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- Lugano (Switzerland), 25th October 2025
SECreTour project, together with Photoconsortium, Europeana, UNESCO Chair of the Università della Svizzera Italiana in ICT to develop and promote sustainable tourism in world heritage sites and UNESCO Chair of the Università di Genova in Anthropology of Health, Biosphere and Healing Systems, is … Continue reading →
- Europeana 2025 held on 11-12 June 2025 under the patronage of the Polish Presidency of the Council of the EU!
EUreka3D-XR takes part in the Europeana Conference 2025, a hybrid event held under the patronage of the Polish Presidency of the Council of the EU. Europeana 2025 – preserve, protect, reuse will explore critical questions facing the digital heritage sector and society at … Continue reading →
- On 4 March 2025, the Bibracte team held its first workshop as part of the EUreka3D-XR project.
With the scope of updating CH staff from Bibracte team, this workshop held in French brought together professionals who had contributed to previous project EUreka3D (scientific data enhancement, conservation, research, digital mediation, and IT) along with new participants (educational mediation, … Continue reading →
Area: digital heritage

Invitation: First meet-up of European GLAM Hackathon organisers in Berlin Date: 04th of December 2017 from 10 to 15 Venue: Wikimedia Deutschland e.V. Tempelhofer Ufer 23-24 in 10963 Berlin, Germany Host: the organisers of Coding da Vinci (DDB, digiS and … Continue reading

The competition encourages people to create new, fun and unique artworks from digitized cultural heritage material. A GIF is an image, video or text that has been digitally manipulated to become animated. Throughout the month, they can create and submit … Continue reading

Europeana Research is delighted to be launching the second Europeana Research Grants Programme. Applicants are encouraged to come up with individual research projects which make use of Europeana Collections content to showcase and explore the theme of intercultural dialogue. Applicants … Continue reading

RMIT University is pleased to host the 20th International Conference on Cultural Economics, presented by the Association for Cultural Economics International (ACEI). The Conference will be held in Melbourne, Australia, from Tuesday June 26th to Friday June 29th , 2018. The program … Continue reading

This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading

In September 2017, the Europeana Pro website went throught a major redesign, also integrating Europeana Labs and Europeana Research, which were previously living on separate websites. One of the main reasons for this redesign was to place people first: the new … Continue reading

August 16 2017 The National Gallery, London, is working in collaboration with museum analytics firm, Dexibit, to use big data for predictive analytics. For decades, directors at the helms of the world’s cultural institutions have faced the challenge of balancing … Continue reading

Once again this year, EUDAT is co-organising the Digital Infrastructures for Research (DI4R) event together with RDA Europe, PRACE, EGI, OpenAIRE and GÉANT. The event takes place in the heart of the European Union in Brussels (Belgium) on 30th November and 1st December 2017, hosted … Continue reading

The fourth edition of the TECHNOLOGYforALL Forum will be held in Rome from 17 to 19 October 2017. Italy’s role in the development and conservation of the world Heritage is a framework where we will try to analyse the weighted … Continue reading

This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading