D8.1R2 Competitive Evaluation Strategy

This second release of D8.1 “Competitive Evaluation Strategy” [Agosti et al., 2014] has a twofold goal:

  • In December 2016 there will be the final tender of the PREFORMA project which is aimed at selecting the suppliers which will participate in the “Testing Phase” scheduled from January to June 2017. This deliverable defines the criteria according to which suppliers participating in this tender will be evaluated and compared in order to determine which of them will actually proceed to the “Testing Phase”.
  • The “Testing Phase” will evaluate the tool produced by the suppliers on real experimental collections in order to assess their overall quality for conformance checking. This deliverable defines the methodologies and protocols which will be used in this phase to assess the suppliers’ tools.

The document is organized as follows: Section 2 describes the new instantiation of the “PREFORMA Evaluation Matrix” tailored for evaluating the access to the “Testing Phase”; Section 3 introduces the procedures according to which the tender in December 2016 will be managed; Section 4 introduces the framework which will be adopted to evaluate suppliers’ tools during the “Testing Phase”; Section 5 details, for each media type targeted by PREFORMA, the testing classes which will be used; Section 6 describes the practical workflow which will be followed to operate the “Testing Phase”.


D3.7.1 Initial version of Sustainability and Exploitation Plan

This deliverable describes the initial version of the sustainability and exploitation plan of PREFORMA, including a preliminary impact assessment conducted through an analysis of the level of activity generated in the community, of the test cases carried out so far and of the results of a survey circulated to the memory institutions participating to the project, both as partners and as associate partners within the network of common interest.

The following communities have been considered in relation to their expected engagement in exploiting the PREFORMA applications:

  • the open-source community of researchers and developers interested in contributing to the code;
  • memory institutions willing to integrate the PREFORMA software in their infrastructure;
  • the community of enterprises interested in PREFORMA tools and in developing services around them (first of all the suppliers working in the project);
  • the standardization bodies looking for feedback on how to improve and advance the specifications of the standard file formats.

D3.5 Experience Workshop

The Experience Workshop took place Berlin on 23 November 2016, in connection with the second Prototype Demonstration. The PREFORMA partners shared their experiences of working with suppliers under R&D service agreements with other memory institutions.

The morning session focused on use cases for conformance checkers from memory institutions, while the afternoon explored the PREFORMA challenge with an overview of the upcoming testing phase. This was followed by presentations from the three suppliers who develop the conformance checkers.

All presentation slides and more photos from the workshop are available at: http://experienceworkshop.PREFORMA-project.eu/programme/.


D3.4 – Open Source Workshop

Deliverable D3.4 reports on the Open Source Workshop that was based on the availability of the first prototype on the Open Source Portal and the results of the first demonstration organised by the suppliers.

The workshop was organised by the PREFORMA project on 7 April 2016 in Stockholm and was hosted by Kungliga Biblioteket. The overall structure for the full day workshop was to devote the morning session to presentations and the afternoon session to interaction and discussion amongst workshop participants. To address the fundamental community aspects of open source in the archival domain and in memory institutions involved in (or planning) digital preservation initiatives, the PREFORMA team invited Peter Bubestinger as a keynote speaker. To address the licensing aspects of open source, the PREFORMA team invited Dr. Till Jaeger as a keynote speaker.

The aim for the morning session was to convey an overview of the PREFORMA project and insights concerning key challenges for successful open source development as perceived by the two keynote speakers. The aim for the afternoon session was to report on development efforts undertaken by PREFORMA suppliers, with highlights on open source tools being developed, and to offer suppliers an opportunity for exhibiting their tools to workshop participants. A further goal during the afternoon was to further stimulate interaction and dialogue between suppliers’ representatives and other workshop participants.

