BLUE SKIES, RED PANIC – photo exhibition

Blue-skies-Red-panic

Photographic exhibition from the EU project “Fifties in Europe Kaleidoscope”.

6 – 20 September 2019

Vernissage on 6th September h. 17.30

Museo della Grafica, Palazzo Lanfranchi in Pisa.

Through the images from some of the most important European photographic archives, this exhibition showcases the era of the 1950s of a nascent Europe, balacing between east and west, freedom and repression, terror and euphoria. The Pisa display is the first of a series, as the exhibition is conceived to be travelling across Europe.

The exhibition in Pisa saw a collaboration with Museo Piaggio, Fondazione Pisa and Fondazione Palazzo Blu, enriching the BLUE SKIES, RED PANIC exhibition with an original Vespa from 1957 and a selection of images from the local exhibition Gli Anni ’50, Immagini di un decennio a Pisa which was displayed at Palazzo Blu in 2018.

BLUE SKIES, RED PANIC is created by the EU project Fifties in Europe Kaleidoscope, co-financed by the European Union in the CEF Connecting European Facility programme.

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The 1950s in Europe were a decade of transition and (re-)construction, modernisation and change. This change was fundamental and reached all Europeans who longed for the normality of everyday life after decades of war with new designs, new consumer products, new media, music and fashion. Glamour, “sweet home” and prosperity: these are well-known stereotypes that characterize the myth of an iconic age.

But this is just one side of the coin. This era was shaped by contradictions: many in Europe still suffered from the consequences of the Second World War such as hunger, poverty, lack of housing and displacement. The formation of interstate relations, which on the one hand led to rapprochement and cooperation between formerly hostile nations, but on the other hand was determined by hegemonic foreign policy and domestic repression, strengthened the already existing division of Europe into East and West and intensified Cold War tensions to the brink of a nuclear conflict.

The narratives that emerge from the black-and-white images are far from rendering simplified pictures of the past. Quite the contrary, many different facets and nuances, differences and similarities become visible. With a kaleidoscope of visual impressions, the exhibition aims to evoke memories that are familiar to us or invite us to a completely new discovery. Looking back on the iconic era of the 1950s in Europe, the exhibition offers a photographic retrospective, without falling into mere nostalgia, and promotes a critical understanding of the creation of the European Union in which we live today.

More info:

fifties.withculture.eu

www.photoconsortium.net/50s-in-europe-kaleidoscope


Blue skies, red panic – a photographic exhibition about the 1950s

blue skies red panic 1Much like scents, flavours and music, photographs are powerful triggers of memory. So what better medium to recall a past as recent and as visually recognizable as early postwar Europe…? For about a year, the consortium involved in the EU-funded project ‘Fifties in Europe Kaleidoscope’ has been diving into collections of libraries, archives and commercial agencies across Europe, to trace the tracks of the fifties in photography.

Visit the exhibition: https://www.photoconsortium.net/exhibitions/blue-skies-red-panic/

As the expected imagery surfaced quite quickly, we soon started to question its veracity. With project partners from both sides of the Cold War divide, our perspective was ‘bifocal’ from the outset. The fifties were indeed the breeding ground for Europe as we know it today, but at the time political regimes, economic circumstances, societal developments, levels of prosperity and consumer trends were very different in the east and west, north and south.

This exhibition could have easily turned into a simple game of contrasts and opposites. Yet while the pictures we selected are very much black and white, the stories they convey boast an endless range of greys. Through these shades, the reflection of the 1950s gains nuance, color and depth. Instead of a lens or a looking glass, we ended up using a kaleidoscope: a compound eye on differences and similarities, parallels and resonances, making the most of the ‘beautiful forms’ of an iconic age.

