Open January 26 of 2019 and stands for indefinite duration in the Municipal Gallery of Vieira de Leiria in the Municipality of Marinha Grande, the International Surrealism Now is the world’s largest surrealist exhibition in the 21th century.
Municipal Gallery of Vieira de Leiria
Presenting so far 118 of the main surrealist artists from 49 countries of the five continents, continuing its work this time in the city of Marinha Grande in the Municipal Gallery of Vieira de Leiria, after having already passed through the cities of Lisbon, Porto, Setubal, Amadora, Lousã, Aveiro, Coimbra, Conimbriga Museum and in the Medieval Castle of Ega’s palace.
This ground breaking project is presented by Santiago Ribeiro, Portuguese surrealist painter, dedicated to promoting Surrealism of the 21st century, through exhibitions presented over the last 8 years in various parts of the world: Berlin, Moscow, Dallas, Los Angeles, Mississippi, Warsaw, Nantes, Paris, London, Florence,Madrid, Granada, Barcelona, Lisbon, Belgrade, Monte Negro, Romania, Japan, Taiwan and Brazil.
International Surrealism Now of the 21st century presents a strong force for freedom of creativity, love and hope. This can be see in the works of the personal visions of 118 of the world’s leading surrealism artists representing the hopes, dreams and idealogies of 49 countries proposing new perspectives, solutions and healing journeys.
Artists:
Achraf Baznani, Morocco / Agim Meta, Spain / Aissa Mammasse, Algeria / Alessio Serpetti, Italy / Alvaro Mejias, Venezuela / Ana Neamu, Romania / Ana Pilar Morales, Spain / Andrew Baines, Australia / Aquilino Ferreira, Portugal / Asier Guerrero Rico (Dio), Spain / Brigid Marlin, UK / Bien Banez, Philippines / Can Emed, Turkey / Carlos Sablón, Cuba / Cătălin Precup, Romania / Cristian Townsend, Australia / Conor Walton, Ireland / Cynthia Tom, China / USA / Dag Samsund, Denmark / Daila Lupo, Italy / Dan Neamu, Romania / Daniel Chiriac, Romania / Daniel Hanequand, France / Canada / Daniele Gori, Italy / Delphine Cencig, France / Dean Fleming, USA / Domen Lo, Slovenia / Edgar Invoker, Russia / Efrat Cybulkiewicz, Venezuela / Egill Eibsen, Iceland / Erik Heyninck, Belgium / Ettore Aldo Del Vigo, Italy / Farhad Jafari, Iran / France Garrido, USA / Francisco Urbano, Portugal / Gabriele Esau, Germany / Genesis Cabrera, USA / Graça Bordalo Pinheiro, Portugal / Graszka Paulska, Poland / Gromyko Semper, Philippines / Gyuri Lohmuller, Romania / Hector Pineda, Mexico / Hector Toro, Colombia / Henrietta Kozica, Sweden / Hugues Gillet, France / Isabel Meyrelles, Portugal / Iwasaki Nagi, Japan / James Skelton, UK / Jay Garfinkle, USA / Jay Paul Vonkoffler, American / Argentine / Jimah St, Nigeria / Joanna Budzyńska-Sycz, Poland / João Duarte, Portugal / Keith Wigdor, USA / Leo Wijnhoven, Netherlands / Leo Plaw, Germany / Liba WS, France / Lubomír Štícha, Republic Czech / Ludgero Rolo, Portugal / Lv Shang, China / Maarten Vet, Netherlands / Maciej Hoffman, Poland / Magi Calhoun, USA / Marnie Pitts, UK / Maria Aristova, Russia / Mario Devcic, Croatia / Martina Hoffman, Germany / Mathias Böhm, Germany / Mehriban Efendi, Azerbaijan / Naiker Roman, Cuba / Nazareno Stanislau, Brazil / Nikolina Petolas, Croatia / Octavian Florescu, Canada / Ofelia Hutul, Romania / Oleg Korolev, Russia / Olesya Novik, Russia / Olga Spiegel, USA / Otto Rapp, Austria / Paula Rosa, Portugal / Paulo Cunha, Canada / Pedro Diaz Cartes, Chile / Penny Golledge, UK/ Peter MC LANE, France / Philippe Pelletier, France / Roch Fautch, USA / Rodica Miller, USA / Ruben Cukier, Argentine / Israeli / Rudolf Boelee, New Zealand / Russbelt Guerra, Peru / Sabina Nore, Austria / Sampo Kaikkonen, Finland / Santiago Ribeiro, Portugal / Sarah Zambiasi, Australia / Serge Sunne, Latvia / Sergey Tyukanov, Russia / Shahla Rosa, USA / Shoji Tanaka, Japan / Shan Zhulan, China / Shia Weltenmenge, Germany/ Sio Shisio, Indonesia / Slavko Krunic, Serbia / Sônia Menna Barreto, Brazil / Steve Smith, USA / Stuart Griggs, UK / Svetlana Kislyachenko, Ukraine / Svetlana Ratova, Russia / Tatomir Pitariu, USA / Tersanszki Cornelia, Romania / Ton Haring, Netherlands / Victor Lages, Portugal / Vu Huyen Thuong, Vietnam / Yamal Din, Morocco / Yuliya Patotskaya, Belarus / Yuri Tsvetaev, Russia / Zoltan Ducsai, Hungary / Zoran Velimanovic, Serbia.
