Crowdsourcing for Academic, Library and Museum Environments

crowdsourcingBannerThis workshop, run as part of the Digital Humanities at Oxford Summer School 2015 (20 -24 July 2015), will enable participants to experience crowdsourcing in microcosm all the way from project conception to launch to data analysis. It will be a hands on and fast paced course, but there will be plenty of time to reflect on the process of setting up and sustaining a crowdsourcing project.

Participants will come to the course prepared with a project idea and some sample data, e.g. 50 images of objects or books in their museum or library collection or an academic research dataset. It is absolutely essential that participants come prepared with their dataset and that this dataset is coherent. This means that the same string of questions can be applied to each image. For example, a dataset of medieval manuscripts might be processed in the following steps:

  1. Are there any illuminations on this manuscript image? Yes/no;
  2. If yes, draw a box around the illuminations;
  3. A dropdown list titled “What appears in the illumination?” Choices could include: animals, humans, plants, text, fantastical creatures, music etc.

On Monday participants will share and develop their ideas for their projects and hear from crowdsourcing experts, including “Old Weather” Project Investigator Philip Brohan, of the Met Office. There will be the opportunity to “storyboard” or “wireframe” projects, so participants may want to print out a few images before arriving from their data, in order to draw on them and develop them.

By Tuesday they will have uploaded their data to Zooniverse‘s new Panoptes DIY crowdsourcing site and launched a beta project that they will use for the rest of the week. Participants will have the opportunity to pitch their project to fellow course mates and try to generate interest in their project in order to gain experience in attracting a crowd and communicating the significance of their research or collection. By the end of the week the group will use data generated by their project (or back up sample data) in various data refinement and visualisation tools in order to learn the basics of how to manage and analyse their data.

This course will be of particular interest to academics, librarians and museum professionals who see the potential for crowdsourcing to expedite data extraction from non-machine readable collections. The Panoptes system will be particularly useful for metadata extraction projects and datasets that require a basic decision tree (yes/no answers and dropdown menus) but will not be able to support transcription at this time. Examples of the kinds of data extraction and workflows that will be supported include: www.penguinwatch.org and www.milkywayproject.org.

The workshop will be run by Dr Victoria Van Hyning, Digital Humanities Project Lead at Zooniverse.org (University of Oxford), and Sarah de Haas, a technical specialist from Google with a background in humanities who will help bridge the gap between humanities and technical skills.

 

 

The Digital Humanities at Oxford Summer School offers training to anyone with an interest in the Digital Humanities, including academics at all career stages, students, project managers, and people who work in IT, libraries, and cultural heritage. Delegates follow one of the 8 workshops throughout the week, supplementing their training with expert guest lectures. Bed and breakfast or en-suite accommodation is available at St Anne’s College, Oxford, on a first-come-first-served basis.  Delegates can also join events each evening.

 
 

For further info visit http://dhoxss.humanities.ox.ac.uk/2015/crowdsourcing.html and

http://dhoxss.humanities.ox.ac.uk/2015/ml/


Massive Open Online Course on eTourism Communication Perspectives

Prof. Lorenzo Cantoni of Università della Svizzera Italiana is glad to announce the Massive Open Online Course (MOOC) on eTourism Communication Perspectives.
It is the very first MOOC covering the eTourism topic: a most needed one, considering the role plaid by Information and Communication Technologies within tourism and hospitality. Almost all cases discussed in this MOOC are from Heritage sites.
The course, fully free and open, will be delivered in October-November 2015; it will last 8 weeks and will require approximately three hours study time per week. Among the intended audiences: destination managers, people active in the tourism industry, policy makers, students (in particular within tourism and hospitality programmes) academics and researchers.

Prof. Lorenzo Cantoni, Dr. Nadzeya Kalbaska, Dr. Elena Marchiori and Dr. Silvia Matilde De Ascaniis will take you on a fascinating travel into the eTourism world, which crosses both space and time and is always closely connected with communication. The trainers are embarking to create a great study experience, which explores how Information and Communication Technologies do matter for tourism, both for our personal experience and for the tourism industry at large. In other words, they will explore eTourism together with you by using tools and models from the Communication Sciences.

