Submissions open for INCULTUM special session at ESRA congress 2023

From 28-08 to 01-09 in Alicante takes place the important ERSA congress, focused this year on “Urban challenges and sustainable technological revolution“.  It is a very large gathering with hundreds of participants and a rich programme of sessions on various interesting topics. Among the special sessions, one is organized by the INCULTUM project with coordination of Kamila Borsekova (Matej Bel University), the team at Uppsala University and Antonella Fresa (Promoter).


Sc69: The role of participatory approaches in tourism and sustainable development

The concept of the session is presented HERE. This special session aims to empower the discussion on the role of participatory approaches in tourism and sustainable development, both from a theoretical and empirical perspective. The contributions should be focused, but not limited to: identification of different types of participatory models and approaches in tourism and sustainable development; drivers and barriers that account for the success or failure of participatory models; outcomes of participatory models that are based the on co-creation of innovative tools in relation to the expected benefits for the involved stakeholders; policy-oriented contributions on synergies between participatory models and innovative tool arrangements.

The session accepts 1-page abstracts with deadline 28/02/2023.

To submit an abstract it is possible to register from HERE, selecting the INCULTUM special session S69 S69 The role of participatory approaches in tourism and sustainable development 


INCULTUM Coffee Talk: Cultural heritage tourism websites

One challenge identified in INCULTUM project is linked to the need of creating synergies among the various partners in the large consortium, who have a lot of commonalities and differences and who need to detect development trajectories for capacity building in fostering sustainable strategies in cultural and tourist promotion of the territories.

In facts, albeit with (sometimes big) differences and specifities, each of the Pilots holds often very high skills, knowledge and expertise, which can be useful for the others and which can eventually converge in good practices, tested on field, that INCULTUM as a project aims to disseminate for the benefit of sustainable tourism and cultural heritage development.

After a series of informal progress meetings among the Pilots, the first event for the INCULTUM Coffee Talk series was held on 26 January 2023 on the topic of “Cultural heritage tourism websites“.

The meeting was led by Maurizio Toscano of EACHTRA, leader of Irish Pilot on historic graves, with the participation of the majority of project partners. Opened with an ice-breaker Q&A session, the talk aimed at discussing what makes a successful and effective website for cultural tourism information. Also, examples of well-designed websites that advertise cultural sites and initiatives were shown and discussed; as well as the requirements and the challenges that inform the design, planning and running of web resources dedicated to cultural tourism.


META-PANDEMIC GLAMers – final conference

Meta-Pandemic GLAMers conference takes place on Monday 13th of February 2023 at 10.30 am (EET) at Poseidonia Beach Hotel, Limassol, Cyprus, which will mark the final event of our EU project “The GLAMers”. The project is coordinated by the Cyprus University of Technology through the UNESCO Chair on Digital Cultural Heritage in cooperation with key partners in the sector of GLAMs, which are located all over Europe and consist of a wide and complementary range of profiles:
1. A local Cypriot NGO addressing youth communities: Citizens in Power, Nicosia, Cyprus,
2. An SME on open and social learning: Web2Learn in Greece,
3. A museum of national reach: The Museum of Arts and Crafts in Zagreb, Croatia and
4. A pan-European network of cultural institutions: Michael Culture Association, Brussels, Belgium.

The event is organised as a unique moment to explore the main results of the project, but it will also be an opportunity to take stock of the post-pandemic situation of European GLAMs (Galleries, Libraries, Archives, and Museums). Therefore, significant institutions and personalities from policy, creative industry, different stakeholders and GLAMs will be actively involved and share with us their knowledge.

Key Policy makers like Mrs Themis Christophidou, Director General of the European Commission DG EAC and Dr. Yiannis Toumazis CY Deputy Minister of Culture will be present and follow up the event.

In addition, outstanding professionals such as Prof. Monika Hagedorn-Saupe, (Chair lady of the ICOM.CIDOC Scientific Committee) and Mrs Mary Véronique (Chairlady of the Europeana Aggregators Network) will be Keynote Speakers.

Among our key workshop speakers will be:
1. Dr. Tony Cassar, Manager of Digitisation and Outreach Unit at Heritage Malta,
2. Mr. Michael Klein from 7Reasons Media GmbH in Vienna, Austria,
3. Mr. Chris Vastenhoud, DPO – Kunst en Geschiedenis Museum, Brussels, Belgium, Project coordinator – eCOLLECTIONS and more outstanding presenters to follow soon.

