First meeting of ECHOES cluster
The 20th of May , at the EU premises in Covent Garden 2, Brussels, the first meeting of the ECHOES cluster will be held under the auspices of the EU Commission.
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The mission of ECHOES (Enabling Cultural Heritage Oriented European Strategies, http://www.echc.eu)  is the enhancement of all actions addressed to the conservation and valorization of Cultural Heritage in all its forms and materials in order to strengthen and make sustainable the new conservation developments.
Some of the main goals of echoes are

 

  • To create a platform for analysis, characterization and evaluation of restoration and conservation methodologies
  • To support the scientific community to create network with different expertise in CH conservation
  • To establish and standardize good practices in CH conservation to expand the lifetime of CH
  • To wide and stimulate discussion and consultation with stakeholders, and to raise the awareness of citizens on the importance of CH providing an open forum for discussion, problem solving and presentation of case-studies
  • To support EC policy development in the field of tourism and industry related with CH conservation and valorization
  • To play a major role in providing input to the Leadership in Enabling and Industrial Technologies (LEIT) policy on research road mapping in conservation science.
The meeting aims to discuss key topics for the ECHOES development (governance and structure) and to come out with position papers for the next framework programme Horizon Europe.

The main themes will be:Cattura ECHOES

  • Best practices in retrieving end user requirements for preventive conservation;
  • Best practices in dealing with “language” problems between the diverse disciplines involved in CH R&D;
  • Priorities for Horizon Europe (e.g. Harmonised approach for collection management, interoperability of the collection management data);
  • Developing and disseminating innovative decision-support tools to promote exploitation of advanced/enabling technologies in cultural heritage prevention, conservation and restoration;
  • Support public-private partnerships at national and international level to promote cooperation and cross-fertilization across technology developers, end-users, policy makers, scientific bodies and business operators on innovation solutions for cultural heritage prevention, conservation and restoration.

Links to the presentations of the event:

Echoes Meeting – Prof.Baglioni
Echoes Topic 1
Echoes Topic 2
Echoes Topic 3
Echoes Topic 4

For more information, please visit the ECHOES website here and consult the brochure here.

Agreement between Stanford University and Bibliothèque nationale de France

by Caterina Sbrana.

The cultural partnership between Standford University and the Bibliothèque nationale de France (BnF), begun a few years ago, led to the creation of a digital archive that brings together both the resources of the archive known as  Images de la Revolution française and the Archives parlementaires. The French Revolution Digital Archive (FRDA) nowadays includes thousands of resourcs regarding the French Revolution, making them available to the international scholarly community and enabling digital research.

FRDA

The first archive includes thousands of high-resolution digital images regarding the French Revolution:  about 14,000 visual objects like prints, illustrations, medals, coins, and other objects, showing aspects of the Revolution. These materials have been selected, mainly from the collections of the département des Estampes et de la photographie, but also from other departments of BNF. It is possible to do a search by artist, subject, genre, and place.

The Archives parlementaires is a chronologically ordered collection concerning the sources of the French Revolution: it includes parliamentary deliberations, letters, reports, speeches and other first-hand accounts from a wide variety of published and archival sources. It was conceived in the mid-nineteenth century. FRDA contains AP volumes referring to the years 1787-1794. It’s possible to easily find places, dates and terms in the published index. Users can see either scanned images of AP pages or text only.

As we can read in the presentation of the project “the FRDA was first conceived in 2006 by Stanford French professor Dan Edelstein, with input from other scholars and librarians, and was launched in spring 2013. It has been supported by grants and collaboration from The Gladys Krieble Delmas Foundation, the ARTFL project, Stanford University Libraries, Stanford University’s Division of Languages, Cultures, and Literatures, Stanford University Department of History, and the Bibliothèque nationale de France”.

FRDA1

Students also have an interactive Timeline of the Revolution on which they can read events year by year.

The use of the contents for non-commercial purposes is free of charge, while the one for commercial purposes is covered by a license.