“Blue skies, red panic” created in the framework of the EU project “Fifties in Europe Kaleidoscope” is:

  • a travelling photographic exhibition, which will be on view from 6th until 20th September 2019 in the Museo della Grafica, Palazzo Lanfranchi in Pisa, and will then travel to Spain, Belgium and Germany
  • an interactive exploration of images and stories, to premiere in Leuven on the National Day of Science on 24 November 2019
  • a virtual exhibition on Europeana.eu, coming soon in Autumn 2019.

 



Embedding engagement: participatory approaches to cultural heritage

CatturaThe article, written by Prof. Neil Forbes and  Prof.  Silvana Colella (both from Coventry University,  REACH project coordinator and leader of the sustainability and resilience Work Package) went on-line last Saturday, in the Special Edition of the SCIRES-IT Journal titled “European Year of Cultural Heritage 2018. A laboratory for heritage-based innovation”.

The paper presents the work of the REACH project and its contribution to the EYCH Initiative #9 ‘Heritage for All’. It reflects on the issue of participatory approaches to cultural heritage, focusing in particular on:
1) the REACH repository of good practices, a dataset comprising over 100 examples, European and extra European, of social participation in cultural heritage;
2) the REACH Participatory Framework, developed to provide a protocol of participatory procedures and to support the organisation of local encounters;
3) the future of heritage research, in the light of current discussions about the constitution of a new coordination structure for European heritage research.

After just few days of promotion on social media this special volume received remarkable reactions and positive feedback for gathering  precious information, new perspectives and excellent contributions in support and preservation of Cultural Heritage.
The entire publication is available on line at  www.sciresit.it
More References:
SCIRES-IT Vol. 9 N° 1 Special Issue – European year of Cultural-Heritage. A laboratory for heritage-based innovation
Guest Editor Erminia Sciacchitano and Editors in-Chief V.Valzano and M.Cigola.
@itScires
Download the article
Embedding Engagement Perticipatory Approaches to Cultural Heritage


5th Biennial Conference of ACHS: “Futures”
ACHS2020
The Association of Studies on Critical Heritage (ACHS) is an international networking  that brings together people of  the interdisciplinary field of heritage studies (researchers, scholars and professionals ) who are interested in contributing to a critical  analysis of the role of heritage through a transdisciplinary and transversal reflection.
ACHS aims to promote and develop heritage studies as a social, cultural, economic, and political phenomenon and as an area of professional or governmental intervention from a perspective of sustainability, social and cultural equity.
During 2020,  from 26th to 30th of August, ACHS will hold its Fifth Biennial Conference in London, organized by the UCL Institute of Archaeology in association with the Arts and Humanities Research Council (AHRC) Heritage Priority Area.
The previous four conferences  held in  Sweden (Gothenburg2012), Australia (Canberra 2014), Canada (Montreal 2016) and China (Hangzhou 2018) reported a and a high level of participation and a contribution by numerous international delegates: thanks to the great success has been possible to establish networks and increase the interest for this topic.
Target  of this fifth conference is “Futures”  and  the aim is to trigger a serious and critically reflection on  the role of the future in heritage  to be conserved for present and future generations: or this purpose, participants will be invited to think expansively and creatively about the future of critical heritage studies.

 

Main sub-themes  identified:

  • Arts and Creative Practice
  • Future Policies and Politics of Heritage
  • Environmental Change and the Anthropocene
  • Digital Futures in and for Heritage
  • Folklore and Intangible Cultural Heritages
  • Heritage and Foodways
  • Conflict heritage and conflicted heritages
  • Urban heritage futures
  • Future Methods and Approaches to Critical Heritage Studies
  • Future Landscapes of Heritage
  • The Future Museum: Collections and Collecting
  • Heritage and time
  • The Futures of Heritage
  • Mobilities and Migration
  • Open Sub-theme: Open Sub-theme: intended for those who are not well represented in the other sub-themes but it is feel address the overall conference rationale

The Call for Participation is currently opened; the call for curated sessions, individual papers, posters, films and discussion panels is open and the deadline is the 15th of October.

