Digital meets Culture

Madrid, 18 - 20 October 2016

Cloud Forward Conference 2016

Following the successful CF2015 conference organised by Promoter srl in Pisa October 2015, the Cloud Forward 2016 Conference: From Distributed to Complete Computing took place in Madrid at the Circulo de Bellas Artes from 18 to 20 October 2016.

>> Check out the full programme and the confirmed speakers. <<

The CF2016 Conference gathered experts from industry and academia to present and discuss the future of and beyond Cloud Computing. Based on the HOLA Cloud project and platform – which documents European research, development and innovation in CLOUDs – the conference reviewed experiences and discusses future directions to overcome problems and provide new opportunities for the utilisation of leading edge CLOUD Computing by industry and academia and for ICT developers providing innovative solutions.

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The conference provided the scientific community a dedicated setting for presenting and discussing innovative technologies in the area of distributed computing, as well as new technologies beyond CLOUDs, ranging from architectures over methodologies to new applications and services.

Integral to the conference, the work of the clusters of experts and EC projects working on ‘beyond current CLOUD’ topics was presented.

The event also hosted a dedicated SME event to investigate innovative technologies, promote business ideas and foster current game-changers arising on the market.

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CF2016 was organised under the auspices of AMETIC, CDTI, Chamber of Commerce, EGI, Madrid+d, UNED and IEEE Cloud Computing Magazine.

For further information, visit the event website: http://cf2016.holacloud.eu

CF2016 website: http://cf2016.holacloud.eu

HOLA CLOUD Website: www.holacloud.eu

Twitter: @HolaCloud #cloudforward2016

An interview with Antonella Fresa who explains how the citizen can be actively engaged in the Research processes on Cultural Heritage

“Roadmap for Citizen Researchers in the Age of Digital Culture” presented in Rome

INTERVIEW with ANTONELLA FRESA (Promoter srl, Technical Coordinator of the CIVIC EPISTEMOLOGIES project)

The CIVIC EPISTEMOLOGIES project, funded by the European Commission under the Seventh Framework Programme for research, technological development and demonstration, ended on November 2015 but has foreseen a very ambitious programme of dissemination of its research and outcomes.

The project was about the participation of citizens in research on cultural heritage and humanities and its main outcome is the Roadmap for the use of e-Infrastructures to support for improved social cohesion arising from the sharing of knowledge and understanding of Europe’s citizens common and individual cultures.

An iterative process started for the development of the Roadmap which received a lot of feedback and contributions during the life of the CIVIC EPISTEMOLOGIES project (Requirement analysis, Workshops, online activities, direct exchanges with stakeholders). The Roadmap was intended in facts as a living document, open to contributions from researchers, e-Infrastructure providers, cultural managers, artists, students, teachers, and citizens interested in the matter. An online version of the document is published on the project website where visitors can deliver their comments to improve and ameliorate; it is in other words an instrument offered to the community for free use and re-use.

The Roadmap has been presented to a selected number of different italian stakeholders in Rome, 13 January 2016, in the premises of the Italian Ministry of Economic Development (MISE), which is the public body who coordinated the project. Mauro Fazio has succesfully led the project on behalf of the Italian Ministry.

The experts had the opportunity to discuss about the value of engaging citizens in the research, and about the role that artists can have in terms of introducing innovative practices and mediating between sectors of the society, which are not used to work together.

The encounter has been filmed by TG CULTHER, a local newscast specialized in the themes around the Cultural Heritage, and they realized an interview with Antonella Fresa (Promoter srl – Technical Coordinator of CIVIC EPISTEMOLOGIES).

The interview (in italian language) is available on You Tube channel and embedded above.

More information about the CIVIC EPISTEMOLOGIES project are available here and on the project website.

