Languages & The Media, the Biennial International Conference on Audiovisual Language Transfer in the Media, is gearing up for its 16th edition, scheduled from November 4 to 6, 2026, at Senate House, University of London, UK. Under the theme Moving … Continue reading
The story of Girona is the story of its walls – built in Roman times, altered in the Middle Ages, and demolished in the 19th and 20th centuries. Now the walls are being virtually reconstructed in 3D by the EUreka3D-XR … Continue reading
Topic: museum & library information systems
This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
August 16 2017 The National Gallery, London, is working in collaboration with museum analytics firm, Dexibit, to use big data for predictive analytics. For decades, directors at the helms of the world’s cultural institutions have faced the challenge of balancing … Continue reading
The fourth edition of the TECHNOLOGYforALL Forum will be held in Rome from 17 to 19 October 2017. Italy’s role in the development and conservation of the world Heritage is a framework where we will try to analