The IN SITU project participates in the SECreTOUR Network of Common Interest where the activities of the members of the network are promoted. As part of the collaboration, we are glad to annouce the launch of the IN SITU Dialogues! … Continue reading
3D Research Challenges in Cultural Heritage VI – DigitalTwin versus MemoryTwin This book presents a collection of papers focussing on 3D digitisation in the domain of cultural heritage. The use of data acquisition technologies in digitising cultural heritage holds great potential … Continue reading
Topic: digital preservation
4th Council of Europe Platform Exchange on Culture and Digitisation The 4th Platform Exchange on Culture and Digitisation, being organised by the Council of Europe in cooperation with ZKM at the ZKM headquarters in Karlsruhe, from 19-20 October, will try … Continue reading
After the success of the previous EUDAT conference in Amsterdam which brought together more than 300 participants, we are ready to kick-off 2018 with the EUDAT conference “Putting the EOSC vision into practice“. The conference takes place in the stunning … Continue reading
This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
The fourth edition of the TECHNOLOGYforALL Forum will be held in Rome from 17 to 19 October 2017. Italy’s role in the development and conservation of the world Heritage is a framework where we will try to analyse the weighted … Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
In the digital era, libraries, archives, museums and galleries are no longer constrained by the physical limitations of their buildings, analogue books, manuscripts, maps, paintings and artefacts. Cultural collections now can be safely distributed and shared globally. To ensure that … Continue reading
The PREFORMA project that commissioned and funded the development of veraPDF draws to an end this year. Recent activity has been focused on PREFORMA acceptance testing, formalising the decisions of the PDF Association’s Technical Working Group and fixing issues reported by the community. In this webinar, the veraPDF Consortium will present the results of recent development and the plans for life after PREFORMA. Continue reading
Julia Kim is the Digital Assets Specialist at the American Folklife Center at the Library of Congress. So far, she has primarily used MediaConch to create reports for new and incoming born-digital video from the Civil Rights History Project and the DPX files from digitizing celluloid film. Continue reading
Digital preservation means taking precautions to ensure long-term access to digital content. It mitigates the risk of files becoming obsolete or unusable in the future. The PREFORMA tools help you validate incoming file formats and codecs against their standard specification, define custom acceptance criteria, and build an efficient ingest workflow. Download and try them from the PREFORMA Open Source Portal! Continue reading
Marion is a video archivist at the Austrian Mediathek, the Austrian video and sound archive. Her main area of work is the digitization of analogue videos and quality control of video files entering the digital archive. The main use case for MediaConch is to check if files that were produced outside of the default workflow procedure meet the policy for the archival master. Continue reading