Key concepts and theories covered include: Online Communication Model; Roman Jakobson’s Communication Model; Quality of online contents; User Generated Content; Web 2.0; Reputation in online Media; Intercultural Communication and Localisation; eLearning; Argumentation; World Heritage Sites.

As this is an introductory course, no prerequisite knowledge is necessary to participate.

By the end of the course, learners will know:

  • what communication is and its major components, ICTs and their relevance to the tourism field
  • how to be aware of the crucial role played by communication and ICTs within the tourism and hospitality sectors
  • current eTourism applications, technologies and practices
  • how to map different communication activities within the tourism sector
  • what kinds of online training courses can be used for the knowledge upgrade within tourism and hospitality
  • how to run a usability test and how to make usages analysis of a website or mobile app
  • how to plan, run and evaluate eTourism related activities, especially when it comes to the analysis of online reputation of a tourism destination.

 

 

COURSE STRUCTURE:

Chapter 1. Communication: an introduction to its nature and history (October 5-9, 2015)
Instructor: Prof. Lorenzo Cantoni

① Theoretical part:

  • The very etymology of communication and its two major components: producing and interpreting messages
  • The model by Roman Jakobson
  • The history of media up to ICTs

② Case study:

  • UNESCO World Heritage Sites and eTourism

 

Chapter 2. The Online Communication Model (OCM) and the quality of online contents (October 12-16, 2015)
Instructor: Prof. Lorenzo Cantoni

① Theoretical part:

  • The complexity and richness of online communication
  • The Online Communication Model (OCM)

② Case study:

  • Analysis of the content quality in online communication

 

Chapter 3. Usability analysis and web analytics (October 19-23, 2015)
Instructor: Prof. Lorenzo Cantoni

① Theoretical part:

  • The usability and usages analysis of tourism websites, mobile apps and other online communication tools

② Case study:

  • Usability analysis of a hotel’s booking engine

 

Chapter 4. Localisation of online content (October 26-30, 2015)
Instructor: Prof. Lorenzo Cantoni
Assistant: Emanuele Mele

① Theoretical part:

  • Cultural translation/localisation of messages for people with various cultural backgrounds and experiences

② Case study:

  • Localised website for domestic and international visitors of Quito, a Local Tourism Organisation in Ecuador

 

Chapter 5. B2B activities and eLearning: online educational communication (November 2-6, 2015)
Instructor: Dr. Nadzeya Kalbaska

① Theoretical part:

  • The notion of eLearning and how it is being used for lifelong learning of tourism and hospitality students as well as of professionals in the field

② Case study:

  • Ticino Switzerland Travel Specialist online course produced by a regional Tourism Organisation in Switzerland

 

Chapter 6. User Generated Contents (UGCs) & web 2.0 (November 9-13, 2015)
Instructors: Dr. Silvia de Ascaniis; Dr. Elena Marchiori

① Theoretical part:

  • Communication opportunities given by Web 2.0
  • Exploration of User-Generated-Contents (UGCs), by applying Roman Jakobson’s model

② Case study:

  • Communication strategies for the management of hotel online travel reviews

 

Chapter 7. Reputation in online media (November 16-20, 2015)
Instructor: Dr. Elena Marchior

① Theoretical part:

  • The definition of the reputation construct and its relevance in the online domain
  • Current approaches and tools for the analysis of online reputation, both from qualitative and quantitative perspectives

② Case study:

  • How to analyse the online reputation of a tourist destination

 

Chapter 8. Argumentation in online travel reviews (November 23-27, 2015)
Instructor: Dr. Silvia de Ascaniis
Assistant: Jingjing Lin

① Theoretical part:

  • Definitions of argumentation
  • How to run an argumentative analysis of Online Travel Reviews

② Case study

  • Argumentative analysis of Online Travel Reviews of a Chinese National Park.

 

ENROL NOW!!!

