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London, from May 10, 2024, to May 31, 2025On May 10, 2024, the National Gallery will start its celebration of the Bicentenary – marking 200 years of bringing people and paintings together. Throughout the entire year, it will celebrate its past and look forward to its future … Continue reading →
Istanbul, May 2 - 5, 2024. The Open Call deadline is April 15, 2024This year, the Istanbul Digital Art Festival will hold its fourth edition at AKM from 2 to 5 May 2024. It will gather artists and digital artworks from around the world to celebrate the transformation of art. Since its inception … Continue reading →
London, April 22-28, 2024. The call for speakers will run until March 30, 2024Digital Art Week is a week-long city-wide takeover of the world’s leading cultural capitals for digital artists, tech innovators, and digital fashion pioneers to collaborate and push the boundaries of what’s possible in the fusion of art and technology. … Continue reading →
Lisbon, 24th May 2024. Call for Papers is open unitl 22/3/2024International Conference “Towards an Automated Art? Learning Machines, Human Creativity and Uncertainty” is announced. The conference will take place in Lisbon (Portugal) on 24 May, 2024. The event aims to provide a space for interdisciplinary discussion, bringing together different … Continue reading →
Area: digital art
A new agreement has been signed between PREFORMA (represented by the Project Coordinator Borje Justrell) and Europeana Space (represented by the Technical Coordinator Antonella Fresa). The main objective of this agreement is the integration of the open source tools developed in PREFORMA (that control if a file complies with standard specifications and with other acceptance criteria specified by memory institutions) in the Technical Space of Europeana Space. Continue reading
Le iscrizioni sono aperte presso Associazione Imago, via Bovio 10, Pisa (imagopisa@tiscali.it – 328 6610814) Continue reading
Jepchumba of Africandigitalart.com presents us the digital collage, in Africa a growing form of art that utilises technology to produce a range of artworks, incorporating digital video, animation, photography, animated gif’s and digital photo manipulation. Through digital new stories of Africa emerge, setting an alternative – and often critical – narration against the image of Africa we think to know. Continue reading
MuDA stands for Museum of Digital Art. The Museum of Digital Art is dedicated to the art of code and the questions raised by the interactions between data, algorithms and society. It will have a virtual presence, on pretty much every screen connected to the internet. And a physical presence in the ground floor of the first high rise building of Zurich, Switzerland. The MuDA is initiated by the non-profit Digital Arts Association and bound to open its doors, with your help, in January 2016. Continue reading
Pisa’s cultural association Imago presents its XIII photographic marathon: 12 hours, 4 subjects, 1 passion. The event is taking place in Pisa (and online, for people not able to attend physically), on 16 May 2015, from 9.00 to 21.00 CEST. It is possible to participate both with digital and analogic camera. Attendees will meet at Bar La Tazza d’Oro) at 9.00 o’clock. Continue reading
L’Associazione Culturale Imago di Pisa presenta la sua XIII MARATONA FOTOGRAFICA! La maratona si terrà a Pisa (oppure online per chi non potesse partecipare fisicamente) sabato 16 maggio 2015, dalle ore 9.00 alle ore 21.00, presso il bar “La Tazza d’Oro” in Piazza Clari n°2. La Maratona Fotografica si svolge in un arco di tempo di dodici ore suddiviso in quattro sezioni, corrispondenti a quattro differenti temi da svolgere. Si può partecipare sia con fotocamera analogica che digitale.
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“Memory ^ sentiment ^ body ^ space ^object – Dialogues across and between dance and art” is an interdisciplinary symposium that emerged from Body Space Object Roundtables at the School of Art and Design at Coventry University. It aims to consider how performative and material practices have articulated the embodied nature of memory and sentiment in relation to objects and space. Contributions are invited, registration is open! Continue reading
The impact of the distributed performance, as new forms of Cultural Heritage expression, is studied in the framework of the RICHES project. “ULTRAORBISM” opens new doors for experimental and creative formats using advanced visual environments in the field of telematics and distributed events. The potential utilities of the results are very rich from a technical point of view and also from an artistic perspective, and the excellent results of this experience present a very optimistic future in the development of co-creation environments in Europe and the use of ICT in the fields of culture and the arts. Continue reading
















