Future Technologies Conference (FTC) series, edition 2019

The Future Technologies Conference (FTC) 2019 is to be held from 14-15 November 2019 in San Francisco. FTC is the world’s pre-eminent forum for reporting technological breakthroughs in the areas of Computing, Electronics, AI, Robotics, Security & Communications.

FTC attracts researchers, scientists and technologists from some of the top companies, universities, research firms and government agencies from around the world. A call for papers is open until 01 March 2019. Each paper will be reviewed by at least three regular PC members or two senior PC members. The acceptance decisions will take into account paper novelty, technical depth, elegance, practical or theoretic impact, and presentation.

The conference programme will include paper presentations, poster sessions and project demonstrations, along with prominent keynote speakers and industrial workshops.

Researchers, academics and technologists from leading universities, research firms, government agencies and companies from 50+ countries present the latest research at the forefront of technology and computing. The 2018 conference successfully brought together technology geniuses in one venue to not only present breakthrough research in future technologies but to also promote practicality and applications and an intra- and inter-field exchange of ideas.

Important Dates:
Paper Submission Due : 01 March 2019
Acceptance Notification : 01 April 2019
Author Registration : 01 May 2019
Camera Ready Submission : 01 June 2019
Conference Dates : 14-15 November 2019

Complete details are available on the conference website : http://saiconference.com/FTC

FTC 2019 papers will be will be published in Springer series “Advances in Intelligent Systems and Computing” and submitted for indexing to ISI Proceedings, EI-Compendex, DBLP, SCOPUS, Google Scholar and Springerlink.

 

 


REACH project local encounter: Mini-conference “The Roma Heritage of the 8th district”

IMG_7649The conference was co-organized by ELTE, Eötvös Loránd University, Faculty of Humanities, together with the students of the Cultural Heritage MA programme of the Atelier department.
The students completed a research during the first semester in three groups: they had been researching the community, the musical and the fine arts heritage of the Roma community in the 8th district.
During the research, they were cooperating with the local REACH partners and other stakeholders (like Glove Factory/Kesztyűgyár, the local Roma minority Self-Government, the Budapest Roma Cultural and Educational Centre (FROKK) and several Roma artists (musicians, painters who are also involved in community building practices).

The conference included two key-note lectures. Péter Szuhay, former director of the Roma collection in the Museum of Ethnography presented a digital repository entitled the Virtual House of Roma Culture. Tibor Sándor, head of Budapest Collection, Metropolitan Ervin Szabó Library, Budapest talked about the Topotéka project of 8th district (http://jozsefvaros.topothek.at/).

The key-note lectures were followed by the three presentations held by the MA students:
1. Adrienn Tóth, Tamás Tüske, Zsófia Vajda and Bianka Vilonya: The role of the individual in Roma community-building
2. Anett Jánosi, Melinda Lovag, Zsófia Szalai, Julianna Szántó and Edina Szathmári: Roma fine-arts through the lens of contemporary artists
Anna Klára Andor, Dóra Nagy, Sára Kónya and Gergely Szabó: From the “Mátyás University” to the Mátyás Pince

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The third section of the conference comprised a round table discussion about the possibilities of institutionalizing Roma heritage, the participants were Eszter György, István Gábor Molnár, president of Roma Minority Self-Government, Újpest; founder and director of Roma Local History Collection, Újpest and Kálmán Káli-Horváth, actor, painter and committee member of the future Cziffra Centre (Roma Cultural Centre, to be opened in the 8th district in 2020)

IMG_7677The conference was accompanied by a photo-exhibition. Gyula Nyári’s photo document the Roma cultural events that took place in the 8th district over the past two-three decades. Some of the places, institutions depicted on the photos do not exist anymore so the pictures are extremely important in maintaining the collective Roma memory of the district.

 

 

The event was very successful, over 50 people attended the conference and besides the university students, a lot of different stakeholders and representatives of other, Roma or non-Roma cultural and educational institutions came (Tom Lantos Institute, CEU, University of Debrecen, etc).

 

Poster of the event

 

For more information, articles in Hungarian are available here and here


«The Museum for all people: Art, Accessibility and Social Inclusion»: call for papers
Conference MadridThe International Conference “The Museum for all people: Art, Accessibility and Social Inclusion” will be held in Madrid between 2nd-5th April 2019 organized by the MUSACCES Consortium (UCM-UNED-AUM).

 

The conference aims to provide a forum for exchange and debate among museum managers, professors, researchers, artists, students and  other professionals from the world of culture regarding improving access in art museums to all people. It invites a reflection on factors such as the experiential dimension of art and cultural heritage, focused on its audiences or the history of museums as spaces for universal knowledge. Similarly, the conference will delve into the needs of museum audiences that lie within education and cultural action, including the needs of particular groups to promote inclusion.
The conference will have breakup sessions, specific seminars, concurrent activities and will feature internationally renowned speakers.

