“Moral Machines? The Ethics and Politics of the Digital World” symposium – call for papers

6–8 March 2019, Helsinki Collegium for Advanced Studies, University of Helsinki.

As our visible and invisible social reality is getting increasingly digital, the question of the ethical, moral and political consequences of digitalization is ever more pressing. Such issue is too complex to be met only with instinctive digiphilia or digiphobia. No technology is just a tool, all technologies mark their users and environments. Digital technologies, however, mark them much more intimately than any previous ones have done since they promise to think in our place – so that they do not only enhance the ’ most distinctive feature but also relieve them from it. We entrust computers with more and more functions, and their help is indeed invaluable especially in science and technology. Some fear or dream that in the end, they become so invaluable that a huge Artificial Intelligence or Singularity will take control of the whole affair that humans deal with so messily.

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CALL FOR PAPERS
The symposium “Moral Machines? The Ethics and Politics of the Digital World” welcomes contributions addressing the various aspects of the contemporary digital world. We are especially interested in the idea that despite everything they can do, the machines do not really think, at least not like us. So, what is thinking in the digital world? How does the digital machine “think”? Our both confirmed keynote speakers, N. Katherine Hayles (Duke University, USA) and Bernard Stiegler (IRI: Institut de Recherche et d’Innovation at the Centre Pompidou de Paris), have approached these fundamental questions in their work, and one of our aims within this symposium is to bring their approaches together for a lively discussion. Hayles has shown that, for a long time, computers were built with the assumption that they imitate human thought – while in fact, the machine’s capability of non-embodied and non-conscious cognition sets it apart from everything we call thinking. For his part, Bernard Stiegler has shown how technics in general and digital technologies in particular are specific forms of memory that is externalized and made public – and that, at the same time, becomes very different from and alien to individual human consciousness.

We are seeking submissions from scholars studying different aspects of these issues. Prominent work is done in many fields ranging from philosophy and literary studies to political science and sociology, not forgetting the wide umbrella of digital humanities. We hope that the symposium can bring together researchers from the hitherto disconnected fields and thus address the ethics and politics of the digital world in a new and inspiring setting.

300 words abstract deadline submission: 31st August 2018.

Read More: https://blogs.helsinki.fi/moralmachines/call-for-papers/


Call for Papers: “Participatory Memory Practices”

Cattura1
“Participatory Memory Practices: Connectivities, Empowerment, and Recognition of Cultural Heritages in Mediatized Memory Ecologies”
The conference addresses a multidisciplinary and international group of scholars and experts from memory institutions, civil society, policy makers, social entrepreneurs, the coding community and creative industries.
The goal is to collect contributions by the participants and implement a socially, inclusive public memory. To reach this purpose it is required to develop a comprehensive understanding on concepts, practices, and media infrastructures that facilitate the partaking of people from various backgrounds in the heritage building work of memory institutions (libraries, archives, and museums).
The Innovative Training Network “Participatory Memory Practices. Concepts, strategies, and media infrastructures for envisioning socially inclusive potential futures of European Societies through culture” (POEM) will provide this comprehensive knowledge by studying in practice theoretical approaches on how connectivities are built by institutions, people and groups, and media infrastructures for a socially inclusive, participatory heritage work.
Proposals should be sent until September 15th 2018 to poem.gwiss@uni-hamburg.de.
They should not exceed a length of 600 words and include bios of max. 200 words.
More information about the POEM Opening Conference at:
https://www.poem.uni-hamburg.de/en/opening-conference.html
Information about POEM Project:
https://www.poem.uni-hamburg.de/en/about.html


TWA Cultural heritage Digitisation Grant fund returns for third year

After providing over £12,000 of support for UK cultural heritage institutions and business archives to digitise their holdings in its first two years, the TownsWeb Archiving Digitisation Grant has returned once more in 2018.

 

The Grant has funding awards of up to £5000 available to help archives, museums, libraries and galleries digitise and open up access to their collections.

 

Any UK heritage organisation is welcome to apply for the funding, simply by completing and submitting the Grant application form. As in previous years, each bid will be scored across three core criteria: heritage need, social and community impact, and research impact.

