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EUreka3D project was presented at the Spanish Presidency Europeana Conference back in October the 17th 2023, by project coordinator Antonella Fresa. The conference fostered a multidisciplinary dialogue on 3D capacity building for the cultural heritage sector, in order to promote … Continue reading
Graphiae, the digital artist Gianluca Cingolani’s new project, was unveiled at Porta di Milano, Terminal 1 of Milan Malpensa International Airport. Graphiae takes us back to thousands of years ago, when one of the greatest inventions was made. It … Continue reading
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About the Conference FTC attracts researchers, scientists and technologists from some of the top companies, universities, research firms and government agencies from around the world. Join us for FTC 2016, the world’s pre-eminent forum for reporting technological breakthroughs in the … Continue reading
OMM – Odunpazarı Modern Museum in Eskişehir, Turkey will play host to an interactive kinetic sculpture named after Ada Lovelace, one of the world’s first computer programmers. ADA by Karina Smigla-Bobinski is a huge, free-floating interactive drawing tool that unearths … Continue reading
The International Conference on Digital Preservation (iPRES) is a series of conferences on digital preservation. Since 2004, iPRES conferences have been held on three continents. iPRES 2015 will be held in Chapel Hill, North Carolina, USA on November 2-6, 2015. It will be held at the William and Ida Friday Center for Continuing Education. Continue reading
A new agreement has been signed between PREFORMA and BenchmarkDP to explore how the methodologies and approaches of BenchmarkDP could be useful in PREFORMA in establishing an objective frame of reference for the evaluation of the conformance checkers, and how the practical challenges in PREFORMA can inform the work in BenchmarkDP. The cooperation kicked-off during a workshop organised by BenchmarkDP in the framework of IPRES 2015. Continue reading
Research project of MA students in the Museums in Context course at the Erasmus University Rotterdam, MA Cultural Economics led by professor Trilce Navarrete. Authors: Sara Ingoglia, Aline Albertelli, and Cas de Boorder All images courtesy of the authors. … Continue reading
This is the first in a series of interviews with people using MediaConch within their institutions. Eddy Colloton is Assistant Conservator specializing in electronic media at the Denver Art Museum (DAM). DAM is planning to use MediaConch primarily for policy checking, as a form of quality assurance, to check that videotapes digitized by a vendor meet the museum’s target encoding and file format. Continue reading
Julia Kim is the Digital Assets Specialist at the American Folklife Center at the Library of Congress. So far, she has primarily used MediaConch to create reports for new and incoming born-digital video from the Civil Rights History Project and the DPX files from digitizing celluloid film. Continue reading
The Digital Preservation Coalition finds and celebrates the very best work in digital preservation across all sectors with the launch of the 2016 Digital Preservation Awards. The result of the design phase of the PREFORMA project has been nominated for the Award for Research and Innovation, which culminates in a glittering awards ceremony at the Wellcome Trust in London on 30 November 2016. Continue reading
The Netherlands Institute for Sound and Vision (‘Nederlands Instituut voor Beeld en Geluid’), in short NISV, is a cultural-historical organization of national interest, collecting, preserving and opening the audiovisual heritage for as many users as possible: media professionals, education, science … Continue reading
The PREFORMA project and MediaArea are pleased to announce initial details for a 2nd No Time to Wait symposium, hosted by the Österreichisches Filmmuseum – Austrian Film Museum. Members of audiovisual archiving, digital preservation, open media development, and open format standardization communities as well as curious onlookers are welcome to attend, discuss, and present on subjects pertaining to the intersection of open media, standardization, and audiovisual preservation. Continue reading
