Corsi e Workshop IMAGO 2015

IMAGO: Corsi e Workshops 2015

**********

Corso di fotografia Digitale

**********

20 ore

La macchina fotografica digitale

Principali impostazioni e funzioni della reflex digitale. L’obiettivo, il diaframma, l’otturatore.

I temi e gli stili: composizione, still life, ritratto, reportage, notturno, paesaggio e natura.

La post-produzione del file digitale: l’elaborazione e l’archiviazione dell’ immagine.

Corso di camera oscura

**********

12 ore

Introduzione all’uso dei materiali negativi, supporti e carte, sviluppi, fissaggi e viraggi.

Stampa di provini a contatto, ingrandimenti 24×30 con tecnica di bruciatura e mascheratura.

In dotazione: rulli b/n, camera oscura con ingranditori, timer, carta fotografica 12×18, 18×24, 24×30, sviluppo e fix.

 

 Workshop di fotografia di medio e grande formato

**********

12 ore

Introduzione generale al medio e grande formato.

Decentramenti diretti e indiretti, variazione della profondità di campo nei basculaggi, legge di Scheimpflug, difetto di reciprocità, allungamento del soffietto.

Prove pratiche in studio e in esterno, sviluppo dei negativi e lastre, stampa.

Corso base di ripresa e montaggio
**********
Durata del corso: 20 ore (10 lezioni di 2 ore ciascuna)
LEZIONI I-V: TECNICHE DI RIPRESA
I LEZIONE: LA TELECAMERA
Struttura e componenti della videocamera, formati e supporti (minidv-dv- dvcam-hdv-hd-full hd), modalità di ripresa automatiche e manuali, messa a fuoco, esposizione, bilanciamento del bianco, filtri ND, ripresa audio.
II LEZIONE: IL LINGUAGGIO DEL VIDEO: LA TECNICA COME MEZZO PER LA NARRAZIONE Nozioni di semiotica del video e di scrittura cinematografica (La sce- neggiatura, la storia e il racconto, Il tempo e lo spazio nella narrazione, l’inquadratura, la relazione tra le inquadrature, Sapere e vedere)
III LEZIONE: COME SI REALIZZA UN’INTERVISTA (RIPRESE IN STUDIO) Realizzazione di un’intervista (Ripresa video, audio e luci)
IV LEZIONE: RACCONTARE L’AMBIENTE CHE CI CIRCONDA (I USCITA) Come descrivere l’ambiente che ci circonda attraverso il video. L’utilizzo del cavalletto e della camera a spalla. Documentario e reportage.
V LEZIONE: RACCONTARE L’AMBIENTE CHE CI CIRCONDA (II USCITA) Le cinque variazioni. Raccontare un soggetto da punti di vista diversi.
LEZIONI VI-X: IL MONTAGGIO
VI LEZIONE: INTERFACCIA DI FINAL CUT
Strutturare un progetto di final cut, le impostazioni, acquisizione video, gli strumenti, nozioni di montaggio.
VII-X LEZIONE: MONTAGGIO DEL MATERIALE VIDEO GIRATO DURANTE IL CORSO. Ogni partecipante lavorerà sul proprio progetto video al fine di realizzare una serie di piccoli documentari.
Alla fine del corso verrà organizzata una serata in cui verranno proiettati i lavori svolti dai partecipanti.

Per frequentare il corso i partecipanti dovranno disporre della seguente attrezzatura:
Telecamera DV o HDV o Full HD Cavalletto Computer portatile

Per info:
VIA BOVIO, 10 PISA
mail: imagopisa@tiscali.it – tel:3286610814


Beyond 3D Digitisation: Applications of 3D Technology in Cultural Heritage

DMEAs a new stage of the Digital Museum Expo, this colloquium and workshop focuses on the impact of 3D digital assets for cultural heritage.  Digitisation of museum objects is not a final stage, but only a start for research, conservation and interpretation.  3D offers us a new set of tools and methodologies that will change the cultural heritage domain significantly.  New visualisation technologies, both online and in the museum, and new interaction technologies open a wide range of opportunities for museum curators and cultural heritage experts to share the results of their work and the value and beauty of their collection.