Registration HERE.


Europeana.eu awareness and training session, Pisa and online 24th January 2023

Organized by Photoconsortium in collaboration with Europeana Foundation, this training session is dedicated to cultural heritage institutions who don’t know or know little about Europeana but would like to hear more and discover how to participate. The training was organized as part of the European Data Space for Cultural Heritage project that supports capacity building in the digital transformation of the cultural heritage sector.

The session was a hybrid event that took place in Pisa at Museo della Grafica and online via Zoom, with ca. 30 participants onsite and a peak of 48 online.

Welcomed by the Museo della Grafica Director Prof. Alessandro Tosi and local authorities, and introduced by Antonella Fresa (Photoconsortium), the training focused on various aspects:

  • understanding the process of aggregation, the quality requirements of the Europeana Publishing Framework, the open access approach and the copyright challenges on protected content, with talks by Ilektra Osmani and Ariadna Matas (Europeana Foundation)
  • learning about best practice and recommendations on 3D digitization, with information about the important EU funded Vigie Study 2020/654 about quality in 3D digitized cultural heritage coordinated by Marinos Ioannides of the Cyprus University of Technology; and a presentation about the challenges of digitizing ancient daguerreotypes in 3D by David Iglésias Franch (CRDI/Ajuntament de Girona)
  • exploring how the collections can be promoted and made more visible and reusable, especially in the context of education and research, with a short talk by Valentina Bachi (Photoconsortium) who also conducted a short post-session interactive survey.

All the slides presented by the speakers are available HERE.

Invito (PDF, 552 Kb)

 



This action is part of the European Data Space for Cultural Heritage activities, financed by the Digital Europe Programme of the European Union.


The project for recovery of the Aynadamar irrigation channel in Granada continues

text and images courtesy of Elena Correa Jiménez (University of Granada).

From the Biocultural Archaeology Laboratory (MEMOLab) of the University of Granada, directed by Dr. José María Martín Civantos, we are carrying out the participatory project “Recovering the Aynadamar irrigation channel”. This action is funded by the EU H2020 project Visiting the margins: INnovative CULtural ToUrisM in European peripheries (INCULTUM), the Vice-Rectorate for University Extension and Heritage of the University of Granada, “Fundación Agua Granada and the “Cátedra Hidralia”.

Its main objective is focused on the recovery of a part of the Aynadamar irrigation channel, a canalization built in the 11th century, which originates in Fuente Grande (Alfacar) and ending in the current Albaicín (nowadays it has disappeared). Because of the historical, cultural and environmental importance of this irrigation channel, we have proposed the recovery of a section (El Fargue-Campus de Cartuja) which is currently abandoned, for its use in the Albaicín abandoned, for its use and maintenance. Not only is the irrigation channel being recovered, but also the path next to it to create a cultural trail to highlight the value of the environmental services provided by the irrigation ditches.

The Aynadamar irrigation channel is one of the most renowned in the province and the city of Granada, perhaps one of the best known along with the Royal of Granada, perhaps one of the best known, together with the “acequia Real de la Alhambra”. It was the main water supply for the city since its foundation in medieval times, at least since the 11th century. It also generated important areas of historical cultivation. The area was often linked to residences and infrastructures of great heritage value, especially in the area around the “Cercado Alto de Cartuja”, where the University Campus is located.

The project has had a strong participatory character. This was also was also one of its main characteristics, so that anyone could collaborate and learn about the importance of our historical irrigation systems and contribute to the restoration of a degraded cultural landscape of enormous interest .Over seven weekends in October and November, more than 550 volunteers took part, while during the week volunteers, while during the week more than 2,000 schoolchildren from different educational centers, from 9 to 20 years old. The recovery of the Aynadamar has not only had a great acceptance, but also an important social and media impact from local to foreign media.

We hope that the initiative will serve to give visibility to historical irrigation systems and to the irrigation communities that manage them, for their work and knowledge to the irrigation communities that manage them, for their work and knowledge and for the enormous and for the enormous amount of values and ecosystem services they provide us with from a cultural, social, agronomic and environmental point of view (https://regadiohistorico.es/argumentario).

