The Museum of the Future – SPROUT workshop / applications open until 15 April

Leading brands in the global market are those which constantly innovate their products and services, their communication and marketing strategies. This is true for cultural brands as well. To ensure their success, they need to anticipate the future changes and the evolution of cultural, social, technological and symbolic aspect.

The workshop will apply SPROUT –  a design-driven innovation methodology conducted by PCA Design Management professor, Maurizio River Serena, together with trends specialist Laureano Mon – to the cultural field, combining theoretical and practical instruction to develop the team’s vision and ability to imagine possible future scenarios for museums.

The Guest Professors Julian Stadon – Subject Leader in Innovative Media Practice at University of the Arts London – and Victoria Szabo – Associate Research Professor of Art, Art History & Visual Studies at Duke University (NC) – will provide students with inspiration from the world of augmented reality, game design, transmedia storytelling and other innovative media practice that are changing how museums conceive their spaces, services, products and relationships with audience.

The SPROUT Methodology will be integrated to a design ideation process, that will enable students to produce developed ideas and concepts for a product-service-system for the museum of the future.

Practical case study: Museo Dolom.it, the virtual museum of Dolomites landscape

When: 5-9 June 2017

Where: Rifugio Lagazuoi (at 2752 m) Cortina d’Ampezzo (Italy) in Dolomites UNESCO Heritage

sprout

Who can apply?

University students, postgraduate researchers, museum professionals, curators, designers, architects, project managers.

How can participate?

Read the program and fill the registration form.

Deadline to apply: 15th April 2017

For more informations contact us at info@museodolom.it

 


Dance Gateway is now online!

The Dance Pilot of E-Space had the aim to create tools for enabling the use of digital cultural content about dance for education and learning.

DanceSpaces focuses on the needs of the general public, dance enthusiasts and pre-professionals, dance audiences/viewers and tourists, etc. who want to share and explore content about a particular dance aspect.
DancePro focuses on the needs of researchers and dance experts (e.g. dance artists, choreographers) who need a set of much more powerful tools for accessing dance content and creating extensive metadata.

In addition to these tools, the Dance Pilot is proud to announce the release of the Dance Gateway, a special space in the E-Space Portal dedicated to performed dance and to other digital resources related to dance.

The featured collections in the Dance Gateway are a form of virtual exhibitions.

Discover the Dance Gateway: http://espaceportal.eu/#/custom/dance/

Learn more on the Dance Pilot: http://www.europeana-space.eu/dance-pilot/

dance gat


Linked Open Data in Libraries Archives and Museums 2017 Summit

The Fourth International Linked Open Data in Libraries, Archives and Museums (LODLAM) summit will be held in Venice, Italy, at the Fondazione Cini June 28-29 , 2017.

LODLAM stands for Linked Open Data in Libraries, Archives and Museums. Linked data is a combination of techniques, tools and web standards that enable the World Wide Web to evolve from a web of documents to a web of data. When applied to libraries, archives, and museums, linked data transforms the way we discover, analyze, and visualize cultural, scientific and government information.

The LODLAM Summit brings together thought leaders from around the world working in digital cultural heritage, eScience, and the digital humanities to debate, network and share their ideas, latest projects, hacking skills, data management methods, and to participate in the LODLAM Challenge.

Entries for the technical challenge can be submitted and updated from now until midnight on Friday April 07th (somewhere in the world).

Each of 5 finalist teams will be awarded a seat at the 2017 LODLAM Summit in Venice and a travel grant of  USD$1,000 thanks to the support of all of the Summit sponsors.

The five finalists will pitch their project in a Challenge lightning round at the Summit and to a panel of judges who will choose winning teams for the following prizes:

-2017 LODLAM Open Data Prize – A winner will be awarded this USD$1,000 prize where making cultural heritage material openly available has been a core aspect of a linked open data project. Synaptica provides continued support for making data openly available and have provided the sponsorship for the prize.

-2017 LODLAM Grand Prize – A winner will be awarded this USD$2,000 prize because they have demonstrated significant impact (a mix of social, cultural, and technical factors).

For full details please visit the challenge page on the LODLAM website: https://summit2017.lodlam.net/challenge/

Apply now: http://summit2017.lodlam.net/apply/

fondazione_cini


Pop-Up exhibitions at KU Leuven university

By Clarissa Colangelo, KU Leuven.

As the new semester begins here at KU Leuven, we have kicked it off with a small surprise for the students: from the 13th until the 15th of February, two Pop-Up Museum photographic exhibitions have been on display in Agora, the learning centre for the students and staff of the university.

Pop-Up Museum (https://www.mupop.net/) is an outcome of the Europeana Space project and offers an innovative yet simple way to easily create pop-up digital exhibitions anywhere you want. In fact, you only need a screen with an HDMI minicomputer and a browser in kiosk mode to set up your exhibition. Users will then do the rest by controlling the exhibitions with their smartphones.