 

In the frame of the activities in a more inclusive museology, the MUSACCES Consortium (UCM-UNED-UAM)  invites the scientific community to submit contributions, such as oral communications or posters, in relation to the following areas:
1. Pluralism in art. Aesthetic and sensory perceptions.
2. Cultural heritage at everyone’s reach.
3. Museums as spaces for knowledge
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4. Museums and 21st century audiences
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5. Museums and universities
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6. Museums as spaces for inclusive innovation and technology
7. Accesibility beyond the museum
8. Outstanding projects and practices in museology accessibility or social inclusion (poster)

 

The deadline for submitting papers is 15h February 2019.
General participation rules and the communication submitting form may be found at the link: http://museumforall.musacces.es/en/papers/
Further information at http://museumforall.musacces.es/en/home/
All queries about the congress will be processed through email: museumforall@musacces.es

Lumen Prize for Art and Technology 2019: call for entries

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Calling all artists engaging with technology
The Lumen Prize for Art and Technology celebrates and promotes artists working with
technology globally through its annual juried competition and exhibitions.

Now in its 8th year, The Lumen Prize has already awarded over $70,000 in prize money.
Through Lumen Art Projects, over 45 exhibitions in 15 cities worldwide have been staged, including London, New York, Shanghai, St Petersburg, Beijing, Cardiff and Athens.

Prize Fund in 2019 is $11,000. The 2019 Prizes are:
● Gold Award ($4000)
● Moving Image ($1000)
● Still Image ($1000)
● XR ($1000)
● 3D/Interactive Award ($1000)
● The BCS Artificial Intelligence Award ($1000)
● The Rapoport Award for Women in Art and Technology ($1000)
● Photomonitor Student Prize ($500)
● People’s Choice Award ($500)

There is an administration fee of US$48 to enter which covers two entries. Any additional
artwork is US$24. As a not-for-profit based in the UK, all entry fees go directly towards the prizes and events programme.

All longlisted artists, finalists and award winners are eligible for Lumen exhibitions,
commissions and events.

Closing Date: May 3rd 2019
Questions about the prize? Visit the FAQ page or email info@lumenprize.com

www.lumenprize.com


daisie is a playground for creative collaboration, exchange and networking

daisie is a new app designed by a hugely passionate team who cares about the future of creatives in a rapidly changing world: daisie supports creatives work together and discover one another, by sharing original content, and facilitating exchange and networking.

The app is dedicated to filmmakers, writers, readers, listeners & speakers, poets, dancers, singers, chefs, entrepreneurs, developers & architects, for establishing a community that thrives on collaboration, and where creators are credited properly for their work and the roles they had and the impact they made on the overall project.

daisie allows to explore creative work in film, fashion, music, photography, art and literature, and to interact directly with the inspirational people who work in these fields.

daisie is available worldwide on the App Store.

https://www.daisie.com/


VENICE ART FAIR 2019 – call for artists is open

Venice International Art Fair will be held in Venice, at THE ROOM Contemporary Art Space and in Palazzo Ca’ Zanardi, from April 11th to May 3rd, 2019.

Venice International Art Fair is a contemporary art fair that presents collective and solo projects by leading and emerging international artists. Founded in 2001 by ITSLIQUID Groupthe 11th edition will represent a forum for direct exchange of ideas and contacts between collectors, artists, photographers, designers and art professionals. It provides artists and exhibitors with the unique opportunity to present their works to an international audience of professionals as curators, gallerists, collectors, editors and publishers who seek to acquire, publish and encourage the best contemporary art talents.

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Venice International Art Fair 2019 analyzes the relationship between body and space, and the hybridization between identities and cultural/physical/social/urban settings in contemporary time, through two main sections: LIQUID ROOMS and FUTURE LANDSCAPES.

Deadline for applications is February 15, 2019 (11.59 PM of your local time)

For more information and submissions feel free to contact us via mail at:
mbramasole.itsliquid @ gmail.com


New task force on 3D content in Europeana
Asinou 3D point cloud

Asinou Church in Cyprus – 3D point cloud

Europeana, the great European digital library, gives access to +58 million digital cultural items from important institutions across Europe. Most of this content has been digitized in recent years and a growing part of it is coming from 3D digitization projects. In facts, the creation of highly accurate 3D models of monuments, buildings and museum objects has become more widespread in research, conservation, management and to provide access to heritage for education, tourism and through the creative economy. The 3D content currently accessible in Europeana is very variable and 3D objects that can be directly manipulated by users are not distinguished from simple images or videos of 3D models.

To improve both the searchability and access/enjoyment of such content, a new task force has recently been created in Europeana, with the aim of offering better guidance to data providers and aggregators in order to ensure that 3D media is correctly labeled and enabling the availability of more functional 3D content for Europeana’s users to discover and explore also for use in education, research and in the creative industries.

Read More on Europeana Pro: https://pro.europeana.eu/project/3d-content-in-europeana


STARTS Prize 2019 Open Call

STARTS is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity and innovation at the crossings of science and technology with the arts. The STARTS Prize of the European Commission is launched by Ars Electronica, BOZAR and Waag.