 

As in previous years, applications will be assessed by a three-strong judging panel made up of John Chambers, chief executive of the Archives & Records Association; Claire Adler, independent HLF mentor and heritage consultant; and Paul Sugden, lead digitisation consultant at TownsWeb Archiving.

The deadline for TWA Digitisation Grant applications is 12th July 2018. Find out how to apply and read more details at:

https://www.townswebarchiving.com/twa-digitisation-grant/

 twa Digital-meets-Culture-image


H2020 ViMM Project: Consultation for the final version of the EU Manifesto on Digital Cultural Heritage

vimmThe H2020 Virtual Multimodal Museum Project (ViMM: www.vi-mm.eu) is a high-visibility and participative Coordination and Support Action (CSA), funded under the EU Horizon 2020 programme (CULT-COOP-8-2016). The project brings together Europe’s and the world’s leadingpublic and private sector organisations working on Virtual Museums and in the wider sector of Digital Cultural Heritage, to support high quality policy development, decision making and the use of technical advances. The partner consortium (seebelow) is supported by an Advisory Board and (in the meantime) with more than 800 Experts, in building the ViMM Framework, involving decision-makers and expert practitioners in defining and resolving issues spread across 7 interlinked Thematic Areas (‘the 7 Ds’): Definitions – Directions – Documentation – Dimensions -Demand – Discovery – Decisions

Major project’s results will include:

A highly interactive and wide-reaching ViMM communication Platform which:

  • enables focused contributions and Working Group discussion by everyone interested
  • provides access to innovations, cases of excellence and decision-support
  • Key events at policy and practitioner/ stakeholder levels and extensive use of social media
  • A clearer, evidence-based view of the impact of Virtual Museums and Digital Cultural Heritage on society and the economy
  • A Manifesto and Roadmap for Action to be validated at the final ViMM international conference in 2019.

The project is on the stage to develop the EU Manifesto.

Building on the results from its seven (7) Thematic Areas and the twenty one (21) Working Groups, ViMM is now calling for comments from the Digital Cultural Heritage (DCH) community on the draft of its first planned major statement: the ViMM Manifesto: https://goo.gl/4MU7Gr

Therefore, we invite and welcome general comments on the ViMM Forum https://goo.gl/DAxT25

Alternatively, please download the document, make comments by activating in MS Word the Track Changes and send us the new document to manifesto@vi-mm.eu. The given deadline is: 30th of June 2018.

Your comments at this stage are highly valued. The final version of the Manifesto will provide a basis for the Roadmap and Action Plan for DCH which follow it.

Please be sure that you register on our platform (if you haven’t done it yet: www.vi-mm.eu) and/or follow and like us on the Social Media:

Twitter: https://twitter.com/vimmuseum?lang=en
LinkedIn: https://www.linkedin.com/groups/8578688


Edinburgh Short Film Festival call for entries!

The ESFF screens 8 nights of short film every Autumn at cinemas across Edinburgh, featuring the best International, UK & Scottish short films from drama to documentary, comedy to animation, experimental to web series.

We’re also awarding prizes for Best Film, Best Animation and Best Scottish Short and  we’re working with partner festivals to showcase our favourite shorts to audiences internationally, including this year: Barcelona Int. Short Film Festival, Fastnet Film Festival, the Sardinia Film Festival, Firenze FilmCorti 2018, the Adriatic Film Festival and Hidden Door among others!

But get your skates on – The FINAL Deadline is Monday June 25th!
https://www.edinburghshortfilmfestival.com/call-for-entries/FINAL DEADLINE 1 TT


From zero* to infinity! Video Art Miden*

Video Art Miden is expanding and broadening, and is ready to present a rich program of international video art in Kalamata -more specifically at the Historic Center and the beach of the city. Celebrating the strong relationship of the organization with the city in which it started and initially developed, the curatorial team comes back with public projections of contemporary video art from all around the world, from July 5 to July 7, each day activating a different urban area of the city.

Video Art Miden is counting 14 years of continuous artistic & curatorial activity, gathering the most interesting works of Greek and international video art and finding new ways and new venues for projection and promotion of this specific form of art, in Greece and abroad. During this year’s summer events in Kalamata, the audience will have the opportunity to watch more than 170 video works, selected from the recent call for entries addressed by Miden to video artists internationally.

