IASCC Conference 2016 – Heritage in Transition: Scenes of Urban Innovation

conference logo - IASCC - July 2016

This Conference is hosted by The Culture of Cities Centre and will convene on July 27-29th, 2016 at The Cultural Center in Ermoupolis, on the island of Syros in Greece. It is held in collaboration with York University, St. Jerome’s University and the University of Waterloo.  The aim of this meeting is to focus upon how cities create cultural landscapes in which heritage is both tangibly marked by the built environment, by official scripts and policies and also by their seemingly intangible influences of collective memories and collisions in values about the meaning of place that fluctuate over time.

 

How can the rich and varied approaches of cultural analysis, social theory, and the humanities, arts and social sciences contribute to an interdisciplinary examination of the ground of heritage in the relationship of the city to time and to the complexity presupposed by such a history of official and unofficial legacies?

 

Topics to be addressed include:

  • How cities can and do use their past heritage in the present as part of their cultural capital.
  • The connection of innovative methodologies and emergent practices for engaging the relation of urban pasts to present and future.
  • Latest advances in the development of technological applications for representing the past in images of the built environment, narratives and the visual representation of local topographies.
  • Representations of cultural capital that includes official traditional heritage designations, historical neighbourhoods and landmarks, the preservation of art or masterpieces, the contents of museums and deposits of artefacts and the practice of art and artists and the evolving ‘art worlds’ that become part of the aura of the city as its affective infrastructure.
  • Relations to traditions of any and all kind (from linguistic to aesthetic), including modification, rejection, preservation as in fundamentalist and enlightenment gestures and actions.
  • Narratives about the urban past produced in any present by descendants, survivors, witnesses, informants.
  • Redefinitions of work through archival material.
  • Issues of conservation and preservation.
  • Ways different societies mark their inheritances whether through mechanistic repetition, vandalism, obfuscation, and innovative reinvention.
  • Use of heritage criteria for conferring identity of persons and groups through rituals for designating membership such as purity or impurity of blood line, affiliation, citizenship, classification, genre.
  • Policy discussion relating to cultural identity and memory, cultural regeneration and collective biographies.
  • Dissonant registers and controversies of historical past(s).

 

 

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Collecting and Conserving Performance Art, symposium

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The German Association of Conservator-Restorers (VDR) is delighted to announce the major international symposium “Collecting and Conserving Performance Art” to be hosted by the Kunstmuseum Wolfsburg in Germany on June 9-11, 2016.

The two-and-a-half day event approaches issues surrounding the acquisition of performance art by bringing together conservators, curators, art historians, artists, collectors, researchers, art educators and other professionals, who are involved in the production, distribution, collection, documentation and conservation of performance art. Perspectives on heritage development and documentation in adjacent disciplines, such as theater and dance, are invited to inform the discussion.

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Under investigation will be a variety of existing practices for bringing an artist’s live performance into a  collection, including the license to re-perform the work based on an artist-provided score; film and video recordings of historic or recent performance iterations; autonomous art installations; documentation created by former audiences, participants and producers; and performance props and other objects that represent the live event.

Programme and registrations: http://www.restauratoren.de/termine-details/2021-collecting-and-conserving-performance-art.html

Locations:

Reception and Life Performance (Day 1): Kunstmuseum Wolfsburg, Hollerplatz 1, 38440 Wolfsburg/ Germany

Live Performance “Swap” (2011) by Roman Ondak

Symposium (Day 2 and Day 3): Alvar-Aalto-Kulturhaus, Porschestr. 51, 38440 Wolfsburg/ Germany

Image: Gerard & Kelly, “Timelining” (2014), Performance, Solomon R. Guggenheim Museum, New York, Photo: Courtesy of the artists


Heritage documentation, accessing and understanding through an inclusive approach for 3D reconstruction

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The conference, focused on the most innovative strategies of digital documentation for accessing and understanding European Cultural Heritage, will present the first year of  research activities of the project INCEPTION – Inclusive Cultural Heritage in Europe through 3D semantic modelling, funded by the European Commission within the Work
Programme “Europe in a changing world – inclusive, innovative and reflective societies”, leaded by the Department of Architecture of the University of Ferrara, widen the debate on the Italian position in the Work Programme 2018-2020.