Graz (Austria), 23-24 September 2016

“Digital Scholarly Editions as Interfaces” International symposium

Venue: Centre for Information Modelling – Graz University

Conference language: English

Confirmed Keynote Speakers:

Dot Porter (Kislak Center for Special Collections, Rare Books and Manuscripts, Univ. of Pennsylvania)

Stan Ruecker (Institute of Design at Illinois Institute of Technology, Chicago)

Scholarly editions intermediate between the texts and their readers, which does not change with their transfer to digital media. Over the past two decades, research on digital scholarly editions (DSE) was deeply engaged with the impacts of the digital medium on the critical representation of texts and the changing conditions for the editor. However, less research has been done on the roles of the readers, or – as they are called in the digital environment – the users. A critical examination of the topic has already been demanded by Jerome McGann in 2001, it was repeated by Hans Walter Gabler in 2010, and was taken up more recently by Patrick Sahle (2013) and Elena Pierazzo (2015). User studies are rare, and systematic considerations of principles of Human Computer Interaction are still marginal in theory and practice of DSE. In addition, the conceptualization of the DSEs as interfaces between machines could be intensified. However, the discourse on DSEs benefits from considering paradigms of interface design, from reflecting on the cultural and historical context of the visual appearance of scholarly editions and their affordances, as well as from examining the interactions between user and resource.

The symposium will discuss the relationship between digital scholarly editing and interfaces by bringing together experts of DSEs and Interface Design, editors and users of editions, web designers and developers. It will include the discussion of (graphical/user) interfaces of DSEs as much as conceptualizing the digital edition itself as an interface. In this context, we are interested in contributions to the following questions and beyond:

How can DSEs take full advantage of their digital environment without losing the traditional affordances that makes an edition ‘scholarly’? What is the role of skeuomorphic tropes and metaphors like footnotes, page turn and index in the design of DSEs and concerning the user interaction?
Do interfaces of DSEs succeed in transferring the complexity of the underlying data models?
Plurality in representation is a core feature of DSE. How do interfaces realize this plurality? Do we need different interfaces for different target audiences (i.e. scholars, digital humanists, students, public)?
How can user interfaces of DSEs succeed in transmitting Human Computer Interaction design principles like ‘aesthetics’, ‘trust’, and ‘satisfaction’?
Citability and reliability are core requirements of scholarly work. Which user interface elements support them? How can we encourage the user to critically engage with the DSE?
What are the users of a DSE actually doing: are they reading the text or searching and analyzing the data?
Can we conceptualize machines as users? How can we include application programming interfaces (APIs) in the discussion on DSEs as interfaces?
Does the development of user interfaces for DSEs keep up with the rising distribution of small handheld devices? Will interfaces on tablets greatly differ from those on computer screens and perhaps encourage a larger readership?

More information: http://dixit.uni-koeln.de/cfp-digital-scholarly-editions-as-interfaces/

Ermoupolis, Syros island (Greece), 27-29 July 2016

IASCC Conference 2016 – Heritage in Transition: Scenes of Urban Innovation

This Conference is hosted by The Culture of Cities Centre and will convene on July 27-29th, 2016 at The Cultural Center in Ermoupolis, on the island of Syros in Greece. It is held in collaboration with York University, St. Jerome’s University and the University of Waterloo. The aim of this meeting is to focus upon how cities create cultural landscapes in which heritage is both tangibly marked by the built environment, by official scripts and policies and also by their seemingly intangible influences of collective memories and collisions in values about the meaning of place that fluctuate over time.

How can the rich and varied approaches of cultural analysis, social theory, and the humanities, arts and social sciences contribute to an interdisciplinary examination of the ground of heritage in the relationship of the city to time and to the complexity presupposed by such a history of official and unofficial legacies?

Topics to be addressed include:

How cities can and do use their past heritage in the present as part of their cultural capital.
The connection of innovative methodologies and emergent practices for engaging the relation of urban pasts to present and future.
Latest advances in the development of technological applications for representing the past in images of the built environment, narratives and the visual representation of local topographies.
Representations of cultural capital that includes official traditional heritage designations, historical neighbourhoods and landmarks, the preservation of art or masterpieces, the contents of museums and deposits of artefacts and the practice of art and artists and the evolving ‘art worlds’ that become part of the aura of the city as its affective infrastructure.
Relations to traditions of any and all kind (from linguistic to aesthetic), including modification, rejection, preservation as in fundamentalist and enlightenment gestures and actions.
Narratives about the urban past produced in any present by descendants, survivors, witnesses, informants.
Redefinitions of work through archival material.
Issues of conservation and preservation.
Ways different societies mark their inheritances whether through mechanistic repetition, vandalism, obfuscation, and innovative reinvention.
Use of heritage criteria for conferring identity of persons and groups through rituals for designating membership such as purity or impurity of blood line, affiliation, citizenship, classification, genre.
Policy discussion relating to cultural identity and memory, cultural regeneration and collective biographies.
Dissonant registers and controversies of historical past(s).

