3D in Cultural Heritage Event in Rome was a success

img. courtesy of Piero Masi

The first public event of EU funded project EUreka3D is organized by project coordinator Photoconsortium in Rome on 6th June 2023. The conference 3D in Cultural Heritage is integral part of the DHCH 2023 initiative on Data Science, and is realized by EUreka3D project in collaboration with University of Basel Digital Humanities Lab and Istituto Svizzero.

 

The event is realized under the auspices of the Italian Ministry of Enterprises and Made in Italy.


The event was a success with ca. 50 participants in the room and over 120 connected online. The post-event survey reported that 100% of respondents agree the event was useful in their work or for personal knowledge.

Few comments collected from the audience:

– The exhibition of practical cases are always to useful to understand the use of 3D digitization in various fields.
– The most useful part of the webinar were technicalities behind 3D imaging and would love to hear more about technical part of photogrammetry.
– I 100% agree with Valentina about the European Viewer Platform and I would like learn more about archives, storage and digital preservation. Thank you for everything, it was a great event.

It’s possible to view and download all the presentations of the various speakers by going to the Agenda section below.


3D in Cultural Heritage is an event of the training and capacity building programme of EUreka3D project, to support cultural heritage institutions in the process of digital transformation and in the effort of advancing with 3D digitization of cultural collections.

>>> DOWNLOAD PROGRAMME (PDF)

The event aimed to help understanding the challenges and needs for creating 3D content in good quality and reusable, and it brought together experts and specialists on 3D digitization and holistic documentation of 3D cultural content. It was the best occasion for institutions, researchers, cultural professionals and students in cultural heritage to improve their skills, knowledge and capacity for the current scenario of digital transformation in the cultural sector.

After the welcome messages from the Istituto Svizzero, the University of Basel and Dr. Mauro Fazio, from the Italian Ministry of Enterprises and Made in Italy, the event opened with an introduction on EUreka3D project by Dr. Antonella Fresa (Photoconsortium), the project coordinator.

Then, the event was organized in two sessions.

During Session 1, the current scenario of development in the cultural sector was discussed, and why reusable 3D content in good quality is needed: keynote speeches from Valentine Charles (Europeana Foudation), Marinos Ioannides (Cyprus University of Technology) and Frederik Temmermans (VUB/imec) provided the most recent information on the trends of the cultural heritage sector, and best practices and technological insights on the matter of 3D digitization of heritage sites and collections.

After that, during Session 2, the event focused on important experiences of international projects dedicated to 3D digitization and the use of 3D in cultural heritage, with the contributions of Timothy Naessens (meemoo),  Ismo Malinen (Museovirasto), Peter Fornaro and Vera Chiquet (University of Basel), and Ana Busom Arruebo and Albert Sierra (GENCAT).

Question and answer time allowed the participants onsite and onlineto interact with the speakers and join the conversation.


AGENDA AND PRESENTATIONS FOR DOWNLOAD

3D in Cultural Heritage –  EUreka3D public event

Istituto Svizzero, Villa Maraini, Via Liguria 20, 00187 Roma

6th June 2023 h. 9.30-13.15

h. 9.30 Opening

  • Welcome messages by Istituto Svizzero and University of Basel
  • Welcome message by Dr. Mauro Fazio, Ministero delle Imprese e del Made in Italy
  • Introduction on EUreka3D project and scope of the event, by Dr. Antonella Fresa, Photoconsortium (PDF)

Session 1 – Current scenario in the cultural sector: the need for 3D content in good quality and reusable

  • h.10.00 Valentine Charles (Europeana Foundation, NL): The new Data Space for Cultural Heritage (PDF)
  • h. 10.20 Marinos Ioannides and Petros Siegkas (Cyprus University of Technology, CY): The VIGIE Study for high quality 3D digitization (PDF)
  • h. 10.40 Frederik Temmermans (imec, BE): Standardisation activities for 3D modalities (PDF)

