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Explore two new source collections on Historiana, the online multimedia tool co-funded by the European Union that provides teachers with innovative, interactive resources to bring history to life and engage students. These collections feature 3D models digitised through the … Continue reading
On January 1st of every year, new heritage works enter the public domain. Unfortunately, these works often remain inaccessible to the public. In order to share experiences and best practices in opening up this material, Meemoo, COMMUNIA, Creative Commons, … Continue reading
Join the annual EUscreen Symposium on December 9th and 10th in Barcelona. The rapid advancement of Artificial Intelligence technologies has opened new horizons for the audiovisual sector, offering opportunities for creativity, and efficiency. However, as AI becomes increasingly integrated … Continue reading
Area: digital heritage
The competition encourages people to create new, fun and unique artworks from digitized cultural heritage material. A GIF is an image, video or text that has been digitally manipulated to become animated. Throughout the month, they can create and submit … Continue reading
Europeana Research is delighted to be launching the second Europeana Research Grants Programme. Applicants are encouraged to come up with individual research projects which make use of Europeana Collections content to showcase and explore the theme of intercultural dialogue. Applicants … Continue reading
RMIT University is pleased to host the 20th International Conference on Cultural Economics, presented by the Association for Cultural Economics International (ACEI). The Conference will be held in Melbourne, Australia, from Tuesday June 26th to Friday June 29th , 2018. The program … Continue reading
This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
In September 2017, the Europeana Pro website went throught a major redesign, also integrating Europeana Labs and Europeana Research, which were previously living on separate websites. One of the main reasons for this redesign was to place people first: the new … Continue reading
August 16 2017 The National Gallery, London, is working in collaboration with museum analytics firm, Dexibit, to use big data for predictive analytics. For decades, directors at the helms of the world’s cultural institutions have faced the challenge of balancing … Continue reading
Once again this year, EUDAT is co-organising the Digital Infrastructures for Research (DI4R) event together with RDA Europe, PRACE, EGI, OpenAIRE and GÉANT. The event takes place in the heart of the European Union in Brussels (Belgium) on 30th November and 1st December 2017, hosted … Continue reading
The fourth edition of the TECHNOLOGYforALL Forum will be held in Rome from 17 to 19 October 2017. Italy’s role in the development and conservation of the world Heritage is a framework where we will try to analyse the weighted … Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
Università Cattolica del Sacro Cuore – Milano and Opera di Santa Maria del Fiore in Florence are glad to present the Executive Master in Cultural Heritage. Creativity, Innovation and Management: a one-year, full-time program, taught entirely in English, that attracts candidates … Continue reading