Wolfsburg (Germany), 9-11 June 2016

Collecting and Conserving Performance Art, symposium

The German Association of Conservator-Restorers (VDR) is delighted to announce the major international symposium “Collecting and Conserving Performance Art” to be hosted by the Kunstmuseum Wolfsburg in Germany on June 9-11, 2016.

The two-and-a-half day event approaches issues surrounding the acquisition of performance art by bringing together conservators, curators, art historians, artists, collectors, researchers, art educators and other professionals, who are involved in the production, distribution, collection, documentation and conservation of performance art. Perspectives on heritage development and documentation in adjacent disciplines, such as theater and dance, are invited to inform the discussion.

Under investigation will be a variety of existing practices for bringing an artist’s live performance into a collection, including the license to re-perform the work based on an artist-provided score; film and video recordings of historic or recent performance iterations; autonomous art installations; documentation created by former audiences, participants and producers; and performance props and other objects that represent the live event.

Programme and registrations: http://www.restauratoren.de/termine-details/2021-collecting-and-conserving-performance-art.html

Locations:

Reception and Life Performance (Day 1): Kunstmuseum Wolfsburg, Hollerplatz 1, 38440 Wolfsburg/ Germany

Live Performance “Swap” (2011) by Roman Ondak

Symposium (Day 2 and Day 3): Alvar-Aalto-Kulturhaus, Porschestr. 51, 38440 Wolfsburg/ Germany

Image: Gerard & Kelly, “Timelining” (2014), Performance, Solomon R. Guggenheim Museum, New York, Photo: Courtesy of the artists

Ferrara (Italy), 6 April 2016

Heritage documentation, accessing and understanding through an inclusive approach for 3D reconstruction

The conference, focused on the most innovative strategies of digital documentation for accessing and understanding European Cultural Heritage, will present the first year of research activities of the project INCEPTION – Inclusive Cultural Heritage in Europe through 3D semantic modelling, funded by the European Commission within the Work
Programme “Europe in a changing world – inclusive, innovative and reflective societies”, leaded by the Department of Architecture of the University of Ferrara, widen the debate on the Italian position in the Work Programme 2018-2020.

Scientific Coordination: Department of Architecture, University of Ferrara/ TekneHub
Organization: Department of Architecture, University of Ferrara/ TekneHub
Speakers:
Roberto Di Giulio, University of Ferrara, Department of Architecture, Head
of Department, INCEPTION Project Coordinator
The INCEPTION project: Inclusive Cultural Heritage in Europe through 3D
semantic modelling

Fabio Donato, University of Ferrara, Italian Representative in the
Committee of the Horizon 2020 SC6 Programme “Europe in a changing
world: inclusive, innovative and reflective societies”
Towards the work program 2018-2020: the Italian position

Roko Žarnić, University of Ljubljana, ECTP Focus Area Cultural Heritage
Resilience of heritage assets in context of data collection and their economic
potentials

Marinos Ioannides, Cyprus University of Technology, Digital Heritage
Research Laboratory
Missing Standards: A Challenge for the e-documentation of the Past

Federica Maietti, Federico Ferrari, University of Ferrara, Department of
Architecture
Innovation in 3D data capturing and modelling of Cultural Heritage

Download the flyer of the event (PDF, 309 Kb)

INCEPTION project website: http://www.inception-project.eu/

veraPDF is building the definitive, open source PDF/A validator

veraPDF 0.12 released alongside first version of wiki validation rules

The latest software release features improved PDF/A-2b and PDF/A-3b validation and the fully featured REST API.

veraPDF 0.12 has the following features:

Conformance checker:

PDF/A-2 and PDF-A/3 improvements: implemented checks for optional content, JPEG2000 requirements
full compliance with BFO test suite (PDF/A-2b)
PDF/A-1b fix: check for form field appearance
code refactoring to enable PDF model implementation via different PDF parsers
performance and memory optimization

Test corpus:

full coverage of all predefined XMP properties

Documentation:

The first version of the wiki identifying all PDF/A validation rules is availabe at: https://github.com/veraPDF/veraPDF-validation-profiles/wiki

Infrastructure:

veraPDF-library project refactored into multiple projects
PDF Box validator implementation in separate project
Automated source packaging with dependencies
Corpus test results published online

The veraPDF validation engine implements the PDF/A specification using formalisations of each requirement in PDF/A-1, PDF/A-2 and PDF/A-3. The wiki determines each rule used by the software and provides details on the error(s) triggering a failure of the rule.