Discover the FRDA: https://frda.stanford.edu/en


Dancing Bodies in Coventry Project
Dancing Bodies in Coventry is a multimedia project that aims to start to document the legacy of dance in the city of Coventry. Funded by a Coventry University Group City of Culture Grant, the project is being run by Rosa Cisneros and Marie-Louise Crawley from C-DaRE (Coventry University). The team also includes filmmaker Maria Polodeanu, photographer Antony Weir and sound designer David Sherriff.
DBiC Highly Sprung_1
Sarah Worth director of Highly Sprung Performance Theatre Company (April 2019) Photo Credit: Antony Weir

 

The project is a number of films that will begin to cover the past, present and future of dance in Coventry, and a series of related podcasts, that will form an online archive focused on dance and begin to tell the story of dance in Coventry. The project also aims to go out into the city and creatively share these materials with a variety of communities.The project brings forward a range of dance artists, festival organisers, dance schools and local groups, and allows them to share their stories with the wider Coventry community.

 

DBiC Declan McHale Irish Dance Academy2 DBiC Declan McHale Irish Dance Academy _1
Declan McHale from the Irish Dance Academy in rehearsal for the World Championships (April 2019) Photo Credit: Antony Weir

 

In such a way, Dancing Bodies in Coventry aims to lay the groundwork for thinking about documenting the legacy of dance in Coventry and opens up conversations around Coventry’s intangible cultural heritage. This work contributes to Coventry City of Culture 2021 as it aims to bring local voices to the forefront allowing several key stakeholders to benefit through the knowledge production and knowledge sharing of the project, especially in bringing forward ‘lesser known’ independent dance artists and voices that have previously been somewhat hidden.
Dancing Bodies in Coventry also feeds into ongoing conversations around dance, heritage and legacies that are taking place at C-DaRE and in the wider dance research field. The films will feed into the CultureMoves project (and especially the forthcoming  MOOC). Our hope is that an up-to-date Coventry dance archive can help inform this wider European project’s thinking on dance’s place within online archives as intangible cultural heritage.

 

Filming has been taking place in locations across Coventry throughout the months of April and May.

DBiC Adrian Dowling ECLIPSE 1

Adrian Dowling discussing ECLIPSE Club (April 2019) Photo Credit: Antony Weir

 

Imagineers 2

Imagineers 1

Imagineers Productions and Media Mania’s “Venture” Performance Carousel (April 2019) Photo Credit: Antony Weir

 

To date, the operators have been moving through the city, finding out about site dance practice and uncovering the city’s dance stories by interviewing and filming a range of artists and academics including: Declan McHale from the Irish Dance Academy, Adrian Dowling who is running the ECLIPSE Club reflections project, Lily Hayward-Smith, Jenna Hubbard, Ella Tighe, Flux Dance, Katye Coe, Natalie Garrett Brown and Emma Meehan from the Sensing the City project, Oliver Scott from Mercurial Dance, Jane Hytch and Kathi Leahy from Imagineer Productions, Sarah Worth from Highly Sprung Physical Theatre Company, Kate Lawrence from Vertical Dance Company, Sarah Whatley, and Coventry University’s current dance undergraduates. The work encountered encompasses a variety of dance and movement forms including Irish traditional dance, flamenco, house music, physical theatre, vertical dance and more contemporary and somatic-based practices.

Dance CoventryThe project is now entering its post-production phase and completed films will be available online in July 2019. Watch this space!

 

For more information contact:
Rosa Cisneros
E: ab4928@coventry.ac.uk.
Twitter: @RosaSenCis
Marie-Louise Crawley
E: ad1803@coventry.ac.uk
Twitter: CrawleyMLC

“Pixels Noir Lumière” new digital exhibition by Miguel Chevalier

Digital artist Miguel Chevalier currently has the solo exhibition “Pixels Noir Lumière” in Soulages Museum in Rodez that pays tribute to the work of the painter artist Pierre Soulages, who will celebrate his 100th birthday on 24 December 2019. The exhibition presents two immersive generative and interactive digital installations, “Pixels Liquides” and “L’Origine du Monde”, which explore light as an artistic material.

Miguel CHEVALIER “Pixels Noir Lumière 2019” Musée Soulages, Rodez (France) from Claude Mossessian on Vimeo.

