African digital collages of past and present

Share
Nkiru Oparah, Precursor to a dream, 2014. Photograph: Nkiru Oparah

Nkiru Oparah, Precursor to a dream, 2014. Photograph: Nkiru Oparah

 

Jepchumba of Africandigitalart.com presents us the digital collage, in Africa a growing form of art that utilises technology to produce a range of artworks, incorporating digital video, animation, photography, animated gif’s and digital photo manipulation.
Digital culture – Jepchumba observes – has permeated the daily lives of thousands of Africans, connecting them to regions, histories and people inaccessible otherwise. This digital world is a playground for artists not only to experiment with digital technology but also to investigate the spaces between past and present, analogue and digital, Africa and beyond. African digital collage is all of this.
Through digital new stories of Africa emerge, alternative representations of this large and diverse continent. «Internet has invited Africa to participate in redefining Africa’s visual aesthetic – Jepchumba writes. «Africa is utilising the digital space to repost, remix, recreate and share new images and visual representations of Africa».

Nkiru Oparah. Photograph: Nkiru Oparah

Nkiru Oparah. Photograph: Nkiru Oparah

 

While the African digital arena expands at a frenzied pace, African digital collagists have taken to the past, using ethnographic images often found online to recreate and remix images of Africa, creating new and often critical narratives. Websites such as the Nigerian Nostalgia Project have become popular online resources for collagists to find historical materials, photographs, videos, sound clips and graphic art works.
African digital collage works often recreate ethnographic images of Africa from the pre and post colonial era. Setting an alternative narration against the image of Africa we think to know.

Folasade Adeoso, The ocean is a woman, 2013. Photograph: Folasade Adeoso

Folasade Adeoso, The ocean is a woman, 2013. Photograph: Folasade Adeoso

 

Folasade Adeoso is known for her digital collages, which mix archival and contemporary images into Dalí-esque visions. «Research is key – Folasade says. «I spend endless amounts of time looking for old scans and reading online articles».

Folasade Adeoso, Motherhood, 2013. Photograph: Folasade Adeoso

Folasade Adeoso, Motherhood, 2013. Photograph: Folasade Adeoso

 

Nkiru Oparah’s love for collage is based on the idea of transformation. Art allows her to recreate her own visual notions of Africa. «Online, the whole world opens up. The more people use it, the more access I have to societal, cultural, and personal images – Oparah says. «It’s the flux of the internet, in combination with an evolving African identity, that opened up to me this graphic way of image making».
Oparah finds images in a variety of ways, often using Google, Tumblr and her own photography mixed with magazine clippings or still images from films and videos.

 

African Digital Art is an online collective, a creative space where digital artists, enthusiasts and professionals can seek inspiration, showcase their artistry and connect.

 

 

Sources: Africandigitalart.com, TheGuardian.com. Read Jepchumba’s article.

 

Leave a Reply


Related Articles

Future Everything’s XX anniversary
FutureEverything celebrated its 20th anniversary. For the last two decades the festival has brought people together to imagine, shape and question the vision of a truly participatory society. A belief in the emancipatory and creative potential of new technologies runs throughout digital culture. It is found both in the open source community and in the rhetoric of Silicon Valley start-ups. In recent years, the contradictions in this vision have come to the surface. The digital age has brought a c...
Voices of Culture report on digital audiences management
Voices Of Culture aims to be a channel for the voice of the European cultural sector to be heard by policymakers. It provides a platform for civil society representatives of the cultural sector to give input to the European Commission on a range of topics which are salient in its policy making process. Voices Of Culture regularly launches calls for applications on different topics and selected candidates are invited to a brainstorming meeting. The last Brainstorming Report on the to...
Back to Earth: interconnected research, interventions and activities
text by Caterina Sbrana. I proposed months ago to DIGITALMEETSCULTURE readers an article referring to a series of artistic initiatives at the Serpentine Galleries in London in which technology meets art, entitled "Arts Technologies at Serpentine Galleries". In Spring 2020, Serpentine and the Archaeological Park of Pompeii’s contemporary art platform, Pompeii Commitment. Archaeological Matters launched a collaboration inviting three artists involved in the Serpentine’s Back to Ear...
'Arts Technologies' at Serpentine Galleries
Text by Caterina Sbrana. “Our Galleries are temporarily closed due to current coronavirus restrictions. We look forward to welcoming you back again soon”. This message is on the home page of the Serpentine Galleries website and it’s similar to others we read in many other museum sites, due to the health emergency. However, the art galleries have not stopped and have continued to carry on their program presenting online exhibitions. The Serpentine Galleries' basic idea is described i...