 

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STARTS explores the catalytic role of the Arts

Tech&Art_sinergiaThe STARTS (Science, Technology and the Arts) Symposium being held in Brussels on 22-23 June 2015, in the salle Henri Le Boeuf at BOZAR, is aimed at exploring the catalytic role of the Arts for innovation in business, industry and society and how to foster it. Possible synergies will be considered during the meeting from an entrepreneurial, technological, scientific, social and artistic point of view. Already existing collaborations of Science & Technology with the Arts in the framework of European Commission funded projects will be particularly highlighted.

As representative of the Civic Epistemologies consortium Frederik Truyen, Professor at the Faculty of Arts of Katholieke Universiteit Leuven (BE), is attending the event to present the project to the delegates.

Civic Epistemologies is an EU-funded project about the participation of citizens in research on cultural heritage and humanities, grounded on considering ICT as powerful drivers of creativity. The project intends to highlight also the “artistic dimension” of the citizen engagement, being both art a possible mean for public engagement in culture and citizen participation a potential input to art creation.

Today, an increasing number of high tech companies and research institutions, world-wide, assert that the critical skills needed for innovation to happen and to be of value for society are, in addition to scientific and technological skills, skills such as creativity and capacity to involve all of society in the process of innovation. In this context, the Arts are gaining prominence as a catalyst for an efficient conversion of Science & Technology knowledge into novel products, services and processes.

Working at the nexus between Science, Technology and the Arts, STARTS is discovering opportunities for piloting cross-sectorial cooperation that enhance and promote innovation. To foster such cooperation, the European Commission is launching its STARTS (Science, technology & the Arts) programme.

Hereafter, the symposium’s preliminary agenda:

 

MONDAY, 22 JUNE

Location: BOZAR, salle Henri Le Boeuf, Scène and exhibition halls

 

9.30: Registration

10.00 – 12.00 Setting the scene for STARTS
Opening by Paul Dujardin, Director of BOZAR, and Michel Magnier, Director for Creative Europe, DG EAC, European Commission.

Ralph Dum, DG CONNECT: The STARTS initiative

Gerfried Stocker, Ars Electronica: How Can Artistic Practices Be Best Brought into Innovation in Industry?

Nick Ervink, artist and Fried Vancraen, CEO Materialise: 3D Printing: Technology Breakthroughs and Artistic Challenges

Laura Belloff, Head of Culture and Games ITU Copenhagen (tbc): Innovation at the crossing of the Arts and Technology

Hugues Vinet, Director R&D at IRCAM: Ircam as Innovator In Broad Economic Areas

Roger Malina, Executive Editor of Leonardo Publications at M.I.T Press STEAM programme: The Arts, Science and Technologies in the US

 

12.00 – 13.30 “Light Lunch” in the HLB Bar

13.30 – 17.30 STARTS topical workshops: TED style talks

13.30 – 15.15 How technologies team up with the Arts: Internet of Things and augmented reality

  • Rob van Kranenburg – coordinator
  • Aleksander Valjamae, NEUROCINEMA
  • Bruno Apollini, SANDS
  • Carmen Mac Williams, GRASSROOTS ARTS
  • David Cuartielles, ARDUINO (tbc)
  • Eric Joris, DREAMSPACE
  • Laura Belloff, Head of Culture and Games ITU Copenhagen (tbc)
  • Paul Verschure, UPF
  • Pavel Smetana, NEUROCINEMA
  • Rafaella Rovida, PELARS

 

Data and Society

  • Jaromil Rojo, D-CENT – coordinator
  • Domenico Vicinanza, GEANT and Anglia Ruskin University, Cambridge UK
  • Marleen Stikker, WAAG SOCIETY
  • Oriana Persico, UBIQUITOUS COMMONS
  • Roel Roscam Abbing, BORDER CHECK
  • Salvatore Iaconesi, UBIQUITOUS COMMONS
  • Teresa Dillon, SUPERGLUE

 

15.15 – 15.45 “Quick drink” in the HLB Bar

 