Our historic irrigated lands are not only part of the past and our heritage, but also examples of sustainability and resilience that should be sustainability and resilience that should be harnessed to improve our present and secure our future our present and guarantee our future.

Learn more about INCULTUM Pilot 1 – Altiplano de Granada

 


INCULTUM Pilots meet to share about their progress

ph. Pietro Masi

In order to keep the pace of Pilots’ progress in the various areas and activities, a series of online networking meetings was organized on 9-10-11 January 2023. The Pilots have a lot of commonalities and differences, and often share challenges and to-dos. For this reason the Pilots coordinator University of Granada is facilitating internal communications by informal talks.

INCULTUM has entered since few months the very central part of the action plan, and the first outcomes of the Pilots’ activities are important to be shared among the INCULTUM partners first, to then distill solutions that can raise to a more general level of scalability and become good practices to share to the entire cultural tourism sector.

The meetings were led by prof. José Maria Civantos, the project coordinator, and attended not only by the Pilots but also by the research partners in the project, to derive interesting inputs that contribute to the work in backending the INCULTUM innovative solutions experimented in the pilot sites.

 


The Complexity of History: Unpacking the Past

EuroClio’s 29th Annual Conference on “𝐓𝐡𝐞 𝐂𝐨𝐦𝐩𝐥𝐞𝐱𝐢𝐭𝐲 𝐨𝐟 𝐇𝐢𝐬𝐭𝐨𝐫𝐲: 𝐔𝐧𝐩𝐚𝐜𝐤𝐢𝐧𝐠 𝐭𝐡𝐞 𝐏𝐚𝐬𝐭” will be held from 𝟐𝟎-𝟐𝟐 𝐀𝐩𝐫𝐢𝐥 𝟐𝟎𝟐𝟑 in 𝐕𝐢𝐥𝐧𝐢𝐮𝐬, 𝐋𝐢𝐭𝐡𝐮𝐚𝐧𝐢𝐚.

The annual conference of EuroClio, the International Association oh History Teachers,connects history and citizen educators from all over Europe. The three-day event offers a comprehensive programme containing a keynote lecture by Tamara Eidelman, active workshops, plenary sessions and cultural activities.

Get your tickets or learn more about the conference: https://euroclio.eu/event/29th-annual-conference-the-complexity-of-history-unpacking-the-past/


DOORS – Digital Incubator for Museum: 20 European museums start their digital transformation journeys

DOORS – Digital Incubator for Museum aims to set up a framework for sustainable digital transformations in the cultural sector. The project kicked off in October 2021 and will run until September 2023 conducting a two-stage incubation programme for museums and a comprehensive research plan with public outputs.

The initiators of DOORS – Digital Incubator for Museums are Ars ElectronicaMUSEUM BOOSTER and Ecsite – European network of science centres and museums.

image DOORS project

Neanderthal Museum will design more complex and personalised user journeys (IMPAKT.NL [Centre for Media Culture]), services (Univerzitná knižnica Žilinskej univerzity v Žiline (University Library of the University of Žilina)) and cultural offers (Turkcell Diyalog Müzesi / Turkcell Dialogue Museum), or content for non/absent audiences (The Royal Museum of Mariemont, The National Museum of Maps and Old Books). Others seek to engage audiences with innovative visitor experiences, by building bridges between the online and onsite (The Association of Uräjärvi Mansion´s Friends, The Regional Museum Goriški muzej), bringing collections outside out of the traditional museum space (Museo Civico di Vignola “Augusta Redorici Roffi”), or augmenting the exploration of onsite collections with digital content (Arboretum Volčji Potok, Terra Sancta Museum).

Some museums will set the steppingstone for new business models to help them become more resilient and financially sustainable with unique experiences that appeal to new audiences (Computer History Museum), blueprints for digital solutions that can be adopted by other museums (Kaiser Franz Josef Museum, Muzeon – Storytelling Jewish History Museum), an E-shop to support professionals and the museum’s community (The Museum of Urban Wooden Architecture), or a wider range of services (MoLI – Museum of Literature Ireland).

The Natural History Museum and Botanical Garden of the University of Tartu addresses the importance of in-house infrastructure for digitalisation and will roll out an innovative strategy for integrating infrastructure designed to ease the digitisation of collections and create opportunities for expanding their use by reaching wider audiences.