Royal Museum for Art and History, venue of the meeting

Royal Museum for Art and History, venue of the meeting

This event contains three parts.  In the colloquium on the first day, digital heritage experts from Belgium, the Netherlands and Italy will present different applications of 3D digitisation and virtual reconstruction in research, collection management, publication, education and public presentation.  In the second day, several applications are elaborated through a series of workshops.  During the colloquium and workshop, a Digital Museum Expo will take place.  This is a series of hands-on demonstrations of innovative applications, such as the museum installations that have been developed in the V-MusT project for the multi-museum exhibition Keys2Rome or the online visualisation of 3D digital assets in Europeana, developed in the 3D-ICONS project.  Other heritage institutions and companies will be present also.

You can register for the colloquium, the workshop or both.

Please fill and send the registration form, the payment will take place on site before the beginning of the event. It will be possible to have a receipt of your payment.

Download the full programme of the event here

Download the registration form here

VENUE: Brussels, Royal Museum for Art and History


Beyond 3D Digitisation: Applications of 3D Technology in Cultural Heritage

DMEAs a new stage of the Digital Museum Expo, this colloquium and workshop focuses on the impact of 3D digital assets for cultural heritage.  Digitisation of museum objects is not a final stage, but only a start for research, conservation and interpretation.  3D offers us a new set of tools and methodologies that will change the cultural heritage domain significantly.  New visualisation technologies, both online and in the museum, and new interaction technologies open a wide range of opportunities for museum curators and cultural heritage experts to share the results of their work and the value and beauty of their collection.

Royal Museum for Art and History, venue of the meeting

Royal Museum for Art and History, venue of the meeting

This event contains three parts.  In the colloquium on the first day, digital heritage experts from Belgium, the Netherlands and Italy will present different applications of 3D digitisation and virtual reconstruction in research, collection management, publication, education and public presentation.  In the second day, several applications are elaborated through a series of workshops.  During the colloquium and workshop, a Digital Museum Expo will take place.  This is a series of hands-on demonstrations of innovative applications, such as the museum installations that have been developed in the V-MusT project for the multi-museum exhibition Keys2Rome or the online visualisation of 3D digital assets in Europeana, developed in the 3D-ICONS project.  Other heritage institutions and companies will be present also.

You can register for the colloquium, the workshop or both.

Please fill and send the registration form, the payment will take place on site before the beginning of the event. It will be possible to have a receipt of your payment.

Download the full programme of the event here

Download the registration form here

VENUE: Brussels, Royal Museum for Art and History


Digital skills have the same importance as English and Maths

by Raffaele Pavoni

DMC UK Report img1Children should be taught “digital literacy” as a core skill alongside maths and English, a report by a Committee on Digital Skills says. The Select Committee was appointed by the House of Lords on 12 June 2014 “to consider and report on information and communications technology, competitiveness and skills in the United Kingdom”. Computer technology brings “huge opportunities for the UK, but also significant risks”, the Committee warns. The internet should be viewed as a utility service, alongside water and electricity, it says. But without action, the UK may fall behind in the new digital era.

Among the key topics are the following:

  • No child should leave school without basic digital literacy. Everyday activities—such as shopping, using a telephone and banking— increasingly require interaction with technology. Digital skills (the skills needed to interact with digital technologies) are now necessary life skills. Individuals and businesses alike will need skills to protect themselves online. It is not acceptable for any group to be excluded from access to digital technologies. UK must aspire for the vast majority of the population to achieve the level of digital literacy needed to fully participate in society.
  • Universities should ensure all graduates are “digitally competent”. There is widespread support for the expansion of apprenticeship programmes, but the UK’s interests and ambitions need increased scale. There are not enough apprenticeships in digital subjects or apprenticeship schemes with digital featuring as an important element of content. Apprenticeships need to be seen as a viable alternative to higher education and the more traditional education routes.
  • Apprenticeships should have a greater emphasis on digital skills. Apprenticeships can help plug the short- and medium-term skills gap. The Committee believe 16–19 year-olds must be targeted by employers, teachers, and careers guidance professionals to enable them to choose and take up good apprenticeships. There is also a need to tackle negative perceptions of vocational education among schools, teachers, head teachers and parents.
  • The “paucity” of women in digital careers and in science, technology, engineering and mathematics generally risks holding back UK competitiveness. “Girls have to be engaged earlier and across all education levels” and the perception of these jobs as “male-oriented” must be addressed, the report says. The paucity of women in digital and STEM (science, technology, engineering and mathematics) is holding back UK competitiveness. Girls have to be engaged earlier and across all education levels. The perception of digital and STEM jobs and subjects as male-orientated must be addressed.

