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EUreka3D project was presented at the Spanish Presidency Europeana Conference back in October the 17th 2023, by project coordinator Antonella Fresa. The conference fostered a multidisciplinary dialogue on 3D capacity building for the cultural heritage sector, in order to promote … Continue reading
Graphiae, the digital artist Gianluca Cingolani’s new project, was unveiled at Porta di Milano, Terminal 1 of Milan Malpensa International Airport. Graphiae takes us back to thousands of years ago, when one of the greatest inventions was made. It … Continue reading
Topic: home_art
The 4th International Festival of NanoArt was be hosted in Cluj-Napoca, Romania by Babes-Bolyai University between September 8 – 14, 2016 in parallel with the 11th International Conference On Physics Of Advanced Materials (ICPAM-11). The artworks were shown in the … Continue reading
The festival is about to present the main event of its second edition: the installation Insight in Gorizia, a city which is particularly important in the European scene for its past related to the Great War. Today Gorizia is the perfect place to talk about multiculturalism, historical and geographic fractures, and especially about the human experience of those who experienced the ‘war fractures’ of the ‘900. Continue reading
The N.I.C.E. Award: The N.I.C.E. Award is an initiative by the “Network for Innovations in Culture and Creativity in Europe” (N.I.C.E.), which was launched in Dortmund in 2013 by the european centre for creative economy (ecce) with the backing of … Continue reading
The Center for Art and Media ZKM in Karlsruhe extends the original duties of a museum, which it was since 1989 with the mission to perpetuate classical arts in the digital age, becoming a cultural institution unique throughout the world. It is a house … Continue reading
The next editions of International Surrealism Now will be held in United States, Mississippi at Cullis Wade Depot Art Gallery, MSU Welcome Center; it will be in January and February and in Partícula Coimbra, next February, and Multimedia Poros Museum … Continue reading
Jepchumba of Africandigitalart.com presents us the digital collage, in Africa a growing form of art that utilises technology to produce a range of artworks, incorporating digital video, animation, photography, animated gif’s and digital photo manipulation. Through digital new stories of Africa emerge, setting an alternative – and often critical – narration against the image of Africa we think to know. Continue reading
teamLab, founded in 2001, is a collaborative creative group that brings together professionals from various fields of practice in the digital society: artists, programmers, engineers, CG animators, mathematicians, architects, web and print graphic designers and editors. Referring to themselves as “ultra-technologists” their aim is to achieve a balance between art, science, technology and creativity. teamLab ultratechnologists believe that digital technology can expand art and that digital art can create new relationships between people; they work for an interactive relationship between people and art and for children experiencing shared and co-creative spaces. Continue reading
MuDA stands for Museum of Digital Art. The Museum of Digital Art is dedicated to the art of code and the questions raised by the interactions between data, algorithms and society. It will have a virtual presence, on pretty much every screen connected to the internet. And a physical presence in the ground floor of the first high rise building of Zurich, Switzerland. The MuDA is initiated by the non-profit Digital Arts Association and bound to open its doors, with your help, in January 2016. Continue reading
There is a huge amount of digitized photographic and cultural heritage available on Europeana – and similar open repositories such as Wikimedia Commons and Flickr Commons – that are just waiting to be reused in innovative new applications. This shared cultural content can be an opportunity, with current technologies, to bring people together, to form a glue of new relations between content owners, educators, cultural heritage institutions, developers, students, stakeholder communities, creative industries. Continue reading
The impact of the distributed performance, as new forms of Cultural Heritage expression, is studied in the framework of the RICHES project. “ULTRAORBISM” opens new doors for experimental and creative formats using advanced visual environments in the field of telematics and distributed events. The potential utilities of the results are very rich from a technical point of view and also from an artistic perspective, and the excellent results of this experience present a very optimistic future in the development of co-creation environments in Europe and the use of ICT in the fields of culture and the arts. Continue reading
