Titus Kaphar, “Redaction (San Francisco),” 2020. Etching and silkscreen on paper. Courtesy of Titus Kaphar and Reginald Dwayne Betts. Photo by Christopher Gardener.
The artists featured in The Black Index—Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Using drawing, performance, printmaking, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and understanding. Their works offer an alternative practice—a Black index—that still serves as a finding aid for information about Black subjects, but also challenges viewers’ desire for classification.
Visit the virtual tour: https://uag.arts.uci.edu/exhibit/black-index
The works in The Black Index make viewers aware of their own expectations of Black figuration by interrupting traditional epistemologies of portraiture through unexpected and unconventional depictions. These works image the Black body through a conceptual lens that acknowledges the legacy of Black containment that is always present in viewing strategies. The approaches used by Delgado, Henry, Hinkle, Kaphar, Lovell, and Thomas suggest understandings of Blackness and the racial terms of our neo-liberal condition that counter legal and popular interpretations and, in turn, offer a paradigmatic shift within Black visual culture.
Curator Bridget R. Cooks is Associate Professor, Department of African American Studies and the Department of Art History, University of California, Irvine. Exhibition and tour organized by Sarah Watson, Chief Curator, Hunter College Art Galleries, New York in collaboration with the University Art Galleries at UC Irvine, Palo Alto Art Center, and Art Galleries at Black Studies, University of Texas at Austin.
This exhibition is dedicated to David C. Driskell.
The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are eligible for the coveted Golden Nica awards and monetary prizes of up to 10,000 Euros in each category. They will also be featured at the Ars Electronica Festival from September 8 to 12, 2021! Participation in the Prix Ars Electronica is free of charge and takes place exclusively online. A submission is only valid for participation in the competition if it has been submitted online and also finally completed online. As soon as all documents have been submitted in full, a confirmation of participation will be sent by e-mail.
The SoPHIA Platform for Holistic Heritage Impact Assessment is happy to announce a two-day conference which will bring together a diverse group of stakeholders to review interventions in Europe’s urban heritage, through keynotes, thematic sessions, workshops, and artistic interventions. The meeting will offer the occasion to establish a collective reflection on the diverse impact of cultural heritage and to gather feedbacks and inputs on the Holistic Heritage Impact Assessment Model developed under the Horizon 2020 funded SoPHIA project.
This new report explores how emotions influence the design and understanding of museums and offers suggestions of how museums should make use of the “emotional effect” to create greater impact and memorable experiences. Emotion are considered a pre-condition for learning: in this perspective, the report highlights the importance for Museums to facilitate emotional experiences and to foster empathy to better connect with visitors.
“Societal Impacts of Culture: A transitional Perspective”: this is the titled of the 1st international workshop that was held online by MESOC, the H2020 sister project of UNCHARTED. The meeting provided the opportunity to discuss with experts and stakeholders the role of culture in urban change, as well as methodological and operational approaches needed to support social impacts assessment and evaluation.
On 3rd December 2020, 