Download veraPDF 0.12 at: http://downloads.verapdf.org/rel/verapdf-installer.zip

Release notes are published at: https://github.com/veraPDF/veraPDF-library/releases/tag/v0.12.4

veraPDF is building the definitive, open source PDF/A validator. Please download and test the software. If you encounter problems, or wish to make suggestions, please add them to the project’s GitHub issue tracker. Your feedback is very important, it helps to improve the software.

European Policy Brief. Food Heritage and Culture: Changing Spaces of Production and Consumption. (March 2016).

RICHES: policy brief on food and cultural heritage

The aim of this RICHES policy brief is to highlight the growth of community-led food initiatives and the changing spaces of food production and consumption. It shows how food culture can be a force for change and how citizens can co-create cultural heritage around food. It provides some brief examples of community-led food initiatives and makes recommendations for policies which are needed to enable these to thrive.

The research makes clear that across Europe, there has emerged a dynamic vein of community-led food initiatives, which seek to reconnect people with food cultures that have been threatened by the rise of convenience and fast foods, the erosion of food knowledge and skills, and the emergence of monocultures in food and farming. Such projects have potential to revive endangered practices of food production, and at a community level, can contribute to the transmission of knowledge and skills about food, the preservation of food heritage, and improved understanding and tolerance between different socio-economic groups.

The Policy Brief on Food and CH, led by the experts of Coventry University, has just been released and can be downloaded at the RICHES Resources website HERE.

You can also download the RICHES flyer on Food and Cultural Heritage in the Urban Age: the Role of Local Food Movements (PDF, 1,7 Mb)

The growing collection of RICHES Policy Briefs and Think Papers is available at http://www.riches-project.eu/policy-recommendations.html. They are the focus of the RICHES Policy Seminar in Brussels (23 May 2016).

The event introduced the tools developed by E-Space Dance Pilot through a series of practical workshops

E-Space Digital Dance Day in Coventry

by Hetty Blades and Rosamaria Cisneros, Coventry, University (UK).

As part of the EU funded Europeana Space (E-Space) project, C-DaRE held its Digital Dance Day March 16th, 2016, to showcase two recently developed digital tools for dance practice and scholarship.

E-Space is a three-year project, now in its third year, which examines the creative reuse of cultural heritage across a range of art and media forms. As part of the project researchers at C-DaRE have teamed up with partners from New University Lisbon and IN2 to develop two digital tools to facilitate and encourage creative engagement with digital dance content.

DancePro is a digital annotation tool, which allows users to inscribe on top of live streamed and recorded footage. It is designed for use during and after the creative process, allowing artists to notate their work and draw attention to key features. The tool allows for aspects of choreographic thinking to be communicated across disciplines and has great potential for use in educational contexts.

DanceSpaces is an online portal that allows users to search, collate and organise dance content. It facilitates the development of virtual exhibitions, specialist educational resources, and expansive collections of online and personal content.

E-Space Digital Dance Day from Rosamaria E. Kostic Cisneros on Vimeo.

The E-Space Digital Dance Day introduced the tools through a series of practical workshops led by Sarah Whatley, Rosa Cisneros and Hetty Blades. The morning session explored the potentials of annotation in studio contexts and participants had the opportunity to experiment with using DancePro in their own practice, and explore the multiple ways they can be used for research and education. The afternoon session looked at ‘remixing’ dance, using DanceSpaces to source, learn, re-make, and share online content. The Pilot explored embodied interaction with digital dance, developing new works and collections for submission to an online dance exhibition.

Photos credit: KoZin Photography

Jasná, Slovakia, 14-16 March 2016

PREFORMA presented at ILIDE 2016, Innovative Library in Digital Era

Antonella Fresa, Technical Coordinator of PREFORMA, presented the project at the 19th edition of the ILIDE Conference.

The presentation focused in particular on the open source approach and on the forthcoming testing phase, showing how the conformance checkers can be used and integrated in other systems.

ILIDE, Innovative Library in Digital Era, is the continuation of well-known and prestigious Digital Library Conference and brings together digital preservation, digital collections access and digital processing experts from around the world. The presentations were delivered by leading representatives of the most important institutions dedicated to librarianship, archiving, information technology, cultural and collecting activities.

For further information please visit the Conference website.

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