Further informations at  https://achs2020london.com/

Italy fights the battle against illiteracy, 1950.

text by Caterina Sbrana.

General View of Rogiano Gravina. Rogiano Gravina is located around forty kilometers north of Cosenza, in the center of a very poor agricultural district. It counts close to 6,000 in habitants, and it is the most active community in Calabria in the fight against illitteracy. One thousand children in school age are attending  school, reaching almost one hundren per cent of attendance, and 700 adults are coming every night to a school established by the Unione Per La Lotta Contro L’Analfabetismo with Government support.[…] The Government is building a large elementary school which in the future will replace the 42 private schoolrooms and workshops for the adults.”

calabria1

The reading of this text represents the beginning of my visit to the David Seymour Photo Album exhibition. The exhibition is completely virtual and tells the extraordinary and unique photographic work done in the mid-1900s by photographer Seymour, as part of a reportage commissioned by UNESCO on the campaign against illiteracy in Calabria, Italy.

UNESCO has decided to digitalize the small album, 78 pages of contact sheets and accompanying text, and to show it on its site, creating a virtual exhibition and therefore accessible to all.

calabria2

“This album is thus an invaluable document to get an insight into the way this great photographer worked. The accompanying text to the contact sheets provide an analysis of the sociological context of Seymour’s reportage commissioned by UNESCO. The ‘Seymour album’ has already become the focus of research by specialists, which will soon be made available”.

calabria3

In the album we admire landscape photos,  children and men at school, women, men and children engaged in daily activities such as leading the sheep to pastures or mow the lawn. It goes without saying that this is a document of extraordinary importance for the history of Italy, for the commitment in the fight against illiteracy that mostly in the south reached very high and worrying percentages.

calabria4

In the introduction to the exhibition we learn that  “Out of the contact sheets, a number of photographs formed the final selection to illustrate an article published in the UNESCO Courier (Vol. V, No 3, March 1952, pp. 1-5) on the fight against illiteracy in Calabria. The author of this article was no less than Carlo Levi, who had become internationally famous by the publication, in 1945, of his novel, Christ Stopped at Eboli, dealing with issues such as the ‘North-South divide’ in Italy and populations in need of economical and, indeed, educational support. UNESCO was thus employing major artists and intellectuals of the time to mobilize public opinion on domains fundamental to its mission”.

I think it is necessary to appreciate the great work that UNESCO is carrying out in the field of digitisation of a cultural heritage that must be accessible to all. “The ‘Digitizing our Shared UNESCO History’ project has been the opportunity for a survey of the audio/visual collections of which the UNESCO Archives have only recently become responsible”. This exhibition is an extraordinary example.

Visit the online resource: https://digital.archives.unesco.org/en/web-exhibitions/detail/b6e64203-92d1-4c02-8cc9-0c59de7ac54f


“Smart Specialisation and the Heritage City”, ROCK workshop at the European Week of Regions and Cities
From 7 to 10 October 2019 in Brussels, the 17th edition of the European Week of Regions and Cities will be held, this year under the heading “Regions and Cities: Pillars of the EU’s Future”.
Sessions including Workshops, Participatory labs, Regions’ talks, Q & As on presented themes, Exhibitions will be offered.

european week 2019 Within the framework of this event will be the workshop “Smart Specialisation and the Heritage City”organized by the H2020 project ROCK on the morning 9th October.rock workshop imm

The workshop will be a great opportunity to discuss and strength the linkage between Cultural Heritage (CH) and the Smart Specialisation strategies (RIS3) now running all over Europe.

Smart specialization was a poor at city level, and this because local authorities were not involved adequate.

