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- The presentation included a sneak peek of the status of the pilots and XR tools prototypes
On the Autumn edition of the Europeana Aggregators Forum (15-16 October 2025), Valentina Bachi from Photoconsortium was invited to delivered a presentation to showcase the outcomes and progress of EUreka3D-XR. The presentation started with the two main outcomes from EUreka3D … Continue reading →
Workshop at Digital Heritage 2025, Siena, Italy - 8th September 2025 h. 15.30-18EUreka3D-XR takes part in the Digital Heritage 2025, a widely recognized event dedicated to the advancement of theory and practice within digital cultural heritage. DH 4th edition brings together leading international scientific organisations, initiatives and events, all in one venue with … Continue reading →
project presentation with video and dissemination materials at the important event on e-infrastructuresThe EUreka3D inititiave is presented in the EGI Conference, which takes place at the Palacio de la Magdalena in Santander, Spain from June 2nd to June 6th, 2025. The project coordinator, Antonella Fresa, will deliver the speech Transforming the digital cultural … Continue reading →
Area: digital heritage
The competition encourages people to create new, fun and unique artworks from digitized cultural heritage material. A GIF is an image, video or text that has been digitally manipulated to become animated. Throughout the month, they can create and submit … Continue reading
Europeana Research is delighted to be launching the second Europeana Research Grants Programme. Applicants are encouraged to come up with individual research projects which make use of Europeana Collections content to showcase and explore the theme of intercultural dialogue. Applicants … Continue reading
RMIT University is pleased to host the 20th International Conference on Cultural Economics, presented by the Association for Cultural Economics International (ACEI). The Conference will be held in Melbourne, Australia, from Tuesday June 26th to Friday June 29th , 2018. The program … Continue reading
This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
In September 2017, the Europeana Pro website went throught a major redesign, also integrating Europeana Labs and Europeana Research, which were previously living on separate websites. One of the main reasons for this redesign was to place people first: the new … Continue reading
August 16 2017 The National Gallery, London, is working in collaboration with museum analytics firm, Dexibit, to use big data for predictive analytics. For decades, directors at the helms of the world’s cultural institutions have faced the challenge of balancing … Continue reading
Once again this year, EUDAT is co-organising the Digital Infrastructures for Research (DI4R) event together with RDA Europe, PRACE, EGI, OpenAIRE and GÉANT. The event takes place in the heart of the European Union in Brussels (Belgium) on 30th November and 1st December 2017, hosted … Continue reading
The fourth edition of the TECHNOLOGYforALL Forum will be held in Rome from 17 to 19 October 2017. Italy’s role in the development and conservation of the world Heritage is a framework where we will try to analyse the weighted … Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
Università Cattolica del Sacro Cuore – Milano and Opera di Santa Maria del Fiore in Florence are glad to present the Executive Master in Cultural Heritage. Creativity, Innovation and Management: a one-year, full-time program, taught entirely in English, that attracts candidates … Continue reading






