“Pixels Liquides” is an interactive installation projected on the wall (13.40 m x 7.80 m) like a large moving painting. Flows of virtual paintings of different shades of black and blue flow on the wall that has become canvas, creating large abstract paintings in real time. The virtual web is constantly changing. It reveals a light painting with surprising material effects. The movement of the spectators disrupts the work. It is a form of “electronic dripping”, where the spectator, like a digital brush, imposes his own gestures and modifies the work in its development.

origine_monde_3

“L’Origine du Monde” is an interactive installation projected on the ground (12 m x 7.50 m) inspired by biology, microorganisms and cellular automata. The installation presents different black and white virtual paintings composed of universes of cells that proliferate, divide, merge in a rhythm sometimes slow, sometimes fast. This organic world sometimes mixes with unstable mega pixels of black and white. The artist blends the cells, the basic elements of life with the pixels, the basic elements of artificial “life”. These fluid universes react visually according to the movements of visitors. Disruptions in the trajectory of these cells are created under their feet. “L’Origine du Monde” creates new visual experiences thanks to the superposition of different layers of images. The floating shapes create impressive optical illusions.

pixels_liquides_8

These two immersive installations are above all living experiences that engage the visitor’s body and their mobility in space. The relationship to the image is built in the register of displacement to explore all the potentialities of the work, just as for Pierre Soulages’ “Outrenoirs” to capture the variations of light on the paintings.

 

 


New-York Historical Society: 8000 sheets digitised

by Caterina Sbrana.

In my latest article I have been talking about the digital collection of the New-York Historical Society. During my research I was really captivated by a collection containing over 8,000 sheets, collected since 1816, that you can consult in the website freely.

This collection includes several categories: colonial objects, events in the history of the nation, European and American birds, landscapes, cityscapes, portraits, some portraying historical figures and many self-portraits of artists, illustrations of literary or journalistic works, graffiti  and documentary Civil War sketches.

Among the highlights we can find 500 watercolours by John James Audubon, his largest repository in the world; 221  drawings of George Catlin about Native American culture; 350 drawings and sketchbooks of Asher B. Durand; including important drawings by Hudson River School artists such as Thomas Cole, Jasper Cropsey, and John Frederick Kensett.

Audubon was an extraordinary lover and observer of birds and nature.

Audubon was an extraordinary lover and observer of birds and nature.

The drawing section is divided into: About, Hightlights, Has image and Full collection. With its 243 pages the full collection allows you to view drawings in different ways. We can view the drawings by filtering the search by title, date, object name. In this way the drawing appears on the left, then the title, the date and object number on the right.

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https://www.nyhistory.org/exhibits/category/all/55/grid/paged/title

In the other way you can see only the images of the drawings; passing over them with the mouse, without clicking, we acquire some information about the work such as the title, the date, the author. In both modes you can acquire more information by clicking on the image. It is also possible to either send the image to a friend or order it in a digital version.

https://www.nyhistory.org/exhibit/president-abraham-lincolns-coffin-lying-state-white-house-washington-dc

https://www.nyhistory.org/exhibit/president-abraham-lincolns-coffin-lying-state-white-house-washington-dc

To conclude, the collection furnishes a comprehensive survey of American art from its Inception, dominated by European artists, up through the 1860s, by which time native-born artists had asserted an American identity.

Louise Mirrer, President and CEO of the New-York Historical Society, presenting the exhibition titled Silicon City wrote that “the future” very quickly becomes history, and that history is all too easily lost.

I agree with this thought, and I would add that history can continue to live in the second reality that humanity has created: virtual reality.

Visit the website: https://www.nyhistory.org


Get Involved!

Cattura1Next  September 2019 world leaders from industry, finance, academia and business will meet in Brussels in occasion of the European research & Innovation Days, the annual policy event which aims is to mobilise EU citizens, increase awareness and understanding of how important research and innovation are in addressing the challenges that face society. The debate will cover vital areas of science, engineering, medicine, and wider social and environmental concerns.