Question and answer time

Coffee break

Session 2 – Experiences with projects for 3D in cultural heritage

  • h. 11.40 Vera Chiquet (University of Basel, CH): Facilitating small CHIs in digitization for 3D Models, a case study with the Museum of Learning (PDF)
  • h. 12.00 Ismo Malinen (Museovirasto, FI): 3D digitization of World Heritage Sites in Finland (PDF)
  • h. 12.20 Timothy Naessens (meemoo, BE): 3D digitization of sculptures in the context of GIVE Flemish masterpieces project (PDF)
  • h. 12.40 Ana Busom Arruebo, Albert Sierra (GENCAT, ES): Giravolt, the National project for 3D digitization of Catalan heritage (PDF)

Question and answer time

h. 13.15 Conclusion

Attend in Rome, register here.
Follow the conference online on Zoom here.

image of Villa Maraini, Istituto Svizzero di Roma


Reconstructing a Vlach dwelling hut – the ‘kalive’, with interiors

Article and images courtesy of Eglantina Serjani (CeRPHAAL)

The INCULTUM partner CeRPHAAL in Albania has identified the cultural heritage of the Vlach minority as the main product of their project’s innovative actions. This initiative aimed at recording, revitalizing and promoting the currently menaced cultural heritage values of the Vlach people. An important part of this enterprise was the reconstruction of a Vlach authentic dwelling – the kalive.

It was reconstructed in July of 2022, in a camping site, just outside the town of Përmet, a destination highly frequented by foreign and domestic tourists. The location is significant as it corresponds with one of Vlach’s temporary daily camps set during their seasonal transhumance movements towards summer and winter pastures. The dwelling is an open-air museum that exemplifies the living history of the Vlach people that survive due to the detailed memory retained by those individuals who once lived in pastoral transhumant societies across the landscape of the Upper Vjosa valley. It was constructed using the same techniques and materials that Vlach builders used in the past, acquired in the surroundings of the area.

During the first half of May 2023, the CeRPHAAL team was engaged with the arrangements of the interiors of the dwelling hut and prepared a display of domestic objects used by local society in the past. This is an ongoing process that necessitated a broad collaboration with local stakeholders, particularly the elderly Vlach. Some of the objects displayed include old tools used for wool processing, such as the manual spinning instruments for yarn making and other domestic utensils, including a wooden decorated cradle, a wood butter churn, etc.

The objects attracted the attention of visitors to the site, propelling the organization of a dynamic cross-cultural activity that is programmed to take place at the dwelling site during July. It will allow the students and visitors to interact with the elderly Vlach and learn ancient forgotten domestic processes that took place within a Vlach dwelling.

This event is part of Vlach’s open days program of activities scheduled to take place during the first week of July.

 


FIAT/IFTA, the global network of audiovisual archives, presents Preservation & Migration Seminar 2023

FIAT/IFTA is  global network of broadcast archives organisation that promotes co-operation amongst radio and television archives, multimedia and audiovisual archives and libraries, and all those engaged in the preservation and exploitation of moving image and recorded sound materials and associated documentation.

This year’s Preservation & Migration Seminar, titled The Preservation Life Cycle will provide insight into the questions of digital obsolescence, assets protection, permanent preservation and its costs, and decisions on the fate of physical materials after they migrate to digital—also an opportunity to share and gather thoughts from panellists and participants.

To learn more about the event and to register, follow this link.


CitizenHeritage: Looking for New Participatory Practice

text by Costanza Rizzetto (Erasmus University Rotterdam), image from EUR image bank, by Jonathan Van Rijn.

EUR image bank – Jonathan Van Rijn

The installation ‘The Value of Art’ (2010) consists of two traditional oil paintings portraying a hairy cat and a lady. Any 10 seconds a visitor stands in front of the painting, the piece increases in value. The value of the artwork depends not only on how many visitors look at the painting, but how much time they spend in front of it. Media artists Christa Sommelier and Laurent Mognonneau have been experimenting with virtual and immersive installations since the beginning of the 90s. Pioneers in the field of interactive arts, the distinctive signature of the artistic duo is engagement and audience participation. Playing with generative software and sensors, the artists create a connection with the audience, who becomes an active part of the installation and its meaning.

