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The International Conference Florence Heri-tech: the Future of Heritage Science and Technologies, involves a large number of researches and scholars from around the world and puts the industry’s current issues under spotlight, specifically on issues related to innovative techniques and … Continue reading
The CultureMoves research team of the C-DaRE center of Coventry University – Sarah Whatley, Rosa Cisneros and Marie-Louise Crawley – participated in the ‘Moving Culture: Tourism, Dance and Digital Storytelling’, organised by the Culture Moves project in Pisa. Key stakeholders from … Continue reading
Tag: performance-based CH
Taking place in Oxford on 17-18 September 2015, live theatre performance “Before the Tempest” imagines what life was like on the island for Miranda and Prospero as a prequel to Shakespeare’s classic tale of love, magic and bad weather. The play is the result of this year’s Hidden Spire, which brings together a team of professional artists to make a show from scratch alongside people who are homeless. Part of the “Art In Crisis” festival, Hidden Spire is a partnership between Arts at the Old Fire Station and Crisis Skylight Oxford. Its activities were case study of EU project Civic Epistemologies. Continue reading
“Memory ^ sentiment ^ body ^ space ^object – Dialogues across and between dance and art” is an interdisciplinary symposium that emerged from Body Space Object Roundtables at the School of Art and Design at Coventry University. It aims to consider how performative and material practices have articulated the embodied nature of memory and sentiment in relation to objects and space. Contributions are invited, registration is open! Continue reading
The edited volume “Digital Echoes: Spaces for Intangible and Performance-based Cultural Heritage” will provide a compendium of innovative cases and practices, as well as critical, historical and theoretical approaches examining the integration of digital environments in the creation, documentation, circulation and reception of culture, with a focus on intangible and performance-based cultural heritage. Continue reading
The impact of the distributed performance, as new forms of Cultural Heritage expression, is studied in the framework of the RICHES project. “ULTRAORBISM” opens new doors for experimental and creative formats using advanced visual environments in the field of telematics and distributed events. The potential utilities of the results are very rich from a technical point of view and also from an artistic perspective, and the excellent results of this experience present a very optimistic future in the development of co-creation environments in Europe and the use of ICT in the fields of culture and the arts. Continue reading
Ultraorbism was an interactive distributed action between two networked connected spaces in two cities: Barcelona and Falmouth. The story was a linear interpretation of the first of the two books of True Story by Lucian of Samosata (a Syrian writer who lived in the second century AD), who tells an impossible journey on which everything is invented, with references to the mythology and literature of the era. Ultraorbism, a project directed by Marcel•lí Antúnez Roca, is part of the European project SPECIFI and case study of the RICHES European project’s research area. Continue reading
This study, held in the framework of the RICHES Project, wants to explore the transformation of Dance and Performance practice as a result of digital technologies within the European context. If you are a dance and performance practitioner, performer, educator, or researcher and are willing to reflect on how digital technologies have impacted on your experience of performance practice, please share with us your views by completing our survey. Continue reading
