The video art selection, curated by Gioula Papadopoulou (art director and curator of Video Art Miden) presents 8 works that deal with various concepts concerning the “homo digitalis” era and artificial intelligence, exploring the physical detachment and the gradual digitalization and virtualization of our world, our societies and our minds.
All works have one thing in common: they are tracing and decoding human behavior in the digital era and explore our relationship with our self and “the other”. What do we have to sacrifice in order to approach a supposedly perfect future world?
Participant artists/works:
– Juergen Trautwein & Silvia Nonnenmacher, Meta_Face, USA 2017
– Di Hu, Les Objets Du Système, China 2019
– Landia Art and Economy Foundation, Chatbot Dialogs, Germany 2019
– Landia Art and Economy Foundation, Human Applications, Germany 2019
– Elliott Nicole J. Waller & Fabian Forban, AEI (artificial emotional intelligence), Sweden/Germany, 2019
– Yvana Samandova & Borjan Zarevski, Artificial Intelligence VS Aristotle// beta 0.98, France, 2019
– Katerina Athanasopoulou & Eleni Ikoniadou, Her Voice, UK 2019
– Sven Windszus, PURE WHITE, Germany 2017
Jönköpings läns museum is an art and cultural history museum, which brings to life the county’s cultural heritage. The museum’s buildings also contain archives, magazines, an extensive picture archive and a studio for painting preservation.
Video Art Miden founded by an independent group of Greek artists, is an independent organization for the exploration and promotion of video art. It has been one of the earliest specialized video-art festivals in Greece and has been recognized as one of the most successful video art platforms and an important cultural exchange point for Greek and international video art. Miden screening programs are hosted by significant festivals, museums globally.
Download detailed information here.
More info about Video Art Miden: https://www.instagram.com/videoart_miden/
More info about the works here
More info about the exhibition may be found at the museum’s website




img.: Schematic depiction of a knowledge graph in the performing arts domain; from the paper by Julia Beck, Frankfurt University Library, CC0.


Today’s knowledge of the linguistic and cultural diversity of humanity is widely based on magnetic tape recordings produced over the past 60 years. Magnetic audio and video tape formats are now obsolete. Spare parts supply and service is fading, replay equipment in operable condition is disappearing rapidly, and routine transfer of magnetic tape documents is estimated to end around 2025. The only way to preserve these sounds and images in the long term, and to keep them accessible for future generations, is their digitisation and transfer to safe digital repositories.
The rapid shuttering of museums due to COVID-19 has had serious consequences; museums, to stay connected with audiences when they can’t physically visit collections, found new and unusual ways to bring together their public. So they have entered in the houses of thousands people making available their cultural collections on-line.

The young project, started this May 2020, will complement the ESPON Targeted Analysis of 2019: “The Material Cultural Heritage as a Strategic Territorial Development Resource: Mapping Impacts Through a Set of Common European Socio-economic Indicators” (
The conference is organised under the patronage of Burgas Municipality and aims at presenting innovative results, research projects and applications in the field of digitisation, documentation, archiving, representation and preservation of global and national tangible and intangible cultural and scientific heritage. The main focus is to provide open access to digitised cultural heritage and to set up sustainable policies for its continuous digital preservation and conservation. Representatives of a number of public and specialised libraries, museums, galleries, archives, centres, both national and foreign research institutions and universities will be invited to participate and exchange experiences, ideas, knowledge and best practices of the field.
The Europeana Aggregators Forum is the gathering where twice a year the community of Europeana most trusted partners meets to review strategies and collaborations, and make plans for the future. All the aggregators work with cultural heritage institutions to gather authentic, trustworthy and robust cultural data and make it accessible through Europeana. Through the Europeana Aggregators Forum, aggregators work to exchange the knowledge and best practice that support the digital transformation of cultural heritage institutions.
































