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On 17th – 19th September 2025 the Centre for Regional and Tourism Research (CRT) on the island of Bornholm will host the Nordic Symposium 2025 under the theme “The transformative power and potential of tourism”. In conjunction with the Symposium, … Continue reading
On 10th and 11th March representatives of partners of the SECreTour project met in Lugano to visit the places of the pilot about Monte San Giorgio. This is a very special place, full of cultural heritage, environamental and historic excellence, … Continue reading
Tag: photography
by Sofie Taes, KU Leuven The program of the monumental, multi-disciplinarian conference on archives and cultural industries held in Girona’s Palau de Congressos (13-15 October), and co-organized by EuropeanaPhotography-partner Ajuntament de Girona (CRDI), featured several members of our consortium: Antonella … Continue reading
Antonella Fresa, Technical Coordinator of Europeana Space project, says: “This is a golden opportunity for the creative industries, for the cultural institutions, for students and researchers, for anybody interested in the new scenario of digital cultural heritage. This is the occasion to learn what is happening in this sector: join us, follow us on our blog, website and social networks!” Continue reading
Photography is both a means of personal expression and a witness of present and past days: therefore it’s about cultural heritage and about creativity, and it is a wealth of possibilities for experimentations. Europeana Photography and Europeana Space are two projects strictly linked one to the other on this topic. Continue reading
Europeana Space includes 6 thematic pilots, among which one is dedicated to Photography. The Photography pilot will contribute to Europeana Space’s main goal: to demonstrate, by means of actual, funded and innovative applications hitting the market in all the right spots, that for the creative industries, open cultural heritage can be the fabric added value in the digital economy is made of. Photo courtesy of CRDI Girona. Continue reading
Digital humanities is understood by Sheffield University to mean the use of technology within arts, heritage and humanities research as both a method of inquiry and a means of dissemination. As such, Europeana Photography is a very concrete example of the use of technologies to enhance cultural heritage. Continue reading
Guided by prof. Fred Truyen in his double role of Europeana Photography coordinator and Europeana Space pilot leader, the participants met in the Museum room of the Faculty of Arts at KU Leuven. This joint workshop is just a first step in a close cooperation between the two projects, Europeana Photography and Europeana Space, and a concrete action for searching new business opportunities involving digital cultural heritage. Continue reading
The opening took place on the 15th May 2014. Among the guests was Mr. Martin Ivanov – the President’s Secretary of Culture. Mr. Dincho Krastev – CEO of NALIS – and Mrs. Katya Zografova – director of the National Museum of Literature presented the exhibition and the EuropenaPhotography project. Continue reading
The great exhibition of early photography opened on Friday 11th April. The Museum of Graphics in Palazzo Lanfranchi hosted international guests from all over Europe to celebrate the ribbon cutting, and to unveil the photographic masterpieces which are in the exhibition. “All Our Yesterdays: Life Through the Lens of Europe’s First Photographers (1839 – 1939)”, in Pisa, 11th April – 2nd June 2014 Continue reading
Europeana Space project started its life on February with a successfull kick-off meeting in Leuven. Every Work Packages group are developing initiatives and meetings to discuss about their aims and objectives. On 19th and 20th March, the partners involved in the WP4 had their first meeting in Brussel, hosted at the iMinds – Vrije Universiteit Brussel offices. Continue reading
Europeana Space aims to increase and enhance the creative industries’ use of digital cultural content and Europeana by delivering a range of resources to support their engagement. The use of content is still limited by factors including the issue of… Continue reading