Playing with the ways in which it is possible to interact with visitors, the installation captures the scope of the CitizenHeritage’s multiplier event at Erasmus University Rotterdam (EUR). The event explored cultural and creative approaches to re-think cultural heritage in terms of participation, citizen engagement, and inclusion. When talking about audience participation, the focus is often on attendees’ numbers or Social Media’s following. Yet, are there other strategies to engage, and include, citizens in participatory practices? More importantly, how can we see participants as more than data to offer new and concrete forms of engagement?

Starting from these questions, the conference illustrated alternative approaches to include students and citizens in an on-going discussion. Moving from creative and art practices, the sessions explored different possibilities to make participants see their contribution and engage in a mutual exchange to see cultural heritage as a collective effort – rather than the result of institutional policies. Trilce Navarrete (EUR) opened the talk session, expanding the initial questions and opening the ground to different perspectives and experimental projects.

The first speaker,  Fred Truyen (KU Leven), presented the CitizenHeritage initiative, illustrating what it means to create a collective heritage and the conditions to consider for authentic citizen participation. From crow founding to interactive platforms, Truyen explored different strategies to engage a wider audience, highlighting how new approaches are essential to give citizens a tangible example of their participation and contribution. Soon after, Katerina Zourou (Web2Learn) illustrated how citizens and open science are mutually beneficial through different examples, shading the light on how it is helpful to engage citizens, more than why.

Following the discussion on open science, Francesca Manfredini (European Fashion Heritage Association) showcased different methodologies to test and develop participation and evaluate the influence of citizen engagement. Starting from empirical results, Francesca highlighted how partnerships and collaborations between different fields can create new forms of engagement interlacing with the local context. Eirini Kaldeli  (National Technical University of Athens) presented the value of digital cultural heritage and crowdsourcing in computer science courses, showing how a cultural approach encouraged students to think in a dual role – citizen and scientist – and be more engaged with campaigns and projects. More than a tool to gain data for researchers, participants provide valuable insights to improve existing strategies in the educational context.

Following the discussion, Valeria Morea (EUR) explored how to unveil new practices of participation in cultural heritage institutions. Starting from the notion of commons, the researcher investigated new modalities of participation in cultural heritage and re-thinking heritage as knowledge commons. Usually, commons refer to shared resources like forests or waterfalls. As Valeria puts it, however, ‘we need good ideas to produce new good ideas.’ Researchers highlight that information is also common for the community. For example, the open dataset Europeana contains metadata of cultural heritage from, and about, Europe. Collecting data from more than 4000 cultural heritage institutions, the dataset is an example of an institutional effort in engaging the community in contributing information. Intending cultural heritage as an expression of individual and collective identity poses several challenges, as the line between who produces and consumes culture blurs. In this perspective of sharing knowledge, however, culture is at the center of collective identities, and active participation is key to enhancing social and environmental benefits. Art and creative approaches can create the context to participate and negotiate a collective and on-going story, instead of listening to a story.

Soon after, Marianna Lorincz (EUR) illustrated the relevance of including a change in methods to include interdisciplinarity approaches in traditional settings to implement participation. Exploring theatre and performance techniques in business settings, Mariana provided examples of how cross-disciplinary approaches can enhance soft skills and learning processes. The focus of the presentation was on improvisational skills in entrepreneurial settings. Qualitative interviews with participants illustrated how students felt more engaged and developed a positive attitude. Findings also show how the workshop enhanced skills like teambuilding, EI competencies or adaptability highly increased (between 50% and 90%), as well as other skills mentioned by participants. Giving numbers to the previous discourses, Marianna’s project is a concrete example of the relevance of cross-disciplinary approaches to enhance participation and engagement. The last speaker, Antonella Fresa (Photoconsortium) presented a past initiative on memory and heritage to show the importance of the conference’s themes, illustrating how participation and engagement are essential to creating an inclusive cultural heritage.

The session concluded with a dynamic conversation on future possibilities and the relevance of looking at how society is quickly transforming following the implementation of new technologies. Exploring different angles and approaches in the field, the session showed how different strategies become relevant during an on-going conversation over time – rather than expecting instant results.