15.45 – 17.30 How music stimulates technological innovation

  • Francois Pachet, Sony Lab, LRN2CR8 project coordinator
  • Beatrice de Gelder & Antonio Camurri, DANCE
  • Claudio Allochio, GARR: The Role Of Art In Industrial Innovation
  • Cynthia Liem, PHENICX
  • David Worrall, FRAUNHOFER IIS: Sound ways of Understanding
  • Mike Thompson & Susana Cámara Leret, THOUGHT COLLIDER
  • Philippe Franck & Jacques Urbanska, TRANSCULTURES
  • Rolf Gehlhaar, HUMAN INSTRUMENTS: Market Transfer of Artistic Prototypes: SOUND=SPACE
  • Stefano Delle Monache, SKAT-VG

 

Creative Cities: ICT, the Arts and the city

  • Mike Phillips, i-DAT, MODEL CITY – coordinator
  • Andrea Cancellato, TRIENNALE  DI MILANO
  • Andrzei Novak, NEW NARRATIVES
  • Annemie Maes, BEEHIVES
  • David Crombie, JAM TODAY
  • Josep Perelló, BARCELONA LAB
  • Manuel Abendroth, LAB-AU
  • Tim Brooke, FUTURE CITIES CATAPULT

 

17.30 – 18.00 “Quick drink” in the HLB Bar

 

18.00 – 20.00 STARTS in action: demonstrations and performances

Opening: MEP Carlos Zorrinho and European Commission (tbc)

  • Antonio Camurri, DANCE
  • Bruno Apollini, SANDS
  • Carmen Mac Williams, GRASSROOTS ARTS
  • Cynthia Liem, PHENICX
  • David Worrall, FRAUNHOFER IIS
  • Domenico Vicinanza, GEANT and Anglia Ruskin University, Cambridge UK
  • Jaromil Rojo, D-CENT
  • Roel Roscam Abbing, BORDER CHECK
  • Teresa Dillon, SUPERGLUE

 

For those interested a guided tour to “Making a Difference/a Difference in Making” (BOZAR exhibition of a series of 3D printed works from the Arts, science, design and engineering) is foreseen

 

20.00 – 22.00 “Walking dinner” (demonstrations may be continued)

 

TUESDAY 23 JUNE 2015

Location: BOZAR, STUDIO and/or Henri Le Boeuf

 

9.30 Registration

10.00 – 10.30 Success Stories from links of technology and the Arts

Pier Luigi Sacco: STARTS Successful Project Stories (20min)

Opening by European Commission, Guenther Oettinger (tbc)

10.30 – 11.40 Creativity is the key: How the Arts can stimulate innovation

Chair: Vladimir Sucha, Director-General, JRC (tbc)

(this roundtable with industrialists, entrepreneurs, technologists and artists will discuss the importance of the Arts for innovation in industry and society).

 

Panel: 3min statements followed by a discussion

  • Pérez Dolset, CEO ZED
  • Albert Heuberger, Director FRAUNHOFER IIS
  • Joachim Sauter, CEO ART+COM
  • Lucía García, LABoral
  • Egbert Lox, Senior Vice-President of UMICORE
  • Valentina Montalto, Creative SpIN, KEA: Smart Guide To Creative Spill-Overs For Cities

 

11.40 – 11.50 Break

 

11.50 – 13.00 Creativity is key: How the Arts can stimulate innovation

Chair: (tbc)

(this roundtable with industrialists, entrepreneurs, technologists and artists will discuss the ways in which the Arts can contribute to innovation in industry and society).

 

Panel: 3min statements followed by a discussion

  • Cristian Beza, Founder ARTADYS
  • Francesco Monico, ST INNOVATION CUP
  • Gerfried Stocker, ARS ELECTONICA
  • Jo Libeer, former chairman of VOKA
  • Laurent Gaveau, director, GOOGLE CULTURE LABS (tbc)
  • Monica Bello, Head of ARTS@CERN
  • Tim Plyming, NESTA

 

 13.00 Closing

For those interested a guided tour to “Making a Difference/a Difference in Making” (BOZAR exhibition of a series of 3D printed works from the Arts, science, design and engineering) is foreseen.