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Science, Technology and Arts (=STARTS) form a nexus with an extraordinarily high potential for creative innovation. And such innovation is considered to be precisely what’s called for if we’re to master the social, ecological and economic challenges that Europe will be facing in the near future. The role of artists thus is no longer seen to be just about propagating scientific and technological knowledge and skills among the general public but much more as a kind of catalyst that can inspire and trigger innovative processes. The artistic practice of creative exploration and experimental appropriation of new technologies has a wide reaching potential to contribute to the development of new products and new economic, social and business models. Accordingly, the STARTS Prize focuses on artistic works that influence or change the way we look at technology, and on innovative forms of collaboration between the ICT sector and the world of art and culture.

Two prizes, each with €20,000 prize money, are offered to honor innovative projects at the intersection of science, technology and the arts: one for artistic exploration, and thus projects with the potential to influence or change the way technology is deployed, developed or perceived, and one for innovative collaboration between industry/technology and art/culture in ways that open up new paths for innovation.

  • Grand Prize – Artistic Exploration Awarded for artistic exploration and art works where appropriation by the arts has a strong potential to influence or alter the use, deployment or perception of technology.
  • Grand Prize – Innovative Collaboration Awarded for innovative collaboration between industry or technology and the arts that opens new pathways for innovation.

Submission phase ends on March 1, 2019!

More information: https://starts-prize.aec.at/en/


COURAGE Policy Brief

Courage registry

The COURAGE project (Cultural Opposition – Understanding the CultuRal HeritAGE of Dissent in the Former Socialist Countries) is an international research project funded by Horizon 2020, it studied the role of culture in opposing authoritarian regimes and the efforts to preserve the memory and material heritage of cultural opposition to communist rule in most countries of Eastern and South-Eastern Europe.
It has just finished its action and has producted its Policy Brief titled “Learning from the History of Dissent in Communism to Foster a Shared European Memory of Freedom Practices” where suggest political action.

The heritage of cultural opposition against state socialism is an important resource for social reflection and innovation in Europe and the neo-authoritarian tendencies in Eastern and South-Eastern Europe have made urgent the enhancement of the heritage and the memory of the opposition.
However, as COURAGE has shown, this resource needs to be better acknowledged, and its significant symbolic power should be better exploited.

COURAGE has collected in unique repository, the first transnational digital database (COURAGE registry) the collections on cultural opposition, discovering also many small and previously unknown collections that prove that for a full understanding of the past, one must look beyond official accounts. The research showed the diversity of the stakeholders and the diversity of the forms of their collections that reflect the multitude of actors engaged in activities to preserve cultural heritage.

COURAGE identified many problem areas:
the lack of funds is the most common problem: culture occupies very different places on the list of priorities of national governments and most of them allocate very limited means to culture;
a further problem is the risk that only a certain version of the past will be officially promoted.

COURAGE has shown the importance and limits of digitalization:
it facilitates cross-country exchange and communication, opens new forms of access and engages new audiences and it can be an effective instrument of democratisation; at the same time, the importance of professional conservation and documentation of artifacts for research purposes should not be underestimated.

COURAGE highlights the importance of research and scholarship in the humanities for reflective societies; its research strengthens self-reflective social consciousness by showing how narratives of the past have been constructed and manipulated, and that there is not one “truth.” The diversity of cultural heritage can tell us about different historical experiences and the relativity of our own traditions, but it to fulfil that role, cultural heritage must be critically assessed and professionally preserved.
One of the main conclusions of the project is that the memory of opposition is an important field of co-production and citizen science; the project emphasizes the importance of collaborative approaches to the study of this field; the potential of this approach has not been fully exploited and could produce new insights and a further understanding of this aspect of Europe’s shared history.

Read here COURAGE Policy Brief


CH Symposium and Policy debate
SYMPOSIUM_POLICY-DEBATE-00One year after the Brussels launch of the European Year of Cultural Heritage (EYCH), REACH Social Platform for participatory approaches and social innovation in culture was presented a two-day event in Brussels on the 20th and the 21st of March 2019.

 

On the first day a Symposium entitled “Horizons for Heritage Research – Towards a Cluster on Cultural Heritage” took place in Covent Garden Building A 1210 Sint-Joost-ten-Node; the aim was to agree on the content of a Manifesto that will provide the basis for the creation and the sustainability of a research stakeholder cluster on Cultural Heritage.

 

In the morning of the second day a high-level policy debate on Cultural Heritage and the Cultural and Creative Industries in Horizon Europe was organized. This debate brought together research stakeholders and top European policy-makers to reflect on the results achieved and perspectives for European funded research and innovation on cultural heritage and the cultural and creative industries.
The debate took place in the House of European History.

 

Read more here
Download symposium invitation card.
For further information and contacts: info@reach-culture.eu

 

#EuropeForCulture #participateinculture