Download the program (PDF, 2 Mb)

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The summer events this year include morning and night screenings, with many different thematic programs, alternating and differentiating morphologically and conceptually, expressing the basic trends of our time. The program starts dynamically on Thursday night (July 5) at the Atrium of the Archaeological Museum of Messenia, at the Historic Center of Kalamata; the next night the screenings will be located at the beach (Thalassa Lounge, July 6), with music-based videos screened next to the wave, as an alternative music party, and on Saturday night (July 7) Miden returns to the City Center, at the Anagnostara pedestrian road, where it completes its activities with indoor and outdoor screenings (Stoa Londou, Bandapart Recording Studio).

This year, the morning screening zone and the tributes to foreign festivals (Now & After / Russia and Cairo Video Festival / Egypt) will be hosted in the Archaeological Museum of Messenia, on Friday and Saturday (6 and 7 of July). A special theoretical presentation by the curatorial team will be held on Friday morning (July 6) in the Archaeological Museum of Messenia with invited directors and theoreticians of the video art field, including Art Historian and New Media Art Curator Anna Hatziyiannaki, who has conducted an important and innovative curatorial work in the areas of new media, cyber-art and bio-art in Greece, and Marina Fomenko, founder and artistic director of “Now & After” International Video Art Festival.

All events are open and free for the public, as always.

Video Art Miden 2018 events in Kalamata are supported by the Municipality of Kalamata, FARIS Municipal Cultural Organization, the Ephorate of Antiquities of Messenia and the Archaeological Museum of Messenia.

Art Direction: Gioula Papadopoulou and Margarita Stavraki

Curatorial team: Gioula Papadopoulou, Margarita Stavraki, Giorgos Dimitrakopoulos, Maria Bourika, Stavros Kapetis, Danny Kargas, Nikos Podias, Sofia Grigoriadou, Panagiotis Voulgaris

Collaborators: Vassilis Papaefstathiou/ Kalamata Filmhouse, Mena El Shazly and Mohamed Allam (Cairo Video Festival), Marina Fomenko (Now&After), Yannis Scoulidas, Christos Tsamardas

The complete program and more info can be found on the website: www.festivalmiden.gr and at fb: www.facebook.com/festivalmiden

Program navigation

This year’s program includes the following thematic units:

– A special tribute to Greek Video Art, with 3 screening units (Inscapes, Anatomy of silence, The world is a theater) which highlight new morphological and conceptual trends that inspire Greek video artists nowadays, focusing especially on the young generation.

– Three thematic units dedicated to Performative Arts, narrative video, video-performance and videodance (Act… with or without expression, Fragments of a story, vDance). These programs investigate the video art “loans” from the performing arts and deal with the morphological transformations of narration, space, object and body movement in these categories of video creation.

– Two screening programs that deal with the concept of Space, investigating boundaries between private and public, familiar and unfamiliar, monumental and the anti-monument (In between, A chance to Cut is a Chance to Cure).

– Three more light and colorful programs (Daydream, Freeze Frame, Scenes from an unwritten fairytale), which create their own poetic narrations through music, animation and digital experimentations.

– Finally, four thematic screening programs, which explore our political attitude and resistance (Get [it] out of your system), the world of fashion and our dependence on it (Flow along surface), the naked body as a medium of dialogue and expression (Shell) and, finally, a screening program for a dystopian present future (The way it looks back at you).

Besides the selections by the curatorial team of Miden, the program includes 2 more curatorial contributions from significant international festivals and a special presentation of music videos by famous film directors, curated by Kalamata Filmhouse:

Cairo Video Festival (cvf.medrar.org) started in 2005, the same year as Miden. Eight editions have taken place since, bringing artists from different countries to exhibit their video art and experimental film works in Egypt. The festival is dedicated to the power of creative minds. The selection hosted by Miden, curated by Mena El Shazly & Mohamed Allam, sets morphological questions on the boundaries between different forms of visual arts and the incorporation of elements from other arts, especially from the painting legacy, in the art of video.

