The IN SITU project participates in the SECreTOUR Network of Common Interest where the activities of the members of the network are promoted. As part of the collaboration, we are glad to annouce the launch of the IN SITU Dialogues! … Continue reading
3D Research Challenges in Cultural Heritage VI – DigitalTwin versus MemoryTwin This book presents a collection of papers focussing on 3D digitisation in the domain of cultural heritage. The use of data acquisition technologies in digitising cultural heritage holds great potential … Continue reading
Topic: EU projects
In May 2017 a new EC-funded project in H2020, named ROCK, has been launched by coordinator Municipality of Bologna. Supported by a large international consortium of Universities, Municipalities, Development and Consulting Groups, Dissemination Networks, SMEs and developers, and Industry Driven … Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
Considering the relevance of audiovisual material as perhaps the biggest wave of data to come in the near future (Smith, 2013, IBM prospective study) its relatively modest position within the realm of Digital Humanities conferences is remarkable. The objective of … Continue reading
Emotive is an EU-funded heritage project that aims to use emotional storytelling to dramatically change how we experience heritage sites. For heritage professionals, the Emotive application will provide a powerful storytelling engine and a set of rich digital media assets … Continue reading
The PREFORMA project that commissioned and funded the development of veraPDF draws to an end this year. Recent activity has been focused on PREFORMA acceptance testing, formalising the decisions of the PDF Association’s Technical Working Group and fixing issues reported by the community. In this webinar, the veraPDF Consortium will present the results of recent development and the plans for life after PREFORMA. Continue reading
Julia Kim is the Digital Assets Specialist at the American Folklife Center at the Library of Congress. So far, she has primarily used MediaConch to create reports for new and incoming born-digital video from the Civil Rights History Project and the DPX files from digitizing celluloid film. Continue reading
Digital preservation means taking precautions to ensure long-term access to digital content. It mitigates the risk of files becoming obsolete or unusable in the future. The PREFORMA tools help you validate incoming file formats and codecs against their standard specification, define custom acceptance criteria, and build an efficient ingest workflow. Download and try them from the PREFORMA Open Source Portal! Continue reading
For the second academic year, the E-Space MOOC “Creative with Digital Heritage” is accepting enrollments. Europeana Space was a EC-funded project about the creative reuse of digital cultural heritage, which concluded in March 2017 with “excellent” evaluation from the EC … Continue reading
The Heritage, Tourism and Hospitality conferences focus on the question: “How can tourism destinations succeed in attracting tourists while simultaneously engaging all stakeholders in contributing to the preservation of natural and cultural heritage?“ A special theme this year will be: … Continue reading
Marion is a video archivist at the Austrian Mediathek, the Austrian video and sound archive. Her main area of work is the digitization of analogue videos and quality control of video files entering the digital archive. The main use case for MediaConch is to check if files that were produced outside of the default workflow procedure meet the policy for the archival master. Continue reading
