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Upcoming events
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- London, from May 10, 2024, to May 31, 2025
On May 10, 2024, the National Gallery will start its celebration of the Bicentenary – marking 200 years of bringing people and paintings together. Throughout the entire year, it will celebrate its past and look forward to its future … Continue reading →
- Ljubljana, April 18 - 20, 2024
The festival of contemporary electronic music and transitory art SONICA, which will take place in Ljubljana between 18 and 20 April, has finalised its 2024 lineup. SONICA is a Ljubljana-based festival that champions diverse niche trajectories in contemporary music … Continue reading →
Topic: interactivity
Ballade of Women is an interactive installation that explores perspectives on women’s rights. Through the lens of the personal experience of three women, the exhibition offers an interactive narration on three fundamental themes: emancipation, self-determination and violence. In the installation, representations of three paintings are fragmented and float in the space; set on rotating spindles, these fragments resist attempts by the viewer to capture them as a whole. Thus, the screens only provide a complete view of the paintings at selected times and from specific view-points in the room… Continue reading
On 25-26th of February 2015, the EuropeanaTV team organized a workshop at Rundfunk Berlin-Brandenburg (RBB) in Potsdam to work out a SmartTV app. It had to use RBB content about the Berlin wall together with related materials from Europeana. This workshop is part of the work realized in the TV pilot of Europeana Space project. Continue reading
Society of Motion Picture and Television Engineers organises the SMPTE Forum 2015 “Entertainment Technology in the Internet Age: A European Perspective”, being held on 7-8 May 2015, at the Fraunhofer-Forum in Berlin. Factors as wide as EU policy, net neutrality, copyright and mining “big data” are shaping the possibilities in the complex European market and redefining how the industry engages its audience. The SMPTE Forum 2015 will examine these topics Continue reading
A Memorandum of Understanding has been signed between the two projects to enable and promote greater re-use of cultural heritage resources by creative industries, starting from the open source tools developed in the framework of PREFORMA PCP and of Europeana Creative. Continue reading
FutureEverything celebrated its 20th anniversary. For the last two decades the festival has brought people together to imagine, shape and question the vision of a truly participatory society. A belief in the emancipatory and creative potential of new technologies runs throughout digital culture. It is found both in the open source community and in the rhetoric of Silicon Valley start-ups. In recent years, the contradictions in this vision have come to the surface. The digital age has brought a collision of positives and negatives. This year was an ideal opportunity for FutureEverything to hit pause on its headlong rush into the future, to reflect on the consequences of the past decades and the prospects for the decades to come. Continue reading
How do you prepare a professional in Cultural Heritage in the digital age? How the University can solve the gap between Science and Humanities? Is the current University ready to deal with education in Cultural Heritage? Are then Humanities a good professional option? The INNOVA Master’s Degree in Virtual Heritage, developed by INNOVA and SEAV, aims to offer an answer to these questions. Continue reading
Hosted by the Government of Malawi through the National Commission for Science and Technology, Supported by the European Commission and African Union Commission, IST-Africa 2015 will take place in Lilongwe from 05 – 08 May 2015. The scientific programme for IST-Africa 2015 is based on an open Call for Papers whose deadline is December 19th, 2014. Continue reading
This workshop, co-organised by the Foundation i2CAT, the Government of Catalonia and the Theatre Institute of Barcelona,examined the gradual adoption of technological environments in the performing arts and how the expanding of bandwidth have given rise to new forms of creative expression, space for experimentation and new business models for performing arts, reaching other spaces such as movie screens and cultural institutions with the distribution of high-definition content. Sarah Whatley, dance professor and director of the Centre for Dance Research (C-Dare) at Coventry University intervened as speaker in representation of the European project RICHES. Continue reading