celebrated its 20th anniversary. For the last two decades the festival has brought people together to imagine, shape and question the vision of a truly participatory society. A belief in the emancipatory and creative potential of new technologies runs throughout digital culture. It is found both in the open source community and in the rhetoric of Silicon Valley start-ups. In recent years, the contradictions in this vision have come to the surface. The digital age has brought a collision of positives and negatives. This year was an ideal opportunity for FutureEverything to hit pause on its headlong rush into the future, to reflect on the consequences of the past decades and the prospects for the decades to come. Continue reading