International Video Art Festival Now&After (www.now-after.org) has been carried out in Moscow since 2011. Now&After focuses on presentation, development and promotion of both Russian and international video art, getting together emerging and established artists from around the world to present their works to general audience. Now&After was held in major museums and art spaces in Moscow, such as the Moscow Museum of Modern Art, the Schusev State Museum of Architecture, CCI Fabrika and many others. Founding director and curator of Now&After is Marina Fomenko, who is visiting Miden this year and participates in the open lecture. She presents a selection of videos which deal with phantoms of power that haunt us even when we try to ignore them, investigating the ways that forms of power are recorded in collective memory.

Kalamata Filmhouse (a long-standing partner of Video Art Miden in Kalamata) presents a selection of music video-clips, directed by renown film directors in an attempt to connect the musical message to the moving image.

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Video Art Miden: profile

Video Art Miden is an independent organization for the exploration and promotion of video art. Founded by an independent group of Greek artists in 2005, it has been one of the earliest specialized video-art festivals in Greece and builded an international festival identity, presenting an annual video art festival for a decade. Since 2015, Miden continues its work changing its form to a more flexible and broadened event programming, setting as basic aims to stimulate the creation of original video art, to help spread it and develop relevant research.

Through collaborations and exchanges with major international festivals and organizations, it has been recognized as one of the most successful and interesting video art platforms internationally and as an important cultural exchange point for Greek and international video art. It also provides an alternative meeting point for emerging and established artists and a communication hub between artists, organizations, festivals and art spaces around the world.

Miden screening programs have traveled in many cities of Greece and all over the world, and they are hosted by significant festivals, museums and institutions globally.

(*Miden means “zero” in Greek)


Call for artists: Venice Experimental Video and Performance Art Festival

July 26-27, 2018 | Deadline: June 28, 2018
September 27-28, 2018 | Deadline: July 19, 2018

ITS LIQUID GROUP, in collaboration with Venice Events and Ca’ Zanardi, is proud to announce the open call for Venice Experimental Video and Performance Art Festival, the international spread festival, that will be presented during the same period of the BIENNALE ARCHITETTURA 2018 – 16th International Architecture Exhibition.

Venice Experimental Video and Performance Art Festival is organized and curated by Arch. Luca Curci (founder and director of THE ROOM Contemporary Art Space, ITS LIQUID GROUP and LUCA CURCI ARCHITECTS), in collaboration with Venice Events at THE ROOM Contemporary Art Space, and organized and curated by Arch. Luca Curci and Andrea Chinellato (director of Palazzo Ca’ Zanardi) at Palazzo Ca’ Zanardi.

Venice Experimental Video and Performance Art Festival will be started in Venice, at Palazzo Ca’ Zanardi on July 26, 2018 and at THE ROOM Contemporary Art Space on July 27, 2018 during PLACES, second appointment of SURFACES FESTIVAL, and will be also presented on September 27, 2018 at Palazzo Ca’ Zanardi and on September 28, 2018 at THE ROOM Contemporary Art Space during SPACES, third exhibition of SURFACES FESTIVAL in Venice.

venice

SUBMISSION CATEGORIES
– Experimental Cinema and video art
The number of works you can submit is unlimited and free. The submitted films must be the original works of the filmmakers/artists. The participation is open to: artists, photographers, filmmakers, and videomakers.

– Performance Art
The number of works you can submit is unlimited and free. Selected performance pieces will be presented live during the festival. The participation in the festival for selected performances is FREE.

Artists, photographers, performers, dancers and video makers are invited to submit artworks, video art works, experimental films, performances art and dance pieces. To take part in the selection, send your works’ submission with a CV/biography, some still images, links of videos/films via e-mail to lucacurci@lucacurci.com

For more information or to take part in the selection send an e-mail to lucacurci@lucacurci.com

