From 8th to 13th September 2025 Antonella Fresa, president of Photoconsortium and EUreka3D-XR Project Coordinator, took part to Digital Heritage 2025, the premier global forum where culture meets cutting-edge technology, hosted in Siena. With colleagues from Europeana Foundation, XRculture, 3DBigDataSpace … Continue reading
Digital art and mental art We could say that digital art was born as conceptual art, since it finds its root in immateriality, and is immaterial because it exists only in thought: the object of art does not truly exist … Continue reading
Topic: interactivity
Society of Motion Picture and Television Engineers organises the SMPTE Forum 2015 “Entertainment Technology in the Internet Age: A European Perspective”, being held on 7-8 May 2015, at the Fraunhofer-Forum in Berlin. Factors as wide as EU policy, net neutrality, copyright and mining “big data” are shaping the possibilities in the complex European market and redefining how the industry engages its audience. The SMPTE Forum 2015 will examine these topics Continue reading
A Memorandum of Understanding has been signed between the two projects to enable and promote greater re-use of cultural heritage resources by creative industries, starting from the open source tools developed in the framework of PREFORMA PCP and of Europeana Creative. Continue reading
FutureEverything celebrated its 20th anniversary. For the last two decades the festival has brought people together to imagine, shape and question the vision of a truly participatory society. A belief in the emancipatory and creative potential of new technologies runs throughout digital culture. It is found both in the open source community and in the rhetoric of Silicon Valley start-ups. In recent years, the contradictions in this vision have come to the surface. The digital age has brought a collision of positives and negatives. This year was an ideal opportunity for FutureEverything to hit pause on its headlong rush into the future, to reflect on the consequences of the past decades and the prospects for the decades to come. Continue reading
On 10 February 2015, at the Salle Triangle of Centre Pompidou, in Paris, is being held the seminar “Social Hermeneutic Networks”, centred on the topic “museology, museography and new forms of address to the public”; Alain Garnier, Yuk Hui and Henry Story are intervening in the event. The seminar will show how the social network can become matter of study and subject of a dissertation or a course, as well as tool for the student, the researcher or the non-professional user. Continue reading
The EuropeanaTV pilot members took part in an interactive workshop to create a SmartTV application that lets you travel back to historical events. It is the “Rewind App! and we are excited to announce the EuropeanaTV hackathon on the 8th, 9th, and 10th of May at Waag Society in Amsterdam with inspiring pre-events on March 25th and April 8th. Continue reading
How do you prepare a professional in Cultural Heritage in the digital age? How the University can solve the gap between Science and Humanities? Is the current University ready to deal with education in Cultural Heritage? Are then Humanities a good professional option? The INNOVA Master’s Degree in Virtual Heritage, developed by INNOVA and SEAV, aims to offer an answer to these questions. Continue reading
Hosted by the Government of Malawi through the National Commission for Science and Technology, Supported by the European Commission and African Union Commission, IST-Africa 2015 will take place in Lilongwe from 05 – 08 May 2015. The scientific programme for IST-Africa 2015 is based on an open Call for Papers whose deadline is December 19th, 2014. Continue reading
This workshop, co-organised by the Foundation i2CAT, the Government of Catalonia and the Theatre Institute of Barcelona,examined the gradual adoption of technological environments in the performing arts and how the expanding of bandwidth have given rise to new forms of creative expression, space for experimentation and new business models for performing arts, reaching other spaces such as movie screens and cultural institutions with the distribution of high-definition content. Sarah Whatley, dance professor and director of the Centre for Dance Research (C-Dare) at Coventry University intervened as speaker in representation of the European project RICHES. Continue reading
How cultural institutions can renew themselves? How can heritage professionals create the conditions for the visitors to leave the role of observers and instead be active contributors to the development of heritage? How can the consumers become producers of cultural heritage? How can cultural heritage be co-created? RICHES is trying to answer these questions through a series of co-creation sessions. The outcomes of these initiatives will be presented during 5 December’s afternoon programme of the First RICHES International Conference, being held in Pisa, at the Museum of Graphics of Palazzo Lanfranchi (4-5 December 2014). Continue reading
The open source semantic annotation tool Pundit is RICHES Associate Net7’s main product for the Digital Humanities. The main idea behind semantic annotation is to enable users not only to comment, bookmark or tag web pages, but also to semantically create structured data while annotating. The ability to express semantically typed relations among resources, relying on ontologies and specific vocabularies, not only enables users to express unambiguous and precise semantics, but also, more interestingly, fosters the reuse of such knowledge within other web applications. Continue reading