 

For further info visit www.ictartconnect.eu and  ICT ART CONNECT’s Facebook Page

STARTS logo


EuropeanaTV pilot succesfully promoted at TVX2015 conference in Brussels

by Kelly Mostert, NISV

tvx_twitter_photoDuring the 2015 ACM TVX conference, hosted by the iMinds Digital Society Department, that took place on the 3rd – 5th of June at the Crown Plaza Hotel in Brussels the EuropeanaTV pilot of Europeana Space project was presented during the ‘Social experiences and awareness’ session in the TVX Industry track.

The crowd was interested to learn about the pilot prototypes, the different use cases and scenarios, and the future plans for user testing. Also the EuropeanaTV hackathon held the previous month at the Waag Society in Amsterdam was presented and the future hackathons were announced.

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The Culture Derby concept developed by the Netherlands Institute for Sound and Vision got the audience to start using their smartphones and enjoy a cultural derby race – ensuring the ‘X’ in TVX was well represented during this talk!

The response to the pilot and other project activities was very positive. The ‘Rewind’ prototype app targeted at senior users definitely gets the attention of SmartTV producers interested in standalone apps to offer with their TVs.

The toolkit was well received by education professionals especially.

View the PowerPoint slides presented during the speech:

Questions or comments? Contact Kelly Mostert of the Netherlands Institute of Sound and Vision:
kmostert@beeldengeluid.nl – @kellymostert

www.europeana-space.eu

Photo taken by Lyndon Nixon of MODUL University. 

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E-Space Dance pilot in Portugal

IMG_2998by Rosemary Cisneros, Coventry University

The Europeana Space Dance Pilot travelled to Lisbon, Portugal mid-May, to hold its first usability test for the two applications it has been developing. A two-day session was organized by FCSH-UNL under the coordination of team members Carla Fernandes and João Gouveia but included all members of the Pilot, Sarah Whatley, Alexandru Stan and Rosamaria Kostic Cisneros. Coventry University, IN2 , and FCSH met at the RE.AL Studios, a company led by contemporary choreographer João Fiadeiro, to evaluate the “DanceSpaces” tool and the “DancePro” tool.

DanceSpaces” focuses on the needs of the general public and dance enthusiasts (e.g dance audience/viewers and tourists, dance learners and educators, those who participate in dance as a social and/or recreational activity, etc.) who want to share and explore content about a particular dance aspect. As such, DanceSpaces targets leisure, teaching and learning at the same time.

DancePro” is an application developed as a new version of the “Creation Tool” software, which is a video annotator working as a digital notebook in real time for dance professionals during creative and compositional processes. It focuses on the needs of researchers and dance experts (e.g. dance artists, choreographers) who need a set of powerful tools for accessing dance content and creating extensive metadata. It allows different types and modes of annotation of video in real time but also with pre-existing videos.

The two days of testing allowed the developers to gain insight into what its target audience thinks of the two applications using a “think aloud” method. All partners were pleased with the results and gained valuable insight while validating critical assumptions made at the start of the project. There is a real need for such tools and the data supported this claim.

IMG_3105

The day was captured by freelance photographer José Ramos and included local choreographers, dancers and members of the general public. Together with João Fiadeiro, other Portuguese choreographers such as Rui Lopes Graça, Ana Trincão and Sylvia Rijmer have had a chance to try the DancePro tool, having offered valuable feedback on additional functionalities they would like to see added to the tool in the future.