The workshop facilitated a unique opportunity for attendees to raise different issues and challenges of specific interest with suppliers’ representatives, PREFORMA partners’ representatives, the invited speakers, and other workshop participants. During discussions, several attendees established valuable contacts and networking amongst participants was highly appreciated. For the suppliers, the interactive networking session gave many opportunities for disseminating and communicating their efforts to the broader communities, including potential adopters of open source software developed in PREFORMA.


Results of the PREFORMA Innovation Workshop

DSC_4957Hosted at the Botanical Garden in Padua, the workshop was very successful bringing together more than 100 attendees interested in digital preservation and cultural heritage: memory institutions or other cultural heritage organisations involved in (or planning) digital preservation initiatives and willing to integrate the PREFORMA software in their infrastructure, the open-source community of researchers and developers interested in contributing code to the PREFORMA tools, the community of enterprises interested in developing services around the PREFORMA tools, the standardization bodies looking for feedback on how to improve and advance the specifications of the standard preservation file formats.

 

DSC_4848Aim of the workshop was to highlight the importance of standardisation and file format validation for the long term preservation of digtal cultural content, present the open source conformance checkers developed in the project and the business models that can be built around them, and involve memory institutions outside the PREFORMA consortium in testing, using and further developing the software.

 

The event featured two keynote speeches by Marco De Niet from DEN Foundation on the challenges of digital preservation as a public mission and by Evelyn McLellan from Artefactual Systems on business models for open source projects.

 

DSC_4889 DSC_4859

 

After that, the keynote speakers reflected together with representatives from the PREFORMA project a on how to measure the impact of a project and to ensure its sustainability, in a panel chaired by Melanie Imming from LIBER, the European Association of Research Libraries.

Last but not least, the workshop featured live demonstrations of the software developed by the three suppliers (the veraPDF consortium, Easy Innova, MediaArea) and an informal networking event where attendees could share experiences, meet the PREFORMA developers and learn more about the tools.

 

DSC_4918 DSC_4946

 

For more information about the workshop and to download all the presentation visit the event webpage in the PREFORMA website.

 

The day before the workshop, on 6 March 2017, the Department of Information Engineering of the University of Padua hosted the fourth edition of the Networking Session for EC projects in the cultural heritage field, a successful initiative launched in the framework of the RICHES project and continued under the auspices of Europeana Space and PREFORMA. The event saw the participation of more than 20 projects which discussed together about the sustainability of the network and about possible initiatives to be plugged into the programme of the European Year of Cultural Heritage in 2018.


veraPDF 1.2 released

veraPDF-logo-600-300x149The latest version of veraPDF is now available. This release is the first of the PREFORMA testing phase. The release is focused on bug fixing and improvements of the test infrastructure:

Conformance checker

  • fixed cache issues in parsing embedded CMaps
  • fixed multiple issues with validation of font subsets
  • fixed delimiter handling in parsing content streams
  • ignore None colorants when checking DeviceN color spaces
  • fixed validation of Order arrays in optional content groups

Policy checker

  • fixed plug-in infrastructure
  • fixed handling of unknown feature types
  • added error info into HTML reports in case of broken PDFs

Documentation

  • updated developer samples
  • updated GUI documentation

 

Download veraPDF

PDFBox version: http://www.preforma-project.eu/downloads/veraPDF/bin/all-platforms/verapdf-1.2-20170302.zip
Greenfield version: http://www.preforma-project.eu/downloads/veraPDF/bin/all-platforms/verapdf-1.2-GF-20170302.zip

 

Release notes

The latest release notes are published at: https://github.com/veraPDF/veraPDF-library/releases/latest.

 

Help improve veraPDF

Testing and user feedback is key to improving the software. Please download and test the latest release. If you encounter problems, or wish to suggest improvements, please add them to the project’s GitHub issue tracker: https://github.com/veraPDF/veraPDF-library/issues,  or contact us through our mailing list: http://lists.verapdf.org/listinfo/users.

To help you get started, we have published user guides and documentation at: http://docs.verapdf.org/.