Event’s webpage and speakers’ presentations: https://www.citizenheritage.eu/multiplier-events/rotterdam/


INCULTUM Training session with heritage specialists in the Municipality of Përmet

Article and images courtesy of Eglantina Serjani (CeRPHAAL)

On May 23rd 2023, CeRPHAAL organized a training session with cultural heritage specialists at the Municipality of Përmet, the administrative centre in the pilot area in the Upper Vjosa valley, Albania.

The meeting aimed to bring up and discuss issues that cultural heritage tourism sector is currently facing in the area. During the last decades, tourism is emerging as a new and expanding sector in the economy of the region. However, the valley remains mainly a nature-based destination despite the rich cultural heritage resources that make a strong potential for cultural heritage tourism development.

Therefore, the focus of the discussion during the training was the neglected heritage potential of the territory, and how important it is to bring to light and promote this heritage. Here are included a diversity of cultural components, such as the aspects of the Vlach heritage, the monumental remains related to the Second World War and those of Communist time. Also, the participants were introduced to the innovative initiative undertaken during the INCULTUM project that tackles to study and highlights the great potential of Vlach minority heritage in the Vjosa valley.

Following this discussion, a field training tour has been scheduled to take place in July 2023, intended to provide a guided storytelling of the history of the town and its particular landmarks.

Discover INCULTUM Pilot 8 Vjosa, the shared river

 


Historic Graves Pilot from INCULTUM at Charleville Heritage Society’s May talk

INCULTUM partner Eachtra is engaged in The Historic Graves project, that is a community focused, grassroots heritage project where local community groups are trained in low-cost, high-tech field surveys of historic graveyards; also recording their own oral histories.

25th May 2023 – Presentation Historic Graves “Headstones of the Charleville area”

Speaker: John Tierney Archaeologist.

John has surveyed all the local graveyards in the Charleville area such as Charleville Church of Ireland, Charleville Holy Cross, Ballyhea old, Imphrick, Aglishdrinagh, Cooliney & Ardskeagh.

John and his team of community volunteers have traced over 100 gravestones carved by three generations of the one family for a time based here in Charleville North Cork.

The Historic Graves project is a community focused grassroots heritage project. By curating and publishing the survey records centrally the individual community graveyard surveys combine to form a national resource where the value of each survey is compounded by its association with others.

The website allows visitors from Ireland and across the globe to freely explore and search the growing database of multimedia records and stories.It allows communities to self publish historic graveyard surveys and the related multimedia stories.

The surveys are being funded by a number of Local Development Partnerships through LEADER funds and are supported by Local Heritage Officers, County Archaeologists and Local Authorities.

For more details about the project visit www.historicgraves.com


Read More about the Pilot 9 Historic graves in Ireland

 

 



EUreka3D presented at CitizenHeritage multiplier event

Improving and facilitating the participation of citizens and local communities in heritage-related projects, such as with collection days, metadata co-curation, transcriptions, and other citizen-science activities, is important to support knowledge sharing and deeper enjoyment of cultural collections.

In the context of the CitizenHeritage project, that is dedicated to foster citizen science practices in the Cultural Heritage sector and at Universities, the multiplier event Citizen Science in Cultural Heritage: practices and digital technologies held in Athens and online on 29/5/2023 was espressely focused on the role of digital technologies and available tools to enable citizen participation. The various presentations explored successful case studies in the field and considered methodological aspects and lessons learnt.

As part of the conference, a presentation by Valentina Bachi (Photoconsortium) addressed the importance of fostering the digital transformation of the cultural heritage sector by improving digitization and online sharing and reuse of cultural collections. In the presentation, current projects such as the Data Space for Cultural Heritage and EUreka3D were illustrated to discuss opportunities and challenges faced by Cultural Institutions.

 

 

 

 

 


European H2020 project Polifonia’s survey on music history

Polifonia is a project funded by the EU Horizon 2020 Programme that will recreate the connections between music, people, places and events from the sixteenth century to the modern day. These findings will be available to everyone as an interconnected global database on the web – a knowledge graph – and will enhance our understanding of European musical heritage.