Conducting tests is only one part of the project and the usability tests in Lisbon have offered the E-Space Dance Pilot valuable information. The designers are now moving into the implementation of phase of the feedback and look forward to sharing the tools with those Dance Hackathon Participants, scheduled to take place in late Autumn 2015.  ​​


EIUG/IIUG Joint Conference

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The EIUG (European Innovative Users Group) 2015 conference will be a joint conference with the Irish Innovative Users Group (IIUG).  The conference will be hosted by Trinity College Dublin and will take place on 6th and 7th July 2015.  You can register for the conference at https://eiug-iiug-conference2015.eventbrite.co.uk

 

Innovative Personnel Attending EIUG/IIUG Joint Conference

The following III personnel have been confirmed as attending this year’s joint conference:

  • Leif Pedersen  – Senior VP of Product Management, R&D and Marketing
  • John Owens –  Director of Technical Support
  • Robert Jacobs –  Sales Director, Europe and Africa
  • Charo Díez – Senior Manager (VTLS/EMEA), Customer Support
  • Graham Woodruff –  Sales Account Manager
  • Cat Strong-  Sales Account Manager
  • Colin Carter – Director of Library Engagement
  • Richard Bramwell – Sales Account Manager
  • Sílvia Guivernau  – Library Relations Manager, EMEA

 

If you would like to present or have any ideas for the conference please contact one of the EIUG committee.

 

For further information:


Cloud Forward 2015 calls for papers!
Pisa, Palazzo della Carovana, Scuola Normale SuperioreCC BY-SA 3.0

Pisa, Palazzo della Carovana, Scuola Normale Superiore
CC BY-SA 3.0

 

Authors are invited to submit abstracts for poster and paper presentations related to the Topics of Interest for the Cloud Forward 2015 Conference: From Distributed to Complete Computing.  The 2015 edition will take place at the Scuola Normale Superiore in Pisa, Italy, from 6 to 8 October 2015, in friendship with Internet Festival.

 

EXTENDED SUBMISSION DEADLINE: 13/07/2015 (hard deadline)

 

The CF2015 conference (cf2015.holacloud.eu), organised under the auspices of EGI (European Grid Infrastructure) MISE (Ministero Italiano dello Sviluppo Economico), Regione ToscanaCNR (Consiglio Nazionale delle Ricerche), APRE (Agency for the Promotion of European Research), Municipality of PisaFondazione Sistema Toscana (FST) and University of Pisa , is a scientific forum supported by the European Commission under the framework of the HOLA Cloud project (www.holacloud.eu), featuring a elseviernumber of core research topics in the area of distributed computing (through the Distributed and CLOUD computing track), as well as new technologies beyond CLOUDs, requirements and future goals (through the COMPLETE computing track), while special emphasis will also be on open-source approaches (through the Open-source track).

The conference provides opportunities for posters and demonstrations. Proposals (including title, short abstract and contact information) shall be submitted on the same schedule as the papers.
Each poster must be original and unpublished work, not submitted for publication elsewhere.

Posters will be showcased within the Digital Exhibition on the conference website.

 

Important dates:

Paper/Poster submission: 28.06.2015 13.07.2015 (hard deadline)
Author notification: 02.08.2015
Camera ready: 23.08.2015

 

For more information and details about the Call for Papers click visit the Conference website.

 

VIEW THE POST PUBLISHED BY THE EUROPEAN COMMISSION TO ANNOUNCE THIS CALL. CLICK HERE.


Initial release of MediaConch now available

mediaconchMediaArea is pleased to announce the initial release of MediaConch (Media Conformance Checker). Part of the PREFORMA project, a Pre-Commercial Procurement (PCP) project co-funded by the European Commission under its FP7-ICT Programme, MediaConch consists of a suite of tools and features to enable comprehensive control, testing, and modification of select archival audiovisual formats, specifically Matroska, lossless FFV1, and LPCM.

At this early stage MediaArea is presenting their first release to facilitate testing, oversight, and feedback to the project as they move forward with development. Currently MediaConch is available as a GUI and CLI application, with support for the following features:

  • Generation of detailed technical metadata report from audiovisual files in text or XML format.
  • Generation of ‘MediaTrace’ document which provides an textual reference to the architecture of an audiovisual file by categorizing all bytes of data according to their underlying specification for a highly comprehensive and standard-specific report.
  • Support for basic policy checking.