REvivEU is a project financed by the EU in the framework of the European Year of Cultural Heritage. The objective is to realize a series of pop-up exhibitions across 2019 in various European cities, to celebrate the diversity of European cultural heritage and to empower citizens in a more participative approach to cultural heritage. The exhibitions will be co-created joining institutional cultural heritage with crowdsourced stories and personal items. Each exhibition will be mixed physical-digital and highly interactive for the visitors, including a contest for the best cultural items presented in the exhibitions. The most voted crowdsourced item in each city will grant the holder a trip to Brussels for participating in the final event of REvivEU.
10 European cities – Cultural heritage and local history – Co-creation and crowdsourcing
Discover the event in your city, and join in to share the stories from your family and add your bit of family heritage to the bigger picture of European history. And you can win a trip to Brussels to the great final party of REvivEU in February 2020. WeAre#EuropeForCulture
AMSTERDAM / BUDAPEST / SOFIA / HELSINKI / KRAKOW / BASEL / VILNIUS / PISA / GIRONA / CYPRUS / FINAL EVENT
REvivEU team
MORE INFO: http://www.photoconsortium.net/reviveu-home/
The second Faro Convention research-action workshop “Cross-fertilization roads between Heritage and Participatory Citizenship” took place in Huelva (Spain) the 3-4 December.
It focused on the actual organization of “heritage communities” to both manage such enlarged “cultural heritage” and participate effectively in its governance. Involving both civil society (heritage communities) and academia (Universities), it discussed the various governance models and practices most adapted in achieving Faro Convention values and principals, taking into account the various specific contexts.
Dr. Gábor Oláh research assistant at Eötvös Loránd University (ELTE) presented REACH project at the workshop and hosted the world café table on social cohesion and integration.
Programme and information here.
The Faro Convention on the Value of Cultural Heritage for Society (2005) has been ratified by 17 member states of the Council of Europe and signed by 6. It is a powerful, innovative and democratic tool for facing complex social and cultural challenges. Likewise, the Faro Convention Action Plan is designed to translate the Faro Convention principles into practice through an active learning platform (the Faro Convention Network) to build on good practices and to generate dynamic dialogue among practitioners, facilitators and heritage stakeholders.
During the third week of November (from 21 to 24) it was held a new edition of the Image and Research Conference, organized by the Centre for Image Research and Diffusion (CRDI) of the Girona City Council with the collaboration of the Association of Archivists of Catalonia and promoted by ICA. In that edition, around 150 people attended representing eighteen different countries. The Image and Research Conference held its fifteenth year, and after 28 years, it has become the one if the benchmark events in Europe for professionals involved in photography and audiovisual mainly in the field of archives, preservation, history and document management.
15es Jornades Imatge i Recerca al Palau de Congresso de Girona. Acte d’obertura de les jornades. D’esquerra a dreta, Joan Soler, president de l’Associació d’Arxivers – Gestors de Documents de Catalunya, Narcís Sastre, regidor de Paisatge i Hàbitat Urbà de l’Ajuntament de Girona, Elsa Ibar, directora general de Patrimoni Cultural de la Generalitat de Catalunya i Joan Boadas, director del Centre de Recerca i Difusió de la Imatge.
The Conference started on the 21st with a workshop devoted to photography conservation titled “When the alarms fire, 5 critical aspects for conservation of photography”. The teacher was Fernando Osorio, a well-known conservator of photography of the international scene. Three days later, on the 24th, another workshop took place. In this case, it was devoted to the digitissation of color photography, by Bea Martínez, Chief of Studies at the Center for Image and Multimedia Technology (CITM) of the Polytechnic University of Catalonia (UPC).. 45 people attended the workshops.