 

About

The veraPDF consortium (http://verapdf.org/) is funded by the PREFORMA project (http://www.preforma-project.eu/). PREFORMA (PREservation FORMAts for culture information/e-archives) is a Pre-Commercial Procurement (PCP) project co-funded by the European Commission under its FP7-ICT Programme. The project’s main aim is to address the challenge of implementing standardised file formats for preserving digital objects in the long term, giving memory institutions full control over the acceptance and management of preservation files into digital repositories.


EAGLE Mediawiki awarded as Best DH Tool or Suite of Tools

DHAwards2016-toolEAGLE Mediawiki has been awarded as Best DH Tool or Suite of Tools at the Digital Humanities Awards 2016, an international prize yearly bestowed to Resources in Digital Humanities.

 

EagleProjectEAGLE aims to build a multi-lingual online collection of millions of digitised items from European museums, libraries, archives and multi-media collections, which deal with inscriptions from the Greek and Roman World. The aim of the network is to make available the vast majority of the surviving inscriptions of the Greco-Roman world, complete with the essential information about them and with a series of peer-reviewed translations in several European languages. These are notoriously unavailable for inscriptions, as photos. EAGLE Mediawiki is designed to give a tool to anyone interested in bridging this gap and contributing translations of inscriptions, either by providing groups of translations or providing new ones. Mediawiki is the software installed on the EAGLE website, and it uses the additional extension Wikibase to produce seamlessly for users, machine readable data.

 

Digital Humanities Awards are a set of entirely open annual awards run as a DH awareness raising activity. The awards are nominated and voted for entirely by the public. These awards are intended to help put interesting DH resources in the spotlight and engage DH users (and general public) in the work of the community. Awards are not specific to geography, language, conference, organization or field of humanities. There is no financial prize associated with these community awards.


Cultural and Creative Industries in Europe: Maximising the Contribution of Culture towards Social and Economic Development

ppeCulture represents an extensive economic asset and a valuable source of creativity and innovation. According to the European Parliament’s report on EU policy for cultural and creative industries (June 2016), Cultural and Creative Industries (CCIs) have become high-capacity engines for economic growth, representing 11.2% of all private enterprises and 7.5% of all employed persons. Beyond their significant economic contribution, CCIs have built a bridge between arts, culture, business and technology.

However, CCIs’ potential remains poorly exploited and is at risk of being compromised by changes in increased digital technologies, persistent economic instability, and considerable changes in the regulatory European framework. CCIs have moreover struggled to evidence the potential of their sector to investors and have suffered from legislative hindrances such as intellectual property rights and varying tax regimes.

To unlock the potential of CCIs, the European Commission has introduced initiatives such as the Creative Europe Programme with a total budget of €1.46 billion. This programme aims to stimulate cross-border cooperation among Small and Medium Enterprises (SMEs) in the cultural heritage sector, whilst supporting policy work undertaken in the 2015-2018 Work Plan for Culture. With the continuous evolution of the cultural and creative sectors, there is an increased need to support the expansion and skills development of professionals employed in the industry through greater improvements in education and training. Similarly, it is essential that we recognise and utilise the potential contribution of migration towards cultural enrichment and consider its integration in the CCIs.

This timely symposium will provide an opportunity to discuss ways to drive the development of cultural and creative industries in the EU and examine how cross-sector and cross-border collaborations can lead to a stronger and more competitive cultural sector. In addition to their economic value, this symposium will also explore the potential of cultural and creative industries to foster an inclusive European identity and support social cohesion.