It will also provide an important opportunity for key stakeholders to input ideas into the overall strategic planning for the future Horizon Europe.
Speakers will include ministers, commissioners, members of European Parliament, researchers, as well as surprise guests each day.
The event will host three different sections:
– A policy conference for debating and shaping the future research and innovation landscape.
– An Innovative Europe Hub meeting and exhibition space for inventors, investors, entrepreneurs and the whole range of services, businesses, civil society organisations, agencies and intermediaries that make European science technology so dynamic.
– Science Is Wonderful! A free exhibition which will brings the world of science to the public showing how science impacts the daily lives  through hands-on experiments, live demonstrations, face-to-face chats with researchers. Participants will face topics such as how to fight cancer, slow down global warming, prevent hunger and drought, facilitate human life in space.
Workshop sessions will be joined by research and innovation practitioners from around the world to discuss and co-design solutions to deliver the next great transition to a sustainable and prosperous economy, society, and planet.
Participants will collaborate across polices, setting the direction, spurring innovation, triggering investment, and mobilising citizens.
The event really represents a great opportunity to network, share best practices and knowledge.
Registration will be open at the end of April.
Link to the webpage.


50s in Budapest, news and updates from the project

photos by Valentina Bachi.

Hosted by partner OSZK, on 25th April a plenary meeting for the “Fifties in Europe Kaleidoscope” project took place in the beautiful premises of the National Library in Buda Castle. The meeting was attended by all the partners and was extremely useful to review the progress in each activity and to plan the next steps for project’s milestones.

frederik

Of particular interest were the presentations by Frederik Temmermans (imec) about the process of training for the visual recognition algorithm, that is currently going through million cycles of training in order to “learn” to recognize key features of the visual imagery of the 1950s; also the presentation by Maria Ralli (NTUA) focused on the latest development of the WITH infrastructure for annotation of digital collections. Important discussion took place about the upcoming education MOOC of the project, that is planned to be launched in the second semester of academic year 2019-2020 on KU Leuven’s online platform and which is featuring a good collaboration with the colleagues of Culture Moves project. Finally, curator Sofie Taes drove a lively discussion about the upcoming photographic exhibition that is currently under preparation, and which will be launched by Photoconsortium in Pisa in September 2019. Some preliminary thoughts were also shared about the final conference to be hosted by SPK in February 2020.

50s in budapest


Tribute to the 15 Years of Athens Digital Arts Festival

Athens Digital Arts Festival (ADAF), the representative of Greece in the international digital art scene, celebrates 15 years of constant presence with a great tribute event on 10 and 11 of May, opening for the first time to the audience the ex-shopping center FOKAS, at 41 Stadiou Str.

K.BHTA (Friday, 10/5) and Athens Voice Radio 102.5 (Saturday 11/5) on dexxx of the Tribute to the 15 years of Athens Digital Arts Festival.

adaf tribute

Emphasizing on its DNA, it presents to the public a multi-dimensional program with impressive interactive installations, web art by COSMOTE Fiber, top-of-the-top Video Art & Animation projects, explosive DJ Sets as well as interactive booths for the audience, artists and volunteers, who will have an active role to this celebration as they form the nucleic acid of its genetic code.

A tribute to all these artists, collaborators, institutions and volunteers who have been supporting the Festival for 15 years.

This two-day event will include some of the most impressive works by artists who have participated in the entire history of the Festival, as one of its main aims is to promote artists and to develop the Cultural and Creative Industry in Greece. The tribute will feature live sets, in a super-festive mood.

May, the festival’s milestone, the cradle that brought it to life, is the perfect time for this retrospective action that is dedicated to its history. Returning to its roots, ADAF reactivates, this time, the ex-shopping center FOKAS, at 41 Stadiou Street, in the heart of the city, with a great celebration of contemporary culture in Athens.

Participants and friends of the Festival, you are all honorary guests. Visit the tribute event and celebrate 15 years of digital art in Athens!

We would like to express our sincere thanks to the Unified Fund for Supplementary Insurance and Lump-sum Benefits and to the Governor, Nikos Brikis, as well as the Program of the Ministry of Labor, Social Security and Social Solidarity “Recovery of the Historic Center of Athens – Exploitation in terms of social return” of the property on Stadiou Street 41, which hosts the International Festival of Digital Arts in Greece.

Without their valuable help, it would not be possible to carry out our activities.

View Facebook event

#ADAFTribute #ADAFMayDNA

In Cooperation: Attica Region

Coorganization: OPANDA

With the support: Ε.Τ.Ε.Α.Ε.Π. | Ministry of Labour, Social Insurance and Social Solidarity “Recovery of the Real Estate of the Historic Center of Athens – Exploitation in terms of social return”

 

 


The New-York Historical Society. Ongoing challenges and record.

Text by Caterina Sbrana.