In our case, we showcased two photographic exhibitions on the Belle Époque: “Man meets world” about travels and must-see places of the time, and “Cuisine” on kitchen discoveries, eating habits and favorite dishes. As our aim was to display photographs and unveil their stories, we picked for both exhibitions the same main feature: a slide show of a selection of photographs illustrating the main themes (cuisine and travelling) accompanied by audio fragments describing the narratives behind the images on screen and placing them in their historical context. For every photograph, additional audio fragments can be unlocked by pointing to specific details in the images.

Full blog originally published at https://espacephotography.com/

 


Call for PAPERS, VIDEOS and e-EXHIBITIONS in the area of INTANGIBLE CULTURAL HERITAGE and e-ARCHIVES

revista-call-enMEMORIAMEDIA (MI/IELT) has a peer reviewed e-journal dedicated to promote, communicate and document projects, studies and archives of Intangible Cultural Heritage (ICH).

Authors are now invited to submit unpublished papers, videos or e-exhibitions about all the domains of ICH: oral traditions, performative practices, celebrations, traditional craftsmanship and knowledge concerning nature and the universe.

The e-journal will be written and subtitled in English and Portuguese. MEMORIAMEDIA can finance the translation of the contents selected for publication (from Portuguese to English or vice versa).

Important dates:
Deadline for submission – 30th April 2017
Publication – 31th July 2017

MORE INFO AND SUBMISSION: http://www.memoriamedia.net/index.php/submission

Specific areas of interests include (but are not limited to) the following topics:
• e-Archives, e-inventories, e-repositories and e-exhibitions of intangible cultural heritage (and associated heritage – tangible and natural);
• Community involvement in safeguarding ICH – e-archives, types of participation and interaction;
• Intangible cultural heritage, e-archives and sustainable development;
• Open access to digital cultural heritage;
• Sharing and exchange of research data;
• Aggregators of digitised ICH within the European and global digital environment;
• Use, efficiency and design of interfaces for websites and applications about ICH;
• Digital storytelling, memory and oral history in e-archives of cultural heritage;
• Issues of the protection of intellectual property and rights in digital content and e-archives.

All papers, videos and e-exhibitions will be peer-reviewed by editors and 2 members of the editorial council. Editors can request the opinion of peer-reviews that constitute an ad hoc list. All submissions are reviewed on the basis of relevance, originality and clarity.

Paper types:
• About 2500 words (5-7 pages);
• Word file (.doc, .docx) or Plain text (.txt) – up to 4MB;
• The paper must be written in English or Portuguese.

Videos and e-Exhibitions:
• Communications/demonstrations of a digital content management system, digital archives, libraries and repositories preserving ICH or Oral History;
• Up to 10 minutes’ video;
• Link to the video with access reserved – YouTube or Vimeo. For e-exhibitions: link to video; Power Point file (. ppt, .pptx) or other format for editors’ consideration – up to 4MB;
• The video and e-exhibition must be subtitled/written in Portuguese or English – Up to 2500 words in subtitles Word file (.doc, .docx) or Plain text (.txt).

ISSN 2183-3753 Memória Imaterial e Instituto de Estudos de Literatura e Tradição (FCSH-NOVA)

 


A recently launched website is inviting you to become a citizen archaeologist
Screenshot of GlobalXplorer showing satellite imagery of Peru, broken into tiles about the size of a few city blocks (page designed by Mondo Robot; image ©DigitalGlobe 2016)

Screenshot of GlobalXplorer showing satellite imagery of Peru, broken into tiles about the size of a few city blocks (page designed by Mondo Robot; image ©DigitalGlobe 2016)

A year ago, University of Alabama professor Sarah Parcak won a $1 million TED Prize for her work in “space archaeology” — using satellite imagery beamed down from space to search for archaeological sites lost through time. Today, Parcak launches GlobalXplorer, a citizen science platform that encourages people around the world to identify and preserve our collective heritage.

GlobalXplorer, self-described as an “Indiana Jones Meets Google Earth” platform, relies on crowdsourcing and high-resolution satellite imagery to protect and identify archaeological sites around the world that are currently unknown. With a user-friendly interface, it is open to anyone with internet access, it trains users to spot tell-tale signs left by man — from shapes indicative of ancient structures to scars marked by looters — and flag areas potentially in need of exploration.

 

Satellite image of South Abusir, Egypt. The left image was obtained in 2009. The image on the right in 2011 and lootings are quite visible. Photo, courtesy Sarah Parcak.

Satellite image of South Abusir, Egypt. The left image was obtained in 2009. The image on the right in 2011 and lootings are quite visible. Photo, courtesy Sarah Parcak.

Currently, the “looting” module is live for Peru, where users can explore more than 200,000 square kilometers of high-resolution satellite images that come from partner company DigitalGlobe, Inc. Create a login, check out the short tutorial, and you’re on your way to earning “rewards” for your time and effort.

