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The 2024 edition of Art Meets Radical Openness (AMRO), the biennial festival for art, hacktivism, and open cultures, has just come to an end. Held in Linz from May 8 to 10, it offered a context for discussing the … Continue reading
On 20 May, the INCULTUM project met with schools and local institutions in the closing event of Castelnuovo di Garfagnana. The research team of the University of Pisa, leader of the Pilot 5 related to the case of San Pellegrino … Continue reading
Author Archives: Susanna Capannini
Text and images courtesy of University of Pisa Inside the San Pellegrino in Alpe Museum, a multimedia installation has been created, to be followed by others, with the aim of enhancing the exhibits and making the visiting experience more immersive … Continue reading
Chimera is a female-run virtual exhibition platform and art agency, and currently its focus is on game engines and metaverses. Chimera is glad to present their latest gamified solo project “Dream Space” by visual artist and sculptor Nata Drachinskaya and … Continue reading
John Tierney, the INCULTUM pilot coorinator from Ireland, was interviewed with their national broadcaster, Raidió Teilifís Éireann (RTÉ). At this link it’s possibile to find the transcription of the interview, during which was discussed their recent work in Carr’s Hill … Continue reading
A new historic graves brochure has been launched for one of the most-visited historic graveyards in Ireland, St. Nicholas’ Collegiate Church in Galway city. Jacinta Kiely of the Historic Graves Project and City Archaeologist, Jim Higgins produced the brochure. The … Continue reading
Within a varied programme of activities, a group of Chinese students of arts had the opportunity to do laboratories and “artist jam sessions” in Pisa and its territory, and to showcase their works in a dedicated exhibition, opening on the … Continue reading
A QR code based trail was launched on the 23rd July to celebrate the Pattern Day for St Declan in Ardmore, West Waterford, Ireland. A design process run through the INCULTUM Pilot resulted in an A7 sized brochure with 8 … Continue reading
International and transnational organisations have been prominent actors in histories of the long 20th century, but there has been little reflection on how historians can apply those same methodological perspectives to the use of these organisation’s archives. In order to … Continue reading
Stemming from a conversation around the impact of funding on the heritage sector, the TWA Digitisation Grant has adapted and evolved over the years, responding directly to the real and current needs of the heritage organisations it seeks to support. … Continue reading
Archéosciences Bordeaux is a research laboratory part of the Université Bordeaux Montaigne, and is focused on the chronology of human settlements, the circulation of materials and ancient techniques, and imaging applied to heritage. The laboratory also collaborates with Bibracte, one … Continue reading
On the 9th of July, a one-day research symposium (held both online and at the Kunsthaus Graz, co-located with DH2023) was organised by to reflect on novel developments and challenges in the field of cultural heritage information and visualization. The … Continue reading