On the 22nd and 23rd it took place the sessions for papers and presentations that make up the main event of the Conference in the Girona Conference Centre. To highlight the speakers we quote Frederik Temmermans, from Vrije Universiteit (Brussels) and Research Manager at IMEC (Interuniversity Microlectronics Center), who gave a talk about technology and methods for the integrity of digital images. Tomislav Ivanjko, assistant professor at the Department of Information and Communication Sciences (University of Zagreb), dedicated his talk to the gamification of photographic archives, as a way for users engagement. Bea Martínez, the workshop teacher, made a theoretical approach to the digitisation of colour photography. Last, Joan Boadas, Director of CRDI – Girona City Council, explained how to manage a photographic archive and he focused in how to project it towards the future.
15es Jornades Imatge i Recerca. Taller “Quan es disparen les alarmes. 5 aspectes crítics per la conservació de la fotografia” a càrrec del conservador de fotografia Fernando Osorio.
The experiences session was mainly focused on institutions and companies in Latin America in order to better understand the reality of these countries and learn from their experience. Sergio Burgui, from Moreira Salles Institute in Brasil, Daniel Sosa, from Photography Center in Montevideo (Uruguai), and again Fermando Osorio, representing the company Televisa in Mexico, were the representatives of this territory. They made evident the important works that are going on in all these countries. Last, a completely different experience, by Alain Dubois, archivist of canton of Valais, who explained a pilot project at the regional television, using a speech recognition tool.
The program gives also special importance to the debate and participation. On the 23rd it took place a debate about how to engage new audiences in which people talked about the possibilities that the digital media offer to archives, the interactivity with users, the social media and mainly Instagram, the professional creativity, the use of technologies, etc. It was a dialogue between David Iglésias, from CRDI, and Irina González, Master’s in Business Innovation, who provided an innovative and creative point of view.
15es Jornades Imatge i Recerca al Palau de Congressos de Girona. Pausa.
In the section of Conservation, dedicated to the Ángel Fuentes Memorial, CRDI made a presentation of Ángel Fuentes Collection of daguerrotypes, ambrotypes and ferrotypes. It was acquired this year and is one of the most important collections in the country. The conservator of Photography, Josep Pérez, made an assessment of this collection. Fernando Osorio, a colleague of Angel Fuentes in Latin American, gave a more personal approach to this man.
Last, we should mention the session of 23rd afternoon dedicated to papers. 30 papers were presented, from 10 different countries. This makes evident the need to count on this kind of forums to share knowledge and experiences. Once again, the four-days meeting and workshops in Girona was for all of us a good opportunity to be in contact with colleagues with different backgrounds, but with a shared interest: the photographic and audiovisual heritage.
Link to the papers and the photographic reportage:
https://www.girona.cat/sgdap/cat/jornades_properes-ENG.php
Blog and Photos courtesy Centre for Image Research and Diffusion (CRDI). Girona City Council
In the framework of the Small Towns Heritage Pilot of REACH project, the brainstorming workshop was focused on the definition, conceptualization and application of the term resilience in humanities and social sciences.
The meeting took place at Charles University, Faculty of Arts in mid November. The workshop was very well attended by scholars working in Archeology, Social and Urban History, Literature, Architecture and Urban Planning, Anthropology and Public History. They also represented a variety of linguistic milieux – Italian, English, Finnish, Polish, Slovak and Czech, which influence the usage of the term resilience in scholarly and public discourse. The presentations explored the context of resilience in small towns with rich cultural heritage, contribution of museums, the effect of educational programs carried by community workers trained in anthropology, the chances of activists struggling with extremism through instrumental use of cultural heritage. Participants wish to publish the summary of the discussion and the variety of contributions. Organizers believe that this meeting creates basis for the planned REACH workshop on resilience in April 2020.
Friday 14th and Saturday 15th h 21:00; Sunday 16th of December 2018 h 18:00
SPAZIO OSC, CAGLIARI – “THE FEAR DEVOURS THE SOUL”
Theatre and New Technologies Performance
outcome of the technological creative residence A.R.T.E – AUGMENTED REALITY EXPERIENCE – international exchange and project by and with KYBER TEATRO (Italy), MINWAL THEATRE COMPANY (Libanon) theatre companies, V.E.I.A Multimedia Association (France), and other artists and performers from Sardinia under 35.
“The Fear devours the Soul” is a reflection about the themes that distinguish these times dictated by the ubiquity of fear as a universal feeling that unites humanity.
An experiment of augmented theatre reality, based on an artistic and technological research that develops through the spectator’s presence and the choices he makes within the performance.
