The first #3D #CulturalHeritage object #3DforCulture harvested by Europeana.eu in the post- #BREXIT era from the UK, is now a reality. https://unescochair-dch.net/Guildhall_Great_Hall We are proud to celebrate a landmark achievement for European #DigitalCultural heritage, #CulturalDiplomacy and international collaboration. The magnificent … Continue reading
CEPIC and Photoconsortium are pleased to announce that their joint project, CHERISH (Cloud for HERitage – Image Sector Hub), has been selected for funding under the ECHOES Cascading Grants Call. CHERISH is one of only 20 projects, reflecting the project’s … Continue reading
As EUreka3D-XR approaches its final stage, we can start to draw conclusions from a fruitful 18 months and are delighted to share the project’s work, achievements and resources: “EUreka3D-XR: exploring cultural heritage through 3D digitisation and XR experiences” is now … Continue reading
Area: digital heritage
For the last seven years MuseumNext conferences have focused on the future of museums and how the sector is forging ahead, showcasing innovative ideas and delivering thought-provoking insight. We continue to do so with our next conference taking place in Dublin … Continue reading
The event was organized in the context of the eCult Skills project, which investigated the emergence of new job roles as a result of the latest ICT developments and their adoption by the museums, and aims to present project outcomes … Continue reading
DISH program committee has been very busy reading all proposals for papers, workshops, talks etc.. The first day of the conference was kicked off for a rich programme of plenary and parallel sessions on DISH website: be inspired, visit www.dish2015.nl/programme for more … Continue reading
Aim of this consultation, carried out by the BenchmarkDP project, is to get insights into the current state of software evaluations in the digital preservation field: current practices of software evaluations, challenges faced, limitations and advantages they bring to the running businesses, better community-driven evaluation initiatives. Continue reading
Invitation to participate in a study entitled “Software Preservation for Cultural Heritage”. The research is part of an IMLS-funded project to establish a Software Preservation Network. Aim of the study is to better understand cultural heritage practices/experiences surrounding long-term preservation and access to digital primary resources stored in proprietary file formats. Continue reading
An interesting workshop organized by the European GLAMURS project (Green Lifestyles, Alternative Models and Upscaling Regional Sustainability) will demonstrate the latest findings from GLAMURS, and seek feedback on policy recommendations for the last phase of the project. GLAMURS aims to … Continue reading
William Kilbride of the Digital Preservation Coalition invites the digital preservation community to participate in a new initiative that will hold a big interest for a couple of years and which aims to build into a platform for collaboration in the future: the review of OAIS, the ISO14721 standard for digital preservation, which is planned in 2017. Continue reading
TownsWeb Archiving interviewed four experts (Dave Thompson of Wellcome Library, Melissa Terras of UCL Centre for Digital Humanities, Paul Sugden of TownsWeb Archiving and Michael Pritchard of The Royal Photographic Society) to shed light on JPEG2000 as a format, it’s potential role in digitisation, and it’s suitability for digital preservation. Continue reading
JHOVE (JSTOR/Harvard Object Validation Environment) is an extensible software framework for performing format identification, validation, and characterisation of digital objects. The Open Preservation Foundation (OPF) took over stewardship of JHOVE in February 2015 to provide it with a permanent and sustainable home. A new beta version of JHOVE 1.12, focusing on stability of the code base, is now available to download. Continue reading
The conference “Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices” addresses questions concerning our relationship to theatre history. The theatre of the past is accessible to us via historical objects, theoretical discourses and archive materials. But we can also experience it through performance practices that keep traditions alive or engage in re-enactments of theatre events and representations. Continue reading