more: www.itsliquid.com


Digital Historic Urban Landscape Methodology for Heritage Impact Assessment of Singapore
CatturaThis research aims to show and explain the evolution of the architectural heritage of Singapore through the use of digital technologies that favour a participatory, dynamic and sharing approach.
The research carries out an inventory of the information technology currently used to represent the evolution of the architectural heritage highlighting its strengths and weaknesses in order to define a model of digital participatory platform able to improve and deepen the public knowledge of the landscape and cultural heritage of the historical urban centers.
According to the researchers, the use of intercultural and intergenerational dialogue is essential  for ensuring and improving urban heritage conservation and planning.
For this reason the digital platform representing the evolution and structure of the architectural heritage of Singapore has to use the key concept of Heritage Urban Landscape as defined by the recommendations of the United Nations Educational, Scientific and Cultural Organization: the HUL is a toll to support communities in the process of adaptation of new realities  and evolution, preserving and  transmitting in the same time their cultural and historical values.
Furthermore, UNESCO recommends to encourage civic engagement to facilitate intercultural dialogue and preserve history, traditions,values, needs and aspirations of communities.
From the comparative analysis of the current technology tools used to represent the structure of the architectural heritage, the researchers identify a new model of digital platform that aims to consolidate and summarize all previous results and outcomes.
This new technology it is based on the use of the Heritage Urban Landscape to holistically evaluate the role of  a site or building for the urban heritage of Singapore.
The benefits of this new digital architectural heritage representation are several:  recover and digitally recreate a lost architectural heritage; educate and instil to students the value of conservation and protection of the architectural and cultural heritage;  support and improve tourism; create an archive for future generations interested in  studying the urban and architectural landscape heritage.

Arkivum Day Budapest – 25th June 2018

oszk-lilaNational Széchényi Library in Budapest regards it of utmost importance to make available its collected cultural heritage to the widest possible audience, with the help of the latest, state-of-the-art devices and tools. Aiming at renewing its integrated library system, National Széchényi Library is considering the launch of an advanced system, capable of embracing and integrating systems of other libraries as well as setting up a joint catalogue. We aim at inspiring libraries to plan a common future at forums such as the so-called MOKKA association. As a major first step of jointly brainstorming with other libraries, we are inviting developers of integrated library systems, so that libraries could get first-hand information about the latest developments. As part of this knowledge-exchange process,  several presentations have been held in the National Széchényi Library, recorded and published in Videotorium  – on topics such as integrated library systems, digitization and web archiving. The events were held in English.

The next occasion will be on Monday June 25, 2018, from 1 p.m. until 5 p.m., when software and service provider Arkivum will hold a software presentation in the Ceremonial Hall of NSZL.

Arkivum-head

We would like to invite you to take part in this event, if you are interested how to solve the Long Term Preservation in your institution, or if you are curious about how the Hungarian library community is trying to establish a platform of cooperation in this respect. You will learn also about how NSZL is involved in the FOLIO community www.folio.org and how the Arkivum solution fits into the FOLIO framework.

Please register to the event here: http://www.oszk.hu/en/registration-arkivum-day-budapest

More details: http://www.oszk.hu/en/events/arkivum-library-professional-presentation


UBIQUE – هنا، في كل مكان multimedia theatre performance

This is a multimedia performance generated from the meeting between the Lebanese company Minwal Theater and KyberTeatro, which will be presented in Cagliari on Friday 15 and Saturday 16 June, starting at 9 pm, at Spazio Osc di via Newton 12. The performance allows for the admission of 20 spectators at a time and over the two evenings will be repeated every half hour.

UBIQUE – هنا, في كل مكان, Latin adverb and the corresponding meaning in the Arabic language: everywhere, everywhere. The ubiquity, the concept underlying the theatrical event, offers a reflection on the real and virtual freedom of the human being. The performance is a collaboration between KyberTeatro, directed by Ilaria Nina Zedda and Marco Quondamatteo, with the collaboration of Claudia Pupillo, and the Lebanese (Sidon) of Minwal Theater, a company run by Jad Hakawati and Roaa Bzeih. It is the final outcome of a residency programme named A.R.T.E. which has the aim of fostering collaboration and mobility between artists from different countries.

ubique

The A.R.T.E. residency project is implemented in Sardinia through the mobility of artists and their works from European and non-European countries (France and Lebanon, in fact). It foresees the digital creative exchange with Sardinian artists, in particular under 35,  for continuous collaborations and  new shows productions to be staged during the residency in Sardinia and also in the artists’ countries including in the main international digital creative festivals.

More info: Kyberteatro

www.kyberteatro.it info@kyberteatro.it

Tel: + 39 070 8607175  Mob:  +39 347 0484783

Facebook: https://www.facebook.com/events/2058683134384737/