A full list of the pilot projects and their descriptions can be found at: https://ars.electronica.art/doors/en/stage2/


Midterm reporting for INCULTUM Pilots: progress and innovation

It is now available in the project’s website the recently released D5.1 Intermediate Pilots report, a condesed document which summarizes the work done by each of the 10 Pilot cases in the INCULTUM project.

Albeit with (sometimes big) differences and specifities, all the Pilots are aiming at developing new sustainable and collaborative strategies for local promotion of various areas, which also generate an effort in training and supporting actions to local stakeholders and a variety of innovations in rural and marginal terriotries in Europe.

The full deliverable can be consulted from this page along with all the other public deliverables produced in the project.

It is worth to highlight the emphasis being placed on the need to promote innovation in the products and processes proposed, or in techniques and approaches. In this sense, transversality with the innovation manager is being promoted. There is no shortage of challenges considering the nature of the pilots and the work being done with local actors and communities, based on participatory approaches that are not always simple and agile, but which we believe have greater potential in the medium and long term and will also have a deterrent effect on the negative impacts of tourism and touristification.

We can summarize the fields of innovation explored by INCULTUM in the following items:
1. The constitution of a heritage resource as a common (good) is a unanimously shared concern, but unequally explained by the pilots, even though it is obviously what provides legitimacy to the projects and grounds the actions.
2. The involvement of the community in the management of the heritage resource is a priority action over all others. The Granada team has developed a fine example of farmer involvement, which may be shared in greater depth within the consortium.
3. Most of the pilot projects have in common the objective of creating new visitor itineraries that make it possible to discover the resources of a territory along a route (most of the time using soft means of transport). These routes also involve local participation in their design and, of course, in their development. Thus encouraging local domestic tourism and knowledge of the local heritage. The systematisation of this approach through soft mobility can be considered as an element of innovation to achieve sustainable tourism.
4. The design of attractive narratives of the itineraries is essential (+in the light of the tourism revolution), the use and management of the water (pilot #1 Granada, pilot #2 Portugal, pilot #4 Sicilia), touristic resources based on a ethno-linguistic minority (pilot #7 Albania and in the next period also will be implemented in #pilot 6 Greece), or the dark tourism in pilot #9 can be detected as innovator touristic solutions.
5. In relation to the previous point, the mobilisation of artists to strengthen the attachment of communities to their heritage and to share it with others is a subject whose relevance is shown by the Bibracte achievements (see also the Apennine pilot #5).
6. The participatory heritage inventory and the participatory design of itineraries also seem to be vectors considered relevant by all the partners. It would therefore be useful to better share tools/methods to facilitate this mode of participation: importance of field surveys, availability of digital tools for collecting and sharing information.
8. Knowledge of visitors, their visiting practices and the impact (social, environmental, economic) of the involvement of the community in the management of the heritage resource as well as the sharing of this information with the community to produce ‘territorial touristic intelligence‘, is a subject that also interests several partners (pilot #6 Bibracte, the pilot #9 Irish, pilot #10 the Swedes), with concrete proposals from each pilot that should be made consistent / assembled.
9. Some pilots are modelling an integrated tourism economy approach (pilot #6 Greece, pilot #6 Bibracte, pilot #1 Granada) by mobilising the concept of territorial entrepreneurship that embrace the different sectors of activity of the territory involved in the management of the heritage common or by using business intelligence tools (pilot #6 Greece).
10. Promotional and visit tools are also a subject of interest to several partners (pilot #3 Slovaks and the pilot #9 Irish) and it would undoubtedly be useful for them to share their current work on this theme in more detail.

Additionally, all the pilots are doing their own communication on a local scale in the vernacular language, thus trying to have a greater implantation in the territory and the communities and stakeholders with whom they work and a greater dissemination on that scale, who are to a large extent INCULTUM closest and, a priori, most numerous target audience.

 

 


Be.CULTOUR and INCULTUM establish collaboration

The EU-funded Be.CULTOUR project recently establised a cooperation agreement with INCULTUM, aiming at cross-dissemination, knowledge exchange and other common actions in the area of sustainable cultural tourism.

Be.CULTOUR stands for “Beyond CULtural TOURism: heritage innovation networks as drivers of Europeanisation towards a human-centred and circular tourism economy”. It expresses the goal to move beyond tourism through a longer-term human-centred development perspective, enhancing cultural heritage and landscape values.

Read more about the project in the official website: https://becultour.eu/