Delegates will:

  • Develop methods to further promote and safeguard cultural and creative industries at European level
  • Explore means of unlocking the economic potential of cultural and creative industries
  • Consider ways to boost innovation and develop synergies between education and culture
  • Discuss the innovative aspects and social contribution of digitalized cultural heritage
  • Share best practice in improving data collection on CCIs
  • Scrutinise approaches to empowering local and regional economies
  • Examine current funding opportunities for the CCI sector

Speakers:

  • Marietje Schaake Member European Parliament
  • Prof. Elisabetta Lazzaro Professor of Creative Economy HKU University of the Arts Utrecht
  • Damien Helly Head of External Action Programme & Cultural Affairs Advisor ECDPM
  • Clémentine Daubeuf Consultant KEA European Affairs
  • Grégoire Polad Director General Association of Commercial Television in Europe
  • Marie Le Sourd Secretary General On the Move
  • Sophie Querton Co-Founder Refugees Got Talent
  • Julia Wolny Chief Marketing Officer (CMO) SonicPaintings
  • Sophie Querton Co-Founder Refugees Got Talent
  • Andreas Ruhe Designer, Co-Founder Deaf Magazine
  • Alexandros Michalakopoulos Designer, Co-Founder Deaf Magazine

More information and registration on EVENT’S PAGE

Download event’s flyer with detailed ageda (PDF, 904 Kb)


Communicating the Museum – CTM17 Paris

ctm17

Communicating the Museum (CTM) was launched in Paris in 2000 and since then over 5’000 professionals from the cultural sector have attended this conference. During 4 days of the 2017 edition, the participants of the conference will analyse trends, share best practices and answer the following questions:

  • What is the role of museums in today’s political and social issues?
  • How to address the needs of your community?
  • How do you get educators, curators and communicants to work together?
  • How can museums learn from their public?
  • How can museum transform the field through learning, community building, and innovative practice?

Confirmed speakers include:

  • Anne-Laure Béatrix, Director of External Affairs, Musée du Louvre, France
  • Erik Bär, founder and partner, Tinker Imagineers, Netherlands
  • Anna Cutler,  Director of Learning, Tate, United Kingdom
  • Corinne Flax, Manager of School & Community Partnerships, Bruce Museum, USA
  • John Giurini, Assistant Director for Public Affairs, J. Paul Getty Museum, USA
  • Pascal Hufschmid, Head of External Affairs, Musée de l’Elysée, Switzerland
  • Jack Lang, Président, Institut du Monde Arabe, France
  • Jean Luc Martinez, President-Director, Musée du Louvre, France
  • Catherine Saurais, Director, nest, Nestlé discovery centre, Switzerland
  • Isabelle Vanhoonacker, Head of Educational Department, Royal Museum of Fine Arts, Belgium
  • Richard Woodward, Strategic Planning Facilitator, Business Development & Sponsorship Training, Australia
  • Wendy Woon, The Edward John Noble Foundation Deputy Director for Education, MoMA, USA


CTM Day 1 – Monday 19 June

Join us at the Louvre for the first day of the conference.
Attend keynotes, workshops and panel discussions to learn from your peers.
Meet colleagues and experts from all over the world during the coffee breaks and lunch.
Explore the Louvre like never before during an after-hours visit.
Network during the Welcome Reception in a unique cultural venue.

CTM Day 2 – Tuesday 20 June

Learn about the latest trends during the keynotes and discover the best case studies during the workshops.
Enjoy the Gala Reception at la Monnaie de Paris, network, visit, eat and drink.

SAFARI Day 3 & 4 – 21, 22 June

Discover four cultural institutions over two days.
Join the safari to learn about the communication and education strategy of four key Parisian institutions, network with your peers and enjoy guided visits of their exhibition and permanent collections.

More info and registration: http://www.agendacom.com/communicating-the-museum-2017-paris/

Early bird deadline available until 15 March: it offers exceptional value as the 4-day pass includes access to all conference sessions, conference material, guided visits, cocktail receptions and coffee breaks.


Smartwatches in Museums

The innovative project personal.curator, in collaboration with FluxGuide and the University of Applied Arts in Vienna, researches impact and possibilities of wearables in museums. Now, the first real world test has been carried out!

At the exhibition handWERK. Tradiertes Können in der digitalen Welt (MAK – Austrian Museum for Applied Arts) test users receive Smartwatches providing exciting and interactive storytelling elements.