The report says 35% of current jobs in the UK could be automated within 20 years. It urges an ambitious approach to secure the UK’s digital economy, with the government acting as the “conductor of the orchestra”, focusing on business and education. “We are at a tipping point,” it says. “Digital businesses can locate anywhere in the world, and if we fail to provide the right conditions for them to flourish in the UK, we will become a branch economy, much less prosperous and influential than we could be.” The impact of new digital technology is all encompassing—from public transport to agriculture and from household goods to financial services. Analysis of ‘Big Data’ is transforming healthcare and medicine, as well as consumer and public services. The 3D printing of organs assists surgeons, whilst robotic arms can be controlled by the mind. “We are becoming more reliant on technologies for personal use, from social media and entertainment, to older people and those with long-term conditions now able to monitor their health from home”, the report says.

A digital divide persists in the UK, with some six million citizens never having used the internet and 9.5 million lacking adequate digital skills, partly because they have been “poorly served at school”, the report warns. In particular, it says, a shortage of medium and high-level digital skills “needs immediate attention” if the UK is to remain globally competitive. It urges action at all levels of the “talent pipeline – primary, secondary, further and higher education”. “The combination of poor connectivity and limited ICT skills can lead to digital exclusion for many people. It can also (…) reduce access to public services and inhibit business growth”, the report says. In turn, rural areas may “lose their competitive advantage and be seen as less attractive places to do business”, it adds. The recent “Speak Up for Rural Scotland” consultation, after all, already highlighted broadband as the key issue, recognising broadband as a vital measure to support economic growth in rural areas.

Download the “Make or Break: The UK’s Digital Future” report here.

 


‘Aerial photogrammetry with drones’ Workshop

The workshop “Aerial photogrammetry surveys with drones” was held at Tirana’s National Museum on Friday, 13th of March 2015.

Antigonea,  © photo: GeoInformatiX&DroneSense-Univ. Macerata

Antigonea: dense cloud snapshot from 3D Model
© photo: GeoInformatiX&DroneSense-Univ. Macerata

It presented examples of aerial photogrammetry surveys conducted by means of drones in the Albanian Drino Valley, Valona Region, in the Hellenistic sites of Hadrianopolis, Jergucat, Frashtan and Antigonea. The surveys were carried out in the framework of the project ReBeD of Macerata’s University  – organiser of the workshop together with the Italian Institute of Culture – for the documentation and promotion of the Drino valley’s cultural heritage.

The frames were elaborated with the Structure from Motion (SfM) method in order to obtain high-resolution 3D models.

Hereafter the workshop programme:

 

Coordinated by: Roberto Perna

 

9.30  – Greetings

 

  • M. Kumbaro
    (Ministry of Culture)
  • S.E.M. Gaiani
    (Ambassador of Italy)
  • A. Frisenna
    (Head of the Italian Institutes of Culture in Tirana)
  • C. Pesaresi
    (Adriatic Project, Marche Region)
  • L. Perzhita
    (Head of the Albanian Archaeological Institute)

 

10.30 – Interventions

 

  • R. Perna
    (University of Macerata)
  • D. Condi
    (Head of the Albanian Archaeological Institute)
  • A. Antinori
    (Geoinformatix, University of Macerata)
  • A. Kasi, M. Kocollari
    (Regional Management Gjirokaster’s Cultural Monument)
  • M. Sargolini, C. Gamberoni, R. Caprodossi (Terrepuntoit, University of Camerino)

 

Download the programme in Italian language (PDF)

For more information visit GeoInformatiX of Alberto Antinori


RICHES IPR FLYER

The video of the RICHES First International Conference is online!

The RICHES International Conference held in Pisa (4-5 December 2014) concluded successfully the first year of activities of the project. Inspiring presentations delighted the audience with interesting reflections and best practice examples around the conference topic “Cultural Heritage: Recalibrating relationships”.

Speakers from within the project itself but also drawn from across the world shared their experiences with over 150 participants that attended the event.

Check the best moments and the interviews to the event speakers at the conference video!


