Authors of both theoretical or empirical research studies are invited to join the workshop devoted to the concept of resilience in general and connected to urban heritage in particular.
The idea of the workshop is rooted in the project which observes adaptation processes in historical perspective in the context of accelerating urbanisation, focuses on the new important phenomenon of cultural heritage and analyses the role of experts in managing our society in various regions.
the brainstorming will face issues such us:
How can we explore adaptation of cities through resilience?
How is it linked to sustainability?
To resistance?
How is resilience related to cultural heritage and cities? Is resilience limited to this perspective, or is there more?
Who can influence the process of making the city’s heritage resilient?
Contributions built on various approaches and various understanding of adaptation of cities (urbanized societies), of resilient heritage and resilience of heritage are welcome.
Submission deadline: September 30th, 2018.
Contact: luda.klusakova@ff.cuni.cz
Organizers: Institute of Sociological Studies at the Faculty of Social Sciences, KREAS VP2WP3 “Adaptation in Historical Perspective” research team, and REACH project at the Institute of World History of the Faculty of Arts, Charles University, the Czech division of the UNESCO–MOST Program.
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UPCOMING EVENTS:
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All submissions and inquiries should be directed to the attention of:



Europeana Network Association AGM 2018: “Building Communities”
The Summit theme and this accompanying publication, MORE THAN REAL. ART IN THE DIGITAL AGE, were conceived by partnering museum director Daniel Birnbaum of Moderna Museet Stockholm, Sweden. The publication is edited by Daniel and Michelle Kuo, curator of painting and sculpture at MoMa NY and eatures contributions from 2018 Summit speakers, forming a multidisciplinary exploration of art in the digital age by artists, museum directors, curators, and academics. Contributions range from reflective moments on artistic practices, to essays on threats of new technologies and curatorial practices. Ed Atkins writes reflectively on his work in his essay ‘Losslessness’: “Writing this, I’m struck by the queasy clarity of my own neuroses – as well as their positive motility: how I’ve almost always wanted my videos firstly to be analogous to people, to bodies, to experience, to loss.”
