MediaConch anticipates including exhaustive means for creating and evaluating policy sets against collections of audiovisual media. Use cases for such policy checks include: assess that a digitization vendors deliverables meet the requested set of significant characteristics, ensuring that files are self-descriptive, and testing for coherencies (such as a file using a PAL frame size if using a PAL frame rate). Expression of policies are being standardized using Schematron (ISO/IEC 19757-3:2006), an XML document assertion language. MediArea has prepared a demo of test files, sample policy sets expressed in Schematron, and instructions on how to use MediaConch to validate such policy. MediaArea anticipate that future releases will make such processes far more seamless.

Feedback and comments on MediConch are invited. Requests, issues, or questions may be directed at MediConch project’s issue tracker at https://github.com/MediaArea/MediaConch/issues. MediaArea development team may be reached at info@mediaarea.net.

Downloads, demo files, and instructions for policy check applications may be found at:

https://mediaarea.net/MediaConch

Join MediaConch mailing list to receive updates on the MediaConch project.


E-Space technical infrastructure taking shape

DSC02075On a very sunny 29th of May in Florence,  hosted in the wonderful premises of partner FST Fondazione Sistema Toscana, an interesting workshop of Europeana Space took place to discuss further the technical infrastructure developed by partner NTUA and already presented during the preceding public technical workshop realized in Brussels in cooperation with Europeana Foundation.

The Florence appointment was instead reserved to the partners of Europeana Space;  after the opening of the day by the technical coordinator Antonella Fresa (Promoter), Eirini Kaldeli and Arne Stabenau (NTUA) widely illustrated the WITH technical infrastructure on which the Technical Space and the Content Space of Europeana Space are based.

E-Space WITH is an innovative concept for an infrastructure, which exposes APIs from different portals and repositories. It allows the user to search content of interest from a single access point into different and disjointed repositories and databases such as Europeana, the DPLA Digital Public Library of America, YouTube.. and of course the Europeana Space own repository, currently under construction.

The content is called via APIs, and the WITH infrastructure isn’t duplicating existing tools, while it instead shows innovative features, to leverage on for the development of services of E-Space:

  1. MANAGEMENT OF CONTENT: the infrastructure permits to safely access and use both open content available on line (searching different repositories from a single access point) and non-open/not yet cleared content via the Europeana Space Protected Space
  2. MANAGEMENT OF COLLECTIONS: the infrastructure permits to create and to give access to collections of curated content, to be “marked” and shared with other users or potential users.

The Technical Space and the Content Space developed by the project will therefore complement and feed the Innovation Space, an environment for endorsing and incubating new business based on digital cultural content.

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The first instance of E-Space WITH is planned to be running on the server, including first version of the APIs and minimum functionalities, by mid of June. The first stable version will be then available in September and the official launch of the platform is foreseen in the mid-term conference of Europeana Space to take place in December 2015 in Tallin.

Photos courtesy of Fred Truyen


Annual conference for memory institutions in Catalonia

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PACKED and the University of Girona presented the PREFORMA, TI/A and DPF Manager initiatives at the Annual conference for memory institutions in Catalonia, an event which aims to help reducing this distance and promoting a great number of digital preservation initiatives in the field of archives and document management.

 

In a networked world, where access to information has become a necessity and also a civil right, the preservation of data and documents has become the main factor in ensuring this access. The creation of digital archives, which makes this information accessible beyond the barriers of immediate use and technological obsolescence, it is now more than ever a service requirement which any organization, public or private, cannot renounce to. This means not only to build passive deposits, where the information is stored using a retrospective. This means to ensure that any organisation who provides a service, public or private, preserves the data and the documents that provide evidence and allow to talk with real and effective transparency. And this involves the use of digital preservation techniques.

Digital preservation or long-term preservation of electronic documents, has evolved for years and belongs to the ICT sector. There is technology, methods and sufficient experience in the world to say that this is a field of knowledge still growing and consolidating. But the strength of the concept contrasts with the lack of experience and operational deployments in many countries, both in the public and private sectors, and especially in the archival field.

 

Download here the presentation of PREFORMA.

For further information visit http://arxivers.cat/.