The IN SITU project participates in the SECreTOUR Network of Common Interest where the activities of the members of the network are promoted. As part of the collaboration, we are glad to annouce the launch of the IN SITU Dialogues! … Continue reading
3D Research Challenges in Cultural Heritage VI – DigitalTwin versus MemoryTwin This book presents a collection of papers focussing on 3D digitisation in the domain of cultural heritage. The use of data acquisition technologies in digitising cultural heritage holds great potential … Continue reading
Topic: art & new media technologies
The historically important city of Mosul holds artefacts of huge cultural and historical importance and the Mosul Museum is the second largest museum in Iraq after the National Museum of Iraq in Baghdad. Photo of Ishtar temple lion from Project Mosul website. Photo in public domain. Special thanks go to the volunteers who have submitted the images: Suzanne E. Bott, Col. Mary Prophit, and Diane Siebrandt
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The Museum of Non Participation embeds its institutional critique in its very title, yet it releases itself from being an actual museum. Instead it travels as a place, a slogan, a banner, a performance, a newspaper, a film, an intervention, an occupation: situations that enable this museum to “act.” Continue reading
The CSA (Audiovisual Experimental Center) is a workshop for cine-audiovisual shooting, which was established during the academic year 2013-14, as part of the “Prosmart” master’s degree (in Prato), promoted by University of Florence in partnership with PIN (the University Center … Continue reading
Society of Motion Picture and Television Engineers organises the SMPTE Forum 2015 “Entertainment Technology in the Internet Age: A European Perspective”, being held on 7-8 May 2015, at the Fraunhofer-Forum in Berlin. Factors as wide as EU policy, net neutrality, copyright and mining “big data” are shaping the possibilities in the complex European market and redefining how the industry engages its audience. The SMPTE Forum 2015 will examine these topics Continue reading
FutureEverything celebrated its 20th anniversary. For the last two decades the festival has brought people together to imagine, shape and question the vision of a truly participatory society. A belief in the emancipatory and creative potential of new technologies runs throughout digital culture. It is found both in the open source community and in the rhetoric of Silicon Valley start-ups. In recent years, the contradictions in this vision have come to the surface. The digital age has brought a collision of positives and negatives. This year was an ideal opportunity for FutureEverything to hit pause on its headlong rush into the future, to reflect on the consequences of the past decades and the prospects for the decades to come. Continue reading
On 10 February 2015, at the Salle Triangle of Centre Pompidou, in Paris, is being held the seminar “Social Hermeneutic Networks”, centred on the topic “museology, museography and new forms of address to the public”; Alain Garnier, Yuk Hui and Henry Story are intervening in the event. The seminar will show how the social network can become matter of study and subject of a dissertation or a course, as well as tool for the student, the researcher or the non-professional user. Continue reading
Coventry University Centre for Dance Research (C-DaRE, http://c-dare.co.uk/) held the 5th edition of the Digital Echoes Symposium. Digital Echoes Symposium 2015: Intangible and Performance-based Cultural Heritage 13 February 2015, Institute for Creative Enterprise, Coventry University Convenors: Sarah Whatley, Rosamaria Cisneros, Amalia Sabiescu Digital … Continue reading
To celebrate its 20th Edition Museum Expressions, the gift and cultural marking trade show, launched Museum Connections, an innovative conference programme focusing on innovation in Museums which gathered key museum and cultural heritage actors from around the world. The event was held at Paris Porte de Versailles on January 21st & 22nd, 2015. Continue reading
This workshop, co-organised by the Foundation i2CAT, the Government of Catalonia and the Theatre Institute of Barcelona,examined the gradual adoption of technological environments in the performing arts and how the expanding of bandwidth have given rise to new forms of creative expression, space for experimentation and new business models for performing arts, reaching other spaces such as movie screens and cultural institutions with the distribution of high-definition content. Sarah Whatley, dance professor and director of the Centre for Dance Research (C-Dare) at Coventry University intervened as speaker in representation of the European project RICHES. Continue reading
“This project at the V&A has opened my eyes up to the possibilities of what games design can show. I am keen to look at more work by other famous British artists and designers and see what kinds of games can arise!” says the game designer Sophia George in the V&A blog. Continue reading
