The first #3D #CulturalHeritage object #3DforCulture harvested by Europeana.eu in the post- #BREXIT era from the UK, is now a reality. https://unescochair-dch.net/Guildhall_Great_Hall We are proud to celebrate a landmark achievement for European #DigitalCultural heritage, #CulturalDiplomacy and international collaboration. The magnificent … Continue reading
CEPIC and Photoconsortium are pleased to announce that their joint project, CHERISH (Cloud for HERitage – Image Sector Hub), has been selected for funding under the ECHOES Cascading Grants Call. CHERISH is one of only 20 projects, reflecting the project’s … Continue reading
As EUreka3D-XR approaches its final stage, we can start to draw conclusions from a fruitful 18 months and are delighted to share the project’s work, achievements and resources: “EUreka3D-XR: exploring cultural heritage through 3D digitisation and XR experiences” is now … Continue reading
Area: digital heritage
From Data to Wisdom: Resilient Integration across Societies, Disciplines, and Systems. The ACM/IEEE Joint Conference on Digital Libraries in 2018 (JCDL 2018) will be held in conjunction with UNT Open Access Symposium 2018 on June 3 – 6, 2018 in Fort Worth, … Continue reading
Auckland Live is a part of Regional Facilities Auckland, committed to promoting the arts, and supporting inclusiveness and access to the arts for all. In early December 2017, Auckland Live launched the first Accessibility Virtual Tour for the Town Hall– … Continue reading
How can digital culture enrich your daily life and work? Do you share, access or use cultural heritage materials online? Today, the Commission launches a public consultation to hear the opinions from citizens and organisations with a personal or professional … Continue reading
2018 will be the European Year of Cultural Heritage when citizens across Europe are invited to explore what it offers in all its forms. Europeana, the digital face of Europe’s cultural heritage, partners the Year and will supply the cross-border … Continue reading
Merle Friedrichsen attended the “No Time To Wait 2” symposium organised by PREFORMA in November 2017 and gave a presentation on “Open Source Tools in the Digital Archive Workflow” from the perspective of the German National Library of Science and Technology. They both veraPDF (PDF/A), and MediaConch (for Matroska/FFV1 – for film) and the result is that all the requirements that they identified regarding open source software for validation are fulfilled (or are possible to fulfill) by these tools. Continue reading
Virtual Multimodal Museum (ViMM) is a high-visibility and participative Coordination and Support Action (CSA), funded under the EU Horizon 2020 programme (CULT-COOP-8-2016). ViMM brings together Europe and the world’s leading public and private sector organizations working on Virtual Museums and … Continue reading
A 3D digital re-creation and preservation of Bethel African Methodist Episcopal Church, the oldest African-American church in Indianapolis, was performed by Indiana University and recently presented to the public. Bethel AME Church has historically been the heart of the African … Continue reading
Europe is the second largest Cultural and Creative industries (CCIs or Cultural and Creative sector, CCS) market in the world after Asia. A study by ‘Cultural Times’ estimates that European Union creates 32% of global CCI revenues and 26% of … Continue reading
The aim of this special issue is to solicit interdisciplinary studies about the complex phenomenon that takes place during the aesthetic and synesthetic involvement of a human observer in the perception of Cultural Heritage and art mediated by virtual and … Continue reading
The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. There are also a number of other fixes and improvements which are documented in the latest release notes. Continue reading