This is my third report from New York, specifically from Central Park where the New-York Historical Society is based. In New York I visited other museums, such as 9/11 Memorial & Museum and MOMA and after these experiences my interest about what I would find in other NYC museums was increasing. Furthermore reading about NYHS in my guide motivated me to visit it.

With over a hundred years of history, the New-York Historical Society can boast several records: it is the oldest museum in New York City, it is the first history museum in the United States designed specifically for children (DiMenna Children’s History Museum), it has the first center dedicated to Women’s History and one of the World’s largest collections of Tiffany glasswork, with 100 glistening Tiffany Lamps .

Here too, New-York Historical Society founders had a specific and clear mission: preserving documents, objects, artifacts, picture of their own time. They were eleven, it was 1804. 1

Two new museums recently founded caught my eye: one related to the women who shaped the American experience (2017), the other is a museum for children (2011) that presents 350 years of New York and American history through character-based pavilions, interactive exhibits and digital games.

Today the New-York Historical Society has a great collection of art and different kinds of documents both on-site and online. More than the visit in itself, what I have found very useful are the opportunities offered by several digital collections accessible from a computer, or smartphone. I think the richness of the museum are these extraordinary digital collections, very helpful for those who need to research, write books or essays , etc..

NYHS’ latest is a Digital Library that grows on maps, manuscripts (referring for example to slavery and African American history), thousands of New York City photographs, Civil War documents and other historical resources from the Patricia D. Klingenstein Library. This last Library has more than three million books, newspapers, music sheets, maps, prints, photographs and architectural drawings. It is one of the oldest libraries in the nation; researchers, in the field of education, implement its collections all the time.

Let’s browse the Digital Collection: we find beautiful drawings of one of the founders of the Hudson River School, Asher B. Durand, and several collections of photographic negatives (some of them are not dated), including a good collection of 403 negatives produced approximately in 1920-1980 by commercial photographers on behalf of The Boys’ Club of New York (“BCNY”).

In the caption of the collection we read “The majority depict young BCNY members engaged in a variety of activities, either at the club’s Tompkins Square Building (later renamed Harriman Clubhouse) or at the William Carey Camp in Jamesport, New York. Many of the photographs were published in annual reports, where they served to promote the organization’s work”.

image from The Burr McIntosh Photograph Collection

image from The Burr McIntosh Photograph Collection

Another extraordinary collection of photographs is the one by Burr McIntosh, better known as Burr,  whose collection (1898-1910) includes 596 glass plate negatives and 3,822 photographic prints dated from 1898 to 1910.

Getting the chance to consult Abraham Lincoln President’s manuscripts is exciting as it is also checking Walt Whitman’s letters; Civil War envelopes with drawings of eagles, animals, constitution, deaths’ head; a report on the defence of the City of New York, with maps, views, and topographical plans, including “thirty-three maps, plans, and views of the fortifications constructed on Manhattan Island during the War of 1812 originally bound up with a beautifully engrossed Report on the Defence of the City of New York … Addressed to the Committee of the Common Council by J.G. Swift, Brigadier General, Chief Engineer of the United States, New York, 1814 … ”

Pictorial Envelope: 1 envelope; 3 x 5 3/8 in. Waving American flag on a pole. White envelope with red and blue ink. Envelope addressed to Thompson Wescott Esq. No. 28 South 17th Street. Philadelphia, PA. Address at right. Image on left side.

Pictorial Envelope: 1 envelope; 3 x 5 3/8 in. Waving American flag on a pole. White envelope with red and blue ink. Envelope addressed to Thompson Wescott Esq. No. 28 South 17th Street. Philadelphia, PA. Address at right. Image on left side.

The benefits of digital technology in the cultural field are undoubtedly unique. The eleven founders of New-York Historical Society had well understood that preserving the testimonies in whatever form they might appear (paintings, drawings, photographs, letters, manuscripts, etc.) represented the construction and immortality of a Nation’s identity. It is a tribute that a generation leaves to coming generations.

Today, computer science and social media bring these documents within the reach of everyone. Digitization doesn’t end in itself and it has not only the  intent to preserve ancient documents: it links users, it keeps memory alive regenerating it continuously.

NYHS Website: http://digitalcollections.nyhistory.org/node/9