 

The discussion will focus on two main topics:

  • technology-driven challenges related to CH – which links to the RIS3 idea of prioritisation;
  • cross-innovation vectors involving CH – linked to the RIS3 concept of relatedness. (discussion facilitated by Prof. Christer Gustafsson from the University of Uppsala)

The workshop agenda, designed by partners of the Horizon 2020 ROCK project, including EUROCITIES and TASO, will include:

  • introductory statement by the European Commission (Framing CH at the innovation policy),
  • keynote by TASO (Talking to cities about S3)
  • the case study “Bologna and Emilia Romagna´s S3 joint approach to CH”,  jointly presented by the Regional Development Agency (ART-ER) and Comune di Bologna.

 

Further informations: here

 

Programme and registration: here

History of the Indian Tribes of North America, an extraordinary historical heritage

text by Caterina Sbrana.

img. Public Domain via Wikipedia
img. Public Domain via Wikipedia

“History of the Indian Tribes of North America” is a three-volume collection of Native American biographies and portraits originally published in the United States from 1838 to 1844, by Thomas McKenney and James Hall. McKenney served as Commissioner for Indian Affairs from 1824 to 1830 and during this time he commissioned and collected portraits of Native Americans for his gallery, in the War Department.

The Bureau of Indian Affairs was created on March 11, 1824 without authorization from the Congress. McKenney, formerly superintendent of Indian trade, was appointed to head the office, with two assistants. “McKenney was instructed to take charge of the appropriations for annuities and current expenses, to examine and approve all vouchers for expenditures, to administer the funds for the civilization of the Indians, to decide on claims arising between Indians and whites under the intercourse act, and to handle the ordinary Indian correspondence of the War Department”, it is explained in a blog about the history of the Bureau published in the journal of the American Studies Resources Centre at Liverpool John Moores University.

pa-she-pa-haw
Pa She Pa Haw, a Sauk chief

During his duties, the Superintendent of Indian Affairs understood that the future of Native American was at risk, as a consequence of unscrupulous individuals taking advantage of the Native Americans for profit. His many journeys to deal with the Chippewa or Menominee, to define mining rights on their land, allowed him to know the culture of these Indian tribes, and possibly for this reason McKenney decided to publish a record of such vanishing peoples: portraits, biographical sketches, anecdotes and a history of North American Indians. The book was enriched with the portraits he had commissioned.

The oil portraits of Indian leaders, realized on the occasion of their visits to Washington for negotiating treaties with the American government, were made by Charles Bird King and other American painters, while the texts were written by James Hall.

Ma has kah, chief of the Ioways
Ma has kah, chief of the Ioways

Unfortunately, most of the original paintings were destroyed in a fire after the Civil War, so the few remaining copies of this ancient book, containing the lithographies from those paintings, are the only resource left to preserve such an important heritage. But once again digital technology comes to help: in the Digital Collections of the University of Cincinnati we can access the digitized images, each with a wide description of the location, measurements, material, repository, description etc. and the images can be downloaded.

The images were digitized from a copy of the edition held in the Archives & Rare Books Library of the University.

Access the digital collection: http://digital.libraries.uc.edu/luna/servlet/univcincin~24~24
Blog about the history of the Bureau of Indian Affairs: http://www.americansc.org.uk/Online/indians.htm


Europeana 2019: Connect Communities

Europeana 2019 from Sebastiaan ter Burg on Vimeo.

Europeana 2019 was held at the historic National Library of Portugal, Lisbon, whose vast and diversified heritage covers almost ten centuries of Portuguese history and culture.

Europeana 2019 sold out in record time but if was performed in free live stream. There is a different link for each day. Enjoy the conference and follow via #Europeana2019 on twitter!

Wednesday 27 November
https://youtu.be/KktelA8sYb4

Thursday 28 November
https://youtu.be/r9-QHb7hkps

Friday 29 November
https://youtu.be/l2TCt2cgitE

Website and programme: https://pro.europeana.eu/page/europeana-2019

SB - Europeana 2019 PRO NEWS image.fw


Save the Date for PASIG 2020 in Madrid

pasig

The next Preservation and Archiving Special Interest Group (PASIG) meeting will take place in Madrid on 19-21 May 2020.