Scientific Coordination: Department of Architecture, University of Ferrara/ TekneHub
Organization: Department of Architecture, University of Ferrara/ TekneHub
Speakers:
Roberto Di Giulio, University of Ferrara, Department of Architecture, Head
of Department, INCEPTION Project Coordinator
The INCEPTION project: Inclusive Cultural Heritage in Europe through 3D
semantic modelling

Fabio Donato, University of Ferrara, Italian Representative in the
Committee of the Horizon 2020 SC6 Programme “Europe in a changing
world: inclusive, innovative and reflective societies”
Towards the work program 2018-2020: the Italian position

Roko Žarnić, University of Ljubljana, ECTP Focus Area Cultural Heritage
Resilience of heritage assets in context of data collection and their economic
potentials

Marinos Ioannides, Cyprus University of Technology, Digital Heritage
Research Laboratory
Missing Standards: A Challenge for the e-documentation of the Past

Federica Maietti, Federico Ferrari, University of Ferrara, Department of
Architecture
Innovation in 3D data capturing and modelling of Cultural Heritage

Download the flyer of the event (PDF, 309 Kb)

INCEPTION project website: http://www.inception-project.eu/


veraPDF 0.12 released alongside first version of wiki validation rules

veraPDF-logo-600-300x149The latest software release features improved PDF/A-2b and PDF/A-3b validation and the fully featured REST API.

veraPDF 0.12 has the following features:

Conformance checker:

  • PDF/A-2 and PDF-A/3 improvements: implemented checks for optional content, JPEG2000 requirements
  • full compliance with BFO test suite (PDF/A-2b)
  • PDF/A-1b fix: check for form field appearance
  • code refactoring to enable PDF model implementation via different PDF parsers
    performance and memory optimization

Test corpus:

  • full coverage of all predefined XMP properties

Documentation:

Infrastructure:

  • veraPDF-library project refactored into multiple projects
  • PDF Box validator implementation in separate project
  • Automated source packaging with dependencies
  • Corpus test results published online

The veraPDF validation engine implements the PDF/A specification using formalisations of each requirement in PDF/A-1, PDF/A-2 and PDF/A-3. The wiki determines each rule used by the software and provides details on the error(s) triggering a failure of the rule.

Download veraPDF 0.12 at: http://downloads.verapdf.org/rel/verapdf-installer.zip

Release notes are published at: https://github.com/veraPDF/veraPDF-library/releases/tag/v0.12.4

veraPDF is building the definitive, open source PDF/A validator. Please download and test the software. If you encounter problems, or wish to make suggestions, please add them to the project’s GitHub issue tracker. Your feedback is very important, it helps to improve the software.


RICHES: policy brief on food and cultural heritage

food and chThe aim of this RICHES policy brief is to highlight the growth of community-led food initiatives and the changing spaces of food production and consumption. It shows how food culture can be a force for change and how citizens can co-create cultural heritage around food. It provides some brief examples of community-led food initiatives and makes recommendations for policies which are needed to enable these to thrive.

The research makes clear that across Europe, there has emerged a dynamic vein of community-led food initiatives, which seek to reconnect people with food cultures that have been threatened by the rise of convenience and fast foods, the erosion of food knowledge and skills, and the emergence of monocultures in food and farming. Such projects have potential to revive endangered practices of food production, and at a community level, can contribute to the transmission of knowledge and skills about food, the preservation of food heritage, and improved understanding and tolerance between different socio-economic groups.

The Policy Brief on Food and CH, led by the experts of Coventry University, has just been released and can be downloaded at the RICHES Resources website HERE.

You can also download the RICHES flyer on Food and Cultural Heritage in the Urban Age: the Role of Local Food Movements (PDF, 1,7 Mb)

The growing collection of RICHES Policy Briefs and Think Papers is available at http://www.riches-project.eu/policy-recommendations.html. They are the focus of the RICHES Policy Seminar in Brussels (23 May 2016).

 


E-Space Digital Dance Day in Coventry

by Hetty Blades and Rosamaria Cisneros, Coventry, University (UK).

As part of the EU funded Europeana Space (E-Space) project, C-DaRE  held its Digital Dance Day March 16th, 2016, to showcase two recently developed digital tools for dance practice and scholarship.

