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Digital libraries and repositories store, manage, represent and disseminate rich and heterogeneous data that are often of enormous cultural, scientific, educational, artistic, and social value. Serving as digital ecosystems for empowering researchers and practitioners they provide unparalleled opportunities for novel … Continue reading
Intelligent Systems Conference (IntelliSys) 2020 3-4 September 2020 – Amsterdam, The Netherlands IntelliSys 2020 will focus in areas of intelligent systems and artificial intelligence and how it applies to the real world. IntelliSys provides a leading international forum that brings together … Continue reading
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This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
The PREFORMA project that commissioned and funded the development of veraPDF draws to an end this year. Recent activity has been focused on PREFORMA acceptance testing, formalising the decisions of the PDF Association’s Technical Working Group and fixing issues reported by the community. In this webinar, the veraPDF Consortium will present the results of recent development and the plans for life after PREFORMA. Continue reading
Julia Kim is the Digital Assets Specialist at the American Folklife Center at the Library of Congress. So far, she has primarily used MediaConch to create reports for new and incoming born-digital video from the Civil Rights History Project and the DPX files from digitizing celluloid film. Continue reading
Digital preservation means taking precautions to ensure long-term access to digital content. It mitigates the risk of files becoming obsolete or unusable in the future. The PREFORMA tools help you validate incoming file formats and codecs against their standard specification, define custom acceptance criteria, and build an efficient ingest workflow. Download and try them from the PREFORMA Open Source Portal! Continue reading
Marion is a video archivist at the Austrian Mediathek, the Austrian video and sound archive. Her main area of work is the digitization of analogue videos and quality control of video files entering the digital archive. The main use case for MediaConch is to check if files that were produced outside of the default workflow procedure meet the policy for the archival master. Continue reading
The latest version of veraPDF is now available to download on the PREFORMA Open Source Portal. This release includes new PDF information in the features report and automatic configuration of the features extractor when applying custom policy profiles. There are also a number of low level PDF fixes and improvements which are documented in the latest release notes. From September, veraPDF will make the transition from a funded project to a stand alone open source project. Continue reading
A new version of the DPF Manager has been released! There are several improvements in this update. The most significant one is the redesign of the reports section, where now it is easier (and much faster) to browse the analyzed reports, transforming between formats, and also converting a quick check to a full check. The global report has also been improved with a more visual and interactive panel. Download and try the new release on the PREFORMA Open Source Portal! Continue reading
This is the third in a series of interviews with people using MediaConch within their institutions. Kieran O’Leary has an intership with the Irish Film Archive within the Irish Film Institute, mostly working on code, workflows, metadata, digitisation, migration, and facilitating access to collections. He is using MediaConch’s GUI to check files delivered from vendors. MediaConch automates a lot of this work via local policy creation. Continue reading
Kathryn is Digital Collections Manager at Carnegie Hall and she develops and supports sustainable practices around the digital asset lifecycle to ensure the availability and integrity of material related to the Hall. MediaConch is part of Carnegie Hall’s pre-ingest procedures to check the quality of the vendor output against the digitization specs. Continue reading