The Biblioteca Digital Memoria de Madrid, Centro Cultural Conde Duque is the event host. The PASIG Steering Committee is pleased to connect with colleagues in Conde Duque, which is the most important cultural center in Madrid and home to some of the city’s main libraries and archives. Like last year in Mexico City, this PASIG will offer bi-lingual translation services in English and Spanish.

The Preservation and Archiving Special Interest Group (PASIG) is dedicated to advancing the practice of digital preservation and archiving. It brings together practitioners, industry experts and researchers to share experience on how to put preservation and archiving into practice.

The event website is: http://www.pasig2020memoriademadrid.es. Agenda drafts, sponsorship information, registration, and travel and hotel options will be added in the coming months. The Program Committee is in its initial planning phase, but if you have a topic you want to be considered or would like to enquire about sponsorship, please email (c.mumma@austin.utexas.edu) and the Program Committee Chairs, Gilberto Pedreira Campillo (pedreiracg@madrid.es) and Carlos Villarrubia Rodríguez (villarrubiarc@madrid.es).

The Program Committee for Madrid and the PASIG Steering Committee are working closely together on this event. We would like to thank the members of both for all their effort and commitment! If you have an interest in digital preservation and want to be a part of a great community, make sure you save this date!

PROGRAM COMMITTEE CHAIRS / PRESIDENTES DEL COMITE DE PROGRAMA

Co-chairs: Gilberto Pedreira Campillo (pedreiracg@madrid.es), Director of Digital Library Memoria de Madrid and Carlos Villarrubia Rodríguez (villarrubiarc@madrid.es), Head of IT Technicians and Assistant in Digitalizing Area

STEERING COMMITTEE / COMITE DIRECTIVO

  • Natalie Baur, El Colegio de México
  • Tom Cramer, Stanford University
  • Ben Fino-Radin, Small Data Industries
  • Neil Jefferies, University of Oxford
  • Thomas Ledoux, Bibliotheque Nationale de France
  • Sarah Mason, Artefactual Systems
  • Becky McGuinness, Open Preservation Foundation
  • David Minor, UC San Diego Library
  • Courtney Mumma, Texas Digital Library
  • Matthias Razum, FIZ Karlsruhe

Hyperion: a new European project for the preservation of tangible cultural heritage
Hyperion is a new project received funding from the European Union’s Horizon 2020, it is just started in June and will last until November 2022.

hyperion

The purpose of Hyperion is to provide an integrated resilience assessment platform that, through the evaluation and understanding of risk, provides guidance on the best preparation for dealing with the danger and offers a faster, adapted and efficient response to the sustainable reconstruction of historical areas.

 

The deterioration of Cultural Heritage sites is one of the biggest challenges in conservation; landslides and earthquakes as well as climate change could have very strong impact on historic areas.The project, leveraging existing tools and new technologies, will focus on this aspects, considering the role of building technologies/materials, structural responses, preventive measures and restoration strategies, resilience and adaptation methodologies.

hyperion 2Currently there is no specific process for understanding and quantifying the effects of climate change on historical areas; Hyperion aims to introduce a research framework for climate and atmospheric composition downscaling.

The project will collect data and perform analyses that will help provide adequate adaptation and mitigation strategies and support sustainable reconstruction plans for CH damage.

A vulnerability map (based on the produced climate risk regional models) will be produced to guide the local authorities in their strategies to preserve heritage sites.

In Hyperion ”resilience” is a fundamental concept that offers an overarching strategy:

  • risk management,
  • identification of threats
  • prevention of damages through protection and preparation
  • planning and promotion of reconstruction strategies
  • preparation and promotion of long-term strategic approaches to adapt to Climate Change and to wield policy tools for economic resilience

The project will provide specific tools to support resilience:

  • physical tools
  • organizational tools
  • financial tools.

 

Hyperion will work closely with Pluggy, another important and successful European project.

More information for the project are available on the project official website: https://www.hyperion-project.eu/