E-Space is a three-year project, now in its third year, which examines the creative reuse of cultural heritage across a range of art and media forms. As part of the project researchers at C-DaRE have teamed up with partners from New University Lisbon and IN2 to develop two digital tools to facilitate and encourage creative engagement with digital dance content.

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DancePro is a digital annotation tool, which allows users to inscribe on top of live streamed and recorded footage. It is designed for use during and after the creative process, allowing artists to notate their work and draw attention to key features. The tool allows for aspects of choreographic thinking to be communicated across disciplines and has great potential for use in educational contexts.

DanceSpaces is an online portal that allows users to search, collate and organise dance content. It facilitates the development of virtual exhibitions, specialist educational resources, and expansive collections of online and personal content.

E-Space Digital Dance Day from Rosamaria E. Kostic Cisneros on Vimeo.

The E-Space Digital Dance Day introduced the tools through a series of practical workshops led by Sarah WhatleyRosa Cisneros and Hetty Blades. The morning session explored the potentials of annotation in studio contexts and participants had the opportunity to experiment with using DancePro in their own practice, and explore the multiple ways they can be used for research and education. The afternoon session looked at ‘remixing’ dance, using DanceSpaces to source, learn, re-make, and share online content. The Pilot explored embodied interaction with digital dance, developing new works and collections for submission to an online dance exhibition.

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Photos credit: KoZin Photography

 


PREFORMA presented at ILIDE 2016, Innovative Library in Digital Era

IMG_5988Antonella Fresa, Technical Coordinator of PREFORMA, presented the project at the 19th edition of the ILIDE Conference.

The presentation focused in particular on the open source approach and on the forthcoming testing phase, showing how the conformance checkers can be used and integrated in other systems.

 

ILIDE,  Innovative Library in Digital Era, is the continuation of well-known and prestigious Digital Library Conference and brings together digital preservation, digital collections access and digital processing experts from around the world. The presentations were delivered by leading representatives of the most important institutions dedicated to librarianship, archiving, information technology, cultural and collecting activities.

 

For further information please visit the Conference website.


Repurpose, Experience, Taste and Rethink Culture

How to creatively reuse & participate in digital culture: an event organized by NTUA with the support of PostScriptum, to present the WITH platform technology that is at the basis of E-Space Technical Space.

This one day conference brought together speakers from the ICT, Creative Industries and Cultural Heritage communities to present and discuss the impact of digital content on sustainable economic and social development.

It highlighted the growing efforts to share the wealth of cultural resources, research and knowledge found in institutional repositories in order to promote creativity, generated innovation and lead to richer interpretations of the past that improve our understanding of the national and European identity.

The event aimed to generate new perspectives and facilitate the creative re-use of  cultural heritage and associated metadata made available through online digital collections within a framework of creative experimentation and novel dialogue between multidisciplinary sectors,  explore the potential of crowdsourcing as a means of promoting increased public participation in core tasks such as collecting, describing, categorizing, or curating heritage collections.

During the event, there was a mix of inspiring talks and lively discussions on cultural heritage discoverability and creative reuse,  community engagement and the implicit business potential that lies in this. The newly founded  collaborative WITH platform was be demonstrated via focused presentations and showcased with applications to different spaces: Audio-Visual, Food & Drink, Museums & Art, Smart Cities.

Event’s page: http://mint-events.image.ntua.gr/

Visit event’s page in other websites:


EC Workshop on CULTURES & CITIZENSHIP: RESEARCH & INNOVATION

Friday, 8 April 2016, 9.00-16.00
Brussels, Covent Garden, 9th floor, room 183 (COV2 9.0183)
16, Place Charles Rogier, BE-1210 Brussels

This workshop gathered projects on Social Sciences and Humanities
that focus on different aspects of cultures and citizenship.