A “bio game”, a theatrical experience on life, in which stage writing and digital imaginary evolve through the use of new technologies, increasing the participation of those who attends at the same time.
After the show of Sunday evening, it will be presented also a conference open to the whole audience and addressed in particular to the small and medium cultural and artistical companies or show business enterprises, about the results of the project called A.R.T.E and the experience of augmented theatre reality we have done in this artistical technological residence.
Sponsored by Russian Ministry of Education and Science, Russian Academy of Sciences, Russian Foundation for Basic Research
We are glad to announce the 15th International Conference on Parallel Computing Technologies (PaCT-2019). The Conference is to be held in Almaty, Kazakhstan, August 19-23, 2019.
The Conference is jointly organized by the Institute of Computational Mathematics and Mathematical Geophysics (Russian Academy of Sciences, Novosibirsk, Russia), Novosibirsk State National Research University, Al-Farabi Kazakh National University (Almaty, Kazakhstan), and University of International Business (Almaty).
The aim of the PaCT-2019 is to give an overview of new developments, applications, and trends in parallel computing technologies. We sincerely hope that the conference will help our community to deepen understanding of parallel computing technologies by providing a forum for an exchange of views between scientists and specialists from all over the world. We welcome your active participation.
WEBSITE: http://ssd.sscc.ru/conference/pact2019/
MAIN TOPICS
CALL FOR PAPERS – extended deadline 31 March 2019
Original papers are solicited for the conference. All contributions will be reviewed by the international Program Committee. Authors will be notified of acceptance by April 15, 2019. We will require camera-ready full papers by May 26, 2019.
In order to submit a paper or just indicate your interest in the PaCT-2019, please register at the site of the conference http://ssd.sscc.ru/conference/pact2019and follow the instructions which you will find there. A paper submission system will be activated on the 10th of December, 2018. If you face any difficulties using this site, please contact the Secretary (pact2019@ssd.sscc.ru). Only electronic submission of manuscripts is possible.
The first page should include (but not be limited to) the following information: title, authors’ full names, affiliation, addresses, telephone numbers, e-mail addresses. To gain the better understanding of your abstract, we also request to include the following information: short review of related papers, formulation of the problem, objectives, description of results, main ideas, and list of references.
The organizers expect that the authors of selected papers will present their work at the Conference. Proposals for workshops and 1/2 and full day tutorials will be considered.
The Conference Proceedings are planned to be published as the volume of the Springer Verlag LNCS (Lecture Notes in Computer Science) series and distributed at the Conference. We plan also to publish selected papers in a special issue of an indexed international journal. The official language of the Conference is English.
IMPORTANT DATES
CONTACT INFORMATION
NOVOSIBIRSK, RUSSIA
Prof. Victor Malyshkin
PaCT-2019 Organizing Committee
Phone: +7 (383) 330-89-94
Supercomputer Software Department
ICM&MG, Russian Academy of Sciences
Pr. Lavrentieva, 6
630090, Novosibirsk, RUSSIA
E-mail: pact2019@ssd.sscc.ru
PaCT-2019 Web pages: http://ssd.sscc.ru/conference/pact2019
PROGRAM COMMITTEE
Victor Malyshkin, professor, head of the Supercomputer Software Department, Institute of Computational Mathematics and Mathematical Geophysics, Russian Academy of Sciences, Chairman
Darkhan Akhmed-Zaki, president of the University of International Business, professor at al-Farabi Kazakh National University, Almaty, Kazakhstan
Sergey Abramov, head of the Program Systems Institute, Russian Academy of Sciences
Farhad Arbab, head of Foundations of Software Technology Cluster, Leids University Foundation professor, Leiden Institute for Advanced Computer Science & Centre for Mathematics and Computer Science, Netherlands
Jan Baetens, Department of Mathematical Modelling, Statistics and Bioinformatics, Faculty of Bioscience Engineering, Ghent University, Belgium
Stefania Bandini, director of Complex Systems & Artificial Intelligence Research Center, director of the PhD School in Computer Science, University of Milano-Bicocca, Italy
Olga Bandman, professor, Supercomputer Software Department, Institute of Computational Mathematics and Mathematical Geophysics, Russian Academy of Sciences
Thomas Casavant, director of the UI Center for Bioinformatics and Computational Biology, director of the ECE Parallel Processing Laboratory, professor, University of Iowa, USA
Pierpaolo Degano, professor of the Department of Computer Science, director of the PhD program in Computer Science, University of Pisa, Italy
Dominique Deserable, head of the research group “Cellular Automata in Hydrogeomechanics”, Laboratory of Civil and Mechanical Engineering (LGCGM), National Institute for Applied Sciences, Rennes, France
