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During this year’s important event of Europeana Aggregators Forum (9-10 April 2025), Valentina Bachi from Photoconsortium delivered a presentation on both EUreka3D and EUreka3D-XR projects. The presentation went through EUreka3D project’s achievements with the developing of the EUreka3D Data … Continue reading
Explore two new source collections on Historiana, the online multimedia tool co-funded by the European Union that provides teachers with innovative, interactive resources to bring history to life and engage students. These collections feature 3D models digitised through the … Continue reading
The ECHOES Project Policy Event “Toward the Cultural Heritage Cloud” and the workshop “Onboarding communities into the Cultural Heritage Cloud” will take place in Brussels and online on 12 – 13 December 2024 and will officially launch the European Collaborative … Continue reading
Area: digital heritage
Registration is now open for the exciting two day digital preservation conference ‘Investing in Opportunity: Policy Practice and Planning for a Sustainable Digital Future’ which will take place at the Wellcome Trust in London on 17th – 18th November 2014. Continue reading
Welcome to this special edition of the EUDAT News Bulletin, dedicated to the 3rd EUDAT Conference, which takes place at De Meervaart Conference Centre, Amsterdam, on 24 and 25 September 2014. Continue reading
The project “Navig@nagni” was born in 2009 to let the world know the artistic trasures of the “City of Popes” through the web. This has been by scanning the major historical and artistic sites with a laser scanner which, in addition to a perfect 3D modeling, has allowed a scan hundreds of equirectangular pictures, using a special software developed by Massimo Iachetta, head of the ICT department of the City of Anagni. Continue reading
This study, held in the framework of the RICHES Project, wants to explore the transformation of Dance and Performance practice as a result of digital technologies within the European context. If you are a dance and performance practitioner, performer, educator, or researcher and are willing to reflect on how digital technologies have impacted on your experience of performance practice, please share with us your views by completing our survey. Continue reading
The URLA 2014 Congress’ (Istanbul, OTTOMAN ARCHIVES BUILDING, 17-20 September 2014) main theme will be Management of Cultural Heritage and Cultural Memory Institutions, devoted to identifying best practice for an efficient management of preservation tools by cultural heritage institutions. RICHES partners Hakan Koray Özlük and Hasan Bahadir Aydinonat from KYGM will take part in the congress holding a speech on Preservation of Cultural Heritage and EU Projects, which will provide an interesting overview of the two professionals’ year experience and knowledge in research for innovative ways of cultural heritage’s preservation and enjoyment. Continue reading
The second DiXiT camp is now open for applications! It will be an intensive training on XML TEI P5 for Digital Scholarly Editions and on standards, tools and software for creating digital editions. Continue reading
This article gives some motivation for why open file formats are important to the EU and why open file formats and Open Source implementations are important for long-term sustainability.
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This webminar aims to demonstrate how to identify preservation risks in your content and, at the same time, share your content profile information with others to open new opportunities. There are 23 places available which will be allocated on a first come, first serve basis. Continue reading
Despite these facts, digital editions are often neglected by the established review institutions. This neglect has a number of consequences: digital editions are somewhat outside the established peer-control process; digital editors in spe cannot rely on criticisms that projects similar to their… Continue reading
Digisam has carried out a pilot study on long-term digital preservation to examine the current state of storage and preservation at cultural heritage authorities and to compare it with the current “state of the art”. Continue reading
