(THIS ROOM IS A SCULPTURE CALLED) PROPHECY is a body of newly commissioned work by pioneering multi-media artist Auriea Harvey. Curated by Pita Arreola, PROPHECY is an allegorical rendering of a spiritual journey, charting a course to reclaim grace and … Continue reading
The 2024 edition of Art Meets Radical Openness (AMRO), the biennial festival for art, hacktivism, and open cultures, has just come to an end. Held in Linz from May 8 to 10, it offered a context for discussing the … Continue reading
Graphiae, the digital artist Gianluca Cingolani’s new project, was unveiled at Porta di Milano, Terminal 1 of Milan Malpensa International Airport. Graphiae takes us back to thousands of years ago, when one of the greatest inventions was made. It … Continue reading
This year, the Istanbul Digital Art Festival will hold its fourth edition at AKM from 2 to 5 May 2024. It will gather artists and digital artworks from around the world to celebrate the transformation of art. Since its inception … Continue reading
Area: digital art
The festival is about to present the main event of its second edition: the installation Insight in Gorizia, a city which is particularly important in the European scene for its past related to the Great War. Today Gorizia is the perfect place to talk about multiculturalism, historical and geographic fractures, and especially about the human experience of those who experienced the ‘war fractures’ of the ‘900. Continue reading
The N.I.C.E. Award: The N.I.C.E. Award is an initiative by the “Network for Innovations in Culture and Creativity in Europe” (N.I.C.E.), which was launched in Dortmund in 2013 by the european centre for creative economy (ecce) with the backing of … Continue reading
20,000 euros await the winners of the STARTS Prize 2016. Appointed by the European Commission, Ars Electronica is launching an international prize to select the most pioneering collaborations and results in the field of creativity and innovation at the crossings … Continue reading
Berlinale: a great cultural event and one of the most important dates for the international film industry. More than 330,000 sold tickets, more than 20,000 professional visitors from 128 countries, including more than 3,700 journalists: art, glamour, parties and business are all inseparably linked at the Berlinale. Continue reading
The Center for Art and Media ZKM in Karlsruhe extends the original duties of a museum, which it was since 1989 with the mission to perpetuate classical arts in the digital age, becoming a cultural institution unique throughout the world. It is a house … Continue reading
The next editions of International Surrealism Now will be held in United States, Mississippi at Cullis Wade Depot Art Gallery, MSU Welcome Center; it will be in January and February and in Partícula Coimbra, next February, and Multimedia Poros Museum … Continue reading
Towards better human via digital…? – Installations, artist-talk and discussion regarding technologically enhanced life/mind forms in Ex Post Cultural Space in Prague. Statement 1. The biggest danger for artificial intelligence is the chance, that it will most likely be created … Continue reading
A new agreement has been signed between PREFORMA (represented by the Project Coordinator Borje Justrell) and Europeana Space (represented by the Technical Coordinator Antonella Fresa). The main objective of this agreement is the integration of the open source tools developed in PREFORMA (that control if a file complies with standard specifications and with other acceptance criteria specified by memory institutions) in the Technical Space of Europeana Space. Continue reading
Le iscrizioni sono aperte presso Associazione Imago, via Bovio 10, Pisa (imagopisa@tiscali.it – 328 6610814) Continue reading
Jepchumba of Africandigitalart.com presents us the digital collage, in Africa a growing form of art that utilises technology to produce a range of artworks, incorporating digital video, animation, photography, animated gif’s and digital photo manipulation. Through digital new stories of Africa emerge, setting an alternative – and often critical – narration against the image of Africa we think to know. Continue reading