Victor Gergel, professor, dean of Computational Mathematics and Cybernetics department, Lobachevsky State University of Nizhni Novgorod
Bernard Goossens, professor, University of Perpignan, France
Sergei Gorlatch, professor of Computer Science, Institute of Computer Science, University of Muenster, Germany
Yuri G. Karpov, head of Department of Distributed Computing and Computer Networks, St.Petersburg State Polytechnical University, Russia
Alexey Lastovetsky, founding director of the Heterogeneous Computing Laboratory, senior lecturer, School of Computer Science and Informatics, University College Dublin, Ireland
Jie Li, professor, Faculty of Engineering, Information and Systems, University of Tsukuba, Japan
Thomas Ludwig, director of German Climate Computing Center, professor, University of Hamburg, Germany
Giancarlo Mauri, director of Department of Computer Science, Systems and Communications, professor, University of Milano-Bicocca, Italy
Igor Menshov, Keldysh Institute for Applied Mathematics, Russian Academy of Sciences, Moscow, Russia
Nikolay Mirenkov, special honorary professor, University of Aizu, Japan
Marcin Paprzycki, associate professor, Systems Research Institute, Polish Academy of Sciences, Poland
Dana Petcu, director of Institute e-Austria Timisoara, professor at Computer Science Department, West University of Timisoara, Romania
Viktor Prasanna, director of the Center for Energy Informatics, executive director of USC-Infosys Center for Advanced Sogftware Technologies, professor, University of Southern California, USA
Michel Raynal, professor of Computer Science, Research Institute in Computer Science and Random Systems, Rennes, France
Bernard Roux, director of Research at CNRS, professor, Laboratoire de Mecanique, Modelisation & Procedes Propres, National Center for Scientific Research, France
Waleed W. Smari, Ball Aerospace & Technologies Corp., Ohio, USA
Uwe Schwiegelshohn, professor of computer engineering, TU Dortmund University, Germany
Victor Toporkov, professor, head of the Department of Computer Engineering, National Research University “Moscow Power Engineering Institute”, Russia
Carsten Trinitis, professor, head of the research group “Parallel and Distributed Architectures”, head of system administration, Technical University of Munich, Germany, professor for Distributed Computing, University of Bedfordshire, United Kingdom
Roman Wyrzykowski, head of the Institute of Computer and Information Sciences, director of Metropolitan Area Network, professor of Computer Science, Czestochowa University of Technology, Poland
The */ 15th Athens Digital Arts Festival invites you to submit your proposals for its next edition that takes place in spring 2019 in Athens, under the theme “The World is a Hologram”. Deadline for submissions is on 15 of January 2019.
Dating back to antiquity, theories which want us living in a hologram, apart from science fiction can also be endorsed by scientific data. Those who believe in the holographic theory of the universe, support that everything we know in our world is three-dimensional depictions of data, stored in a two-dimensional form somewhere at the edge of our universe. This automatically means that we are all closely bonded with everything around us, as part of one large unity where the present, past, and future coexist simultaneously.
Anything that ever existed, anything that exists, and all that will exist, merged in one unity…
The hologram is often described as a three-dimensional depiction, consisted of two light rays (e.g.laser) while in order to properly work it must be also lighted by a third one. A fundamental feature of holograms is that all data are circulated through the whole, meaning that even if cut in two, still each piece will maintain all information intact. In this case, we will get two identical but complete smaller holograms, proving that this segregation is only fictive.
The scientific community, have found itself in front of a predicament while discovering that whatever gets past the event horizon of a black hole, as it can never leave, gets lost forever when the hole gets disembodied by Hawking Radiation. As a solution, mathematics were able to prove that when data gets pass an event horizon, they also get imprinted on its very surface, allowing them to escape and thus be maintained. This theory was named holographic principle and was considered eligible to be deducted on a universal level, arguing that the whole universe is the hologram reflection of two-dimensional data stored in its very borders.
Later experiments have proven that some subatomic particles under specific circumstances have the ability to communicate with each other instantaneously despite their distance, thus have given to the universe another credence of a hologram. Extending this research, scientists extracted that even the brain works in similar mechanics as memory is not stored in a sole neuron but through the schemes and patterns that the neural stimuli follow while extending throughout the whole brain.
Within the neurons of cosmic memory time does not exist, only ideas…
Detailed information about the submission process and the call for entries is available at the following link: www.adaf.gr
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