Do you appreciate the opportunities of cross-disciplinary education?
Would you like to develop your creative skills?
Do you aspire to be a visionary scholar, researcher and artist?
ATEC, the School of Arts, Technology, and Emerging Communication at the University of Texas at Dallas, invites applications for its programs: ATEC Master of Arts (MA), ATEC Master of Fine Arts (MFA), ATEC Doctor of Philosophy.
The ATEC MA in Arts, Technology, and Emerging Communication.
Areas of Study:
- Interaction Design
- Emerging Media Studies
It aims to improve undergraduate education through further study of theories and methodologies in technology and media studies as well as contemporary debates in the fields. After the coursework, students undertake independent research to pursue their own scholarly questions for their theses.
The ATEC MFA in Arts, Technology, and Emerging Communication.
Areas of Study:
- MFA Animation
- MFA Creative Practice
- MFA Game Development
A terminal degree to teach arts and technology-related courses at the college level or to engage in studio or design practice. Students participate in a culture of community and critique, develops the creative use and critical investigation of technology in artistic practices.
Doctor of Philosophy (PhD).
The program of he PhD in ATEC is designed both for students wishing to teach arts- and-technology-related courses in colleges and universities and those who wish to develop artistic, cultural or commercial applications of digital technology/emerging media. This program promotes the fusion of creative with critical thinking and theory with practice.
In response to the current circumstances surrounding the COVID-19 pandemic, UT Dallas has extended the deadlines for the 2020 admission for the MA and AMF programs to the 1st July 2020.
Further information: https://atec.utdallas.edu/2020-call-for-graduate-applications/




The video art selection, curated by Gioula Papadopoulou (art director and curator of Video Art Miden) presents 8 works that deal with various concepts concerning the “homo digitalis” era and artificial intelligence, exploring the physical detachment and the gradual digitalization and virtualization of our world, our societies and our minds.
img.: Schematic depiction of a knowledge graph in the performing arts domain; from the paper by Julia Beck, Frankfurt University Library, CC0.


Today’s knowledge of the linguistic and cultural diversity of humanity is widely based on magnetic tape recordings produced over the past 60 years. Magnetic audio and video tape formats are now obsolete. Spare parts supply and service is fading, replay equipment in operable condition is disappearing rapidly, and routine transfer of magnetic tape documents is estimated to end around 2025. The only way to preserve these sounds and images in the long term, and to keep them accessible for future generations, is their digitisation and transfer to safe digital repositories.
The rapid shuttering of museums due to COVID-19 has had serious consequences; museums, to stay connected with audiences when they can’t physically visit collections, found new and unusual ways to bring together their public. So they have entered in the houses of thousands people making available their cultural collections on-line.

The young project, started this May 2020, will complement the ESPON Targeted Analysis of 2019: “The Material Cultural Heritage as a Strategic Territorial Development Resource: Mapping Impacts Through a Set of Common European Socio-economic Indicators” (
The conference is organised under the patronage of Burgas Municipality and aims at presenting innovative results, research projects and applications in the field of digitisation, documentation, archiving, representation and preservation of global and national tangible and intangible cultural and scientific heritage. The main focus is to provide open access to digitised cultural heritage and to set up sustainable policies for its continuous digital preservation and conservation. Representatives of a number of public and specialised libraries, museums, galleries, archives, centres, both national and foreign research institutions and universities will be invited to participate and exchange experiences, ideas, knowledge and best practices of the field.
