Agenda and speakers

8.45 Registration and welcome coffee
9.00 Welcoming address
Elisabeth Lipiatou, Head of Unit B.6, Open and Inclusive Societies, Directorate-General for Research and Innovation, European Commission
9.20 RICHES Renewal, Innovation and Change: Heritage and European Society
Neil Forbes, Coventry University, United Kingdom
9.40 CULTURALBASE Social Platform on Cultural Heritage and European Identities
Arturo Julio Rodriguez Morato, University of Barcelona, Spain
10.00 MEMOLA MEditerranean MOntainous LAndscapes: an historical approach to cultural heritage based on traditional agrosystems
María Teresa Bonet García, Arqueoandalusí – Arqueología y Patrimonio
10.20 CRE8TV.EU Creativity for Innovation & Growth in Europe
Mickael Benaim, University of Manchester, United Kingdom
10.40 Coffee break
11.00 MIME Mobility and Inclusion in Multilingual Europe
Francois Grin, University of Geneva, Switzerland
11.20 ATHEME Advancing the European Multilingual Experience
Lisa Cheng, Leiden University, The Netherlands
11.40 DIMECCE Defining and Identifying Middle Eastern Christian Communities in Europe
Fiona McCallum, University of St Andrews, United Kingdom
12.00 Discussion & Conclusions of the Morning Session
Sylvie Rohanova and Zoltán Krasznai, Policy Officers, Unit B.6, Open and Inclusive Societies, Directorate-General for Research and Innovation, European Commission

12.30 Sandwich lunch

13.40 bEUcitizen All Rights Reserved? Barriers towards EUropean CITIZENship
Sybe de Vries, Europa Institute, Utrecht University
14.00 LIVEWHAT Living with Hard Times: How European Citizens Deal with Economic Crises and Their Social and Political Consequences
Marco Gabriele Giugni, University of Geneva, Switzerland
14.20 RESCuE Patterns of Resilience during Socioeconomic Crises among Households in Europe
Markus Promberger, The Institute for Employment Research (IAB), Germany
14.40 SOLIDUS Solidarity in European societies: empowerment, social justice and citizenship
Marta Soler Gallart, University of Barcelona, Spain
15.00 Coffee break
15.20 TransSOL – European paths to transnational solidarity at times of crisis: Conditions, forms, role-models and policy responses
Ulrike Zschache, University of Siegen, Germany
15.40 Discussion & Conclusions of the Workshop
Yuri Borgmann-Prebil, Policy Officer, Unit B.6, Open and Inclusive Societies, Directorate-General for Research and Innovation, European Commission
End of the Workshop

Download the Agenda in PDF


Digital Echoes Symposium 2016: Dance Pilot and Games Pilot on show

by Hetty Blades and Rosamaria Cisneros, Coventry University (UK)

The Europeana Space Dance and Games Pilot joined forces and organised the 6th edition of the Digital Echoes Symposium. The event took place at Coventry University in the UK on Friday March 4th 2016. The day opened with a keynote by Professor Matthew Fuller (Goldsmith University) “Just Fun Enough to go Completely Mad About: on games, procedures and amusement” and welcomed a number of experts in dance, arts and humanities, and saw a range of practitioners who are critically engaging with archival material.

We invited contributions that considered the impacts of public/user participation on archival practice and research, and their legacy for the future. The symposium saw a series of presentations that ranged from a silent lecture by C-DaRE’s own PhD student, Emilie Gallier, whose instructions led participants to manipulate and dance with archival material,  to case studies and projects by leading artists and researchers who are working in an interdisciplinary fashion of bringing Cultural Heritage and the arts and/or dance together through the use of archival practices. C-DaRE’s visiting researcher, Monica Dantas, also presented her work on the process of building a dance archive in Southern Brazil and referenced C-DaRE’s Siobhan Davies RePlay archive (http://www.siobhandaviesreplay.com/sdda) as a key pillar of her research.

In addition to organizing the event, the Pilots set up their applications and allowed delegates to engage with the tools. The two applications DanceSpaces and DancePro were on display as well as the Games Pilot’s casual, educational and social games. The Europeana Space corner was frequented throughout the day and many participants spoke with the Pilot coordinators to gain more knowledge on Europeana, Europeana Space and its various activities.

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The event titled (Re)Collecting the Past:(Re)Making the Future, focused on participation as one of the most prominent legacies of the digital, in particular  how it invokes processes of collectivity, democratisation and decentering. The tools were a great asset to the day as they allowed users to see how the re-use of digital content can be (re)worked to support new ways of (re)making the future.

Learn more on the Dance Pilot: http://www.europeana-space.eu/dance-pilot/

Learn more on the Games Pilot: http://www.europeana-space.eu/games-pilot/

photos credit to Koko Zin