Parcak and a team of archaeologists review all the tiles classified by the community, and ones flagged as potential archaeological sites may eventually be explored and protected. To measure accuracy, every user has a consensus score that is earned and adjusted based on whether people who’ve reviewed the same tiles have arrived at the same conclusion. A low score likely means you should revisit the tutorial video.

This open access, of course, means looters themselves may dig into the resource, but GlobalXplorer is built to ensure land anonymity to prevent any malicious acts: there are tens of millions of small tiles, broken up from DigitalGlobe’s satellite images, and each is displayed to users at random, with no option to zoom or navigate. The tiles are also void of any data relaying their location or coordinates, instead assigned a unique ID that allows GlobalXplorer’s team alone to rematch them with their location information.

According to the project’s numbers, barely one percent of the world’s estimated wealth of archaeological sites has been identified or explored. With Parcak’s novel approach, we can all partake in the mission to ensure that experts reach these first, before looters strike, cause irreparable damage, and feed the blackmarket.

Parcak’s plans include producing tiles for a new country in late 2017, but donations to the project will be key going forward. The TED Prize launched GlobalXplorer, but public engagement and donations will be what ultimately save our history.

To try out GlobalXplorer, click here


PREFORMA Starts Testing Phase

Test-Phase-1The third phase of the public pre-commercial procurement launched by PREFORMA started on 16 February 2017, with the virtual kick-off meeting of the testing phase.

PREFORMA (http://www.preforma-project.eu/) is an EU-funded Pre-Commercial Procurement project working on one of the main challenges memory institutions are facing nowadays: the long-term preservation of digital data. The project develops three open source conformance checkers that control whether a file complies with standard specifications and with the acceptance criteria of the memory institution. They offer full control of the process of conformity testing of files to be created, migrated and ingested into archives.

 

After an analysis of the results achieved and of the software released by the three suppliers that completed the prototyping phase in January 2017, the PREFORMA Evaluation Committee decided to award all the three consortia with a contract for the testing phase. This phase will last until end of July 2017.

The three awardees are the veraPDF Consortium (led by the Open Preservation Foundation and the PDF Association), who is working on the conformance checker for the PDF/A standard for documents; Easy Innova, who is working on the TIFF standard for digital still images; and MediaArea, who is working on a set of open source standards for moving images, namely: the Matroska wrapper, the FFv1 video codec and LPCM for audio streams.

 

To meet the developers and learn more about the tools, the PREFORMA project invites the digital preservation community to attend the Innovation Workshop which will be held in Padua on 7 march 2017.

Suppliers and memory institutions interested in participating in and contributing to the prototyping phase are invited to follow the progress on the PREFORMA Open Source Portal and to join the PREFORMA community.


EAGLE MediaWiki – vote now!

EAGLE project and network aims to build a multi-lingual online collection inscriptions from the Greek and Roman World. The aim of the network is to make available the vast majority of the surviving inscriptions of the Greco-Roman world, complete with the essential information about them and with a series of peer-reviewed translations in several European languages. These are notoriously unavailable for inscriptions, as photos.

The EAGLE Mediawiki is designed to give a tool to anyone interested in bridging this gap and contributing translations of inscriptions, either by providing groups of translations or providing new ones.

Discover EAGLE MediaWiki HERE.

The EAGLE MediaWiki has been nominated in the category “Best DH Tool” for the 2016 Digital Humanities Awards.

eagle

Digital Humanities Awards are a set of entirely open annual awards run as a DH awareness raising activity. The awards are nominated and voted for entirely by the public. These awards are intended to help put interesting DH resources in the spotlight and engage DH users (and general public) in the work of the community.

Vote HERE for EAGLE MediaWiki!

Voting will be open until 25th February 2017.

DH Awards: http://dhawards.org/


Photomediations in Danish language

Photomediations: An Open Book is the major outcome of Open and Hybrid Publishing Pilot of Europeana Space.

Through a comprehensive introduction and four specially commissioned chapters on light, movement, hybridity and networks that include over 200 images, Photomediations: An Open Book tells a unique story about the relationship between photography and other media.

Making use of the open licence of the Photomediations book, the Danish journal/website BAGGRUND has translated Chapter 1, ‘Photography, Optics and Light’ from it and has also published some photographs from the book: http://baggrund.com/fotomediering-lys-optik-og-fotografering/

Joanna Zylinska, We Have Always Been Digital (2009). CC BY-NC-SA 3.0

Joanna Zylinska, We Have Always Been Digital (2009). CC BY-NC-SA 3.0

Discover Photomediations: An Open Bookhttp://www.europeana-space.eu/photomediations-an-open-book/

 


Pop-Up Museum on the Belle Epoque

KU Leuven hosts the Europeana Space Pop-Up Museum on the Belle Epoque at Agora KU Leuven. It is on display at the TimeOut Zone near the entrance.

Bring your smartphone and earphones for the full experience! Only until Wednesday 15/2!

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