EUDAT News bullettin – January / February 2015

eudat_enews_janfeb2015

EUDAT teams up with PRACE to support science

The 11th PRACE Call for Proposals for Project Access includes a pilot with EUDAT offering the possibility to couple EUDAT storage capacity to PRACE HPC resources. EUDAT will guarantee data storage, up to 1PB (approx 150TB per pilot) for at least 24 months after the end of the PRACE grant, free of charge. Data deposited onto EUDAT resources will be available through different interfaces, including GridFTP, and maintained close to PRACE facilities to support further usage and transmission.

The deadline for applications is 18 March 2015. Read more about this exciting new collaboration on the EUDAT website.

Europe needs trust between researchers and e-infrastructure providers – Kimmo Koski

In this article, Kimmo Koski, Managing Director of CSC – IT Center for Science and EUDAT Coordinator, warns of the potentially enormous waste of resources should different research infrastructures each develop their own information and communication technology (ICT) systems. To avoid this, he emphasizes the need for trust between researchers and e-infrastructure providers and provides practical advice on how they can work together for their mutual benefit. Read the full article in the news section of the EUDAT website.

To B2SHARE or not to B2SHARE? Everything you need to get you started

Last month, EUDAT’s roving reporter caught up with B2SHARE product manager Carl Johan Håkansson to find out about B2SHARE. In this interview he explains B2SHARE’s importance for researchers wishing to share data, sets out what kinds of data it might be used for and at what stage, and demonstrates why it offers a reliable, sustainable solution for data sharing. An essential introduction to B2SHARE, as well as the purpose and principles behind sharing research data, the interview is available to read on the EUDAT website.

Augusto Burgueño sets out his vision for e-infrastructures in Europe

A year ago, Augusto Burgueño Arjona was appointed e-Infrastructures Head of Unit within DG CONNECT at the European Commission. This unit is responsible for funding ICT-based infrastructures and services that cut across a broad range of user disciplines, including EUDAT. In December 2014, Augusto launched a personal blog where he shares his personal views on research e-Infrastructures to encourage discussion, stimulate debate and receive feedback. Find out more on the EUDAT website.


RICHES Intellectual Property Rights strategy: the move from analogue to digital and new forms of IPR

WAAG_Marco Baiwir 2009 (cc)The firsts outcomes of the IPR research conducted in the framework of the RICHES project are available on the project website. The project addresses the challenges that digital cultural practices pose to existing copyright law and argues for new perspectives on Intellectual Property Rights. RICHES is at the forefront of re-thinking the intersections between cultural heritage, copyright and human (cultural) rights in the digitised era. How should we re-think the IPR framework that supports our cultural heritage system in order to respond to the changing and challenging times?

The RICHES Digital Copyright Framework – Re-thinking Intellectual Property Relationships within the Cultural Heritage Sector. This is a foundation strategy and a legal framework for understanding the relationship between IPR, copyright and Human Rights in the digital economy and its importance for: digital cultural heritage; cultural heritage that is transformed from analogue to digital and cultural working practices that embrace co-creation as the norm.

Available to download at: www.riches-project.eu/deliverables.html

For a quick overview on the project IPR Strategy, check the RICHES IPR flyer.


CALL FOR BOOK CHAPTERS “Cultural Heritage in a Changing World”

rch_logo_lscape_mediumIn the 21st century the world faces epochal changes which affect every part of society, including the arenas in which Cultural Heritage is made, held, collected, curated, exhibited, or simply exists. The RICHES project is preparing a publication about these changes, and has opened a call for contributions to the book.

RICHES is a research project funded by the European Commission within the 7th Framework Programme in the domain of Socio-economic Sciences and Humanities. Its main objective is to reduce the distance between people and culture, recalibrating the relationship between heritage professionals and heritage users in order to maximise cultural creativity and ensure that the whole European community can benefit from the social and economic potential of Cultural Heritage.

The book will focus on the decentring of culture and cultural heritage away from institutional structures towards the individual. With the advent of digital technologies what questions do we need to ask and answer in relation to how we understand, collect and make available Europe’s cultural heritage. How do we migrate from the analogue to the digital? In what ways is the individual forcing a rethinking of the institution? What hierarchies of knowledge, expertise and authority in cultural heritage are being disrupted, transformed or undermined by the digital?

To submit your proposals for book chapters, check the full information about the call here.

The proposed contributions must be sent by the 31st March 2015 to book@riches-project.eu using the template available here.

RICHES_imagesmix