In the Polifonia project, an ontology network and competency questions pertaining to music history and musical cultural heritage is been developing. In this context, they are running a questionnaire and ask for your participation. You can find the survey here, it will take around 5 minutes to complete.

If you have any questions, please contact Polifonia’s consortium member KCL through albert.merono@kcl.ac.uk or jacopo.deberardinis@kcl.ac.uk.


INCULTUM master thesis between Denmark and Portugal

text by Viktor Smith, Copenhagen Business School

Following a call for master thesis in summer 2022, partner CBS Copenhagen Business School is supervising students interested in cultural tourism, including the work done with the H2020 project INCULTUM. One of the thesis was specifically focused on the INCULTUM Pilot set in Portugal, with title Attracting Danish tourists to Portugal: A case study of Campina de Faroby Nickoline Rugaard.

>>> Access the thesis (PDF, 5 Mb)

In dialogue with the work of the Portuguese Pilot coordinated at the university of Algarve, investigations have been carried out by the INCULTUM team at Copenhagen Business School with a special focus on Danish visitors to Algarve and their image (or lack of such) of the Campina de Faro. More than 100.000 Danish tourists visit Algarve coast every year (apart from a temporal decline during the pandemic) which yields it the third-largest destination in Portugal after Madeira and Lisbon. However, an exploratory survey among 117 recent Danish visitors to Portugal carried out as part of the Master thesis project (among which 34% had visited Algarve) showed that only 5 persons (4%) had heard the name ‘Campina de Faro’ and only 3 had actually been there. Moreover, when the respondents at large were asked what they would imagine ‘Campina de Faro’ to be, 59% said they had had no idea at all while the rest expected it to be some facility or place in or near Faro – predominantly a camping site (17 respondents) or, alternatively, a lighthouse, an airport, etc.

Taking further these and other findings gained through two online surveys and a series of qualitative interviews, the thesis analyzes the challenges of crystallizing a more salient and adequate place-brand image among potential ´visitors from Denmark while at the same time aligning it with a brand identity desirable to the local communities.

Current follow-up research takes the topic further and specifically considers the potential of participatory bottom-up approaches to the naming and framing a marginal tourism destination close to a major tourism hub, as illustrated by Campina de Faro. The emphasis in on the so-called low-budget route of (place-)brand development which assigns a major role to what people actually see and do when exposed to the location and/or its name, and how the local inhabitants may actively contribute to the image/identity-building process in word and in deed, including also testimonies of older residents.

 

 


EUreka3D goes to EGI2023 conference to present the project’s DataHub

The annual EGI 2023 conference gathers international scientific communities, computing and service providers, European projects, security experts, community managers, and policy makers, to share and discuss the recent trends of research in data-intensive processing and analytics forward.

EGI is the federation of computing and storage resource providers united by a mission of delivering advanced computing and data analytics services for research and innovation., and is one of the technical partners in EUreka3D, with the task of developing a data hub and new services dedicated to cultural heritage institutions, to support digital collections management and sharing.

On the occasion of the EGI conference, the first version of the EUreka3D DataHub will be presented in a poster and informative flyers are also distributed to the audience.

Read more and download the materials >>>

The presentation follows the recent publication of the project’s D3.1 Report on the EUreka3D services and resource hub: design and implementation.

In this initial deliverable, the DataHub and services currently under development are described. These facilities and resources will enable Cultural Heritage Institutions to access a virtual data space, use storage and computing resources to manage their 3D assets in a secure and easy to use and integrate manner. Additionally, this approach is intended to be an illustrative use case to provide an innovative cost-effective solution to data storage and the online delivery of heritage assets, by providing CHIs with a secure environment, which is technically more flexible and energy efficient.

EGI DataHub deployment diagram

This document is the first technical deliverable of the project and presents the design and initial implementation of the EUreka3D services and resource hub (what can be considered the “EUreka3D infrastructure”). The deliverable presents the general concepts behind the services such as Cloud computing and data management, followed by description of the service architecture and design, used technologies and hardware resources provisioned for deployment of the service.

The final product will be extended during the project to meet its future technological infrastructure and capacity needs, so it will be fully described in Deliverable 3.3 at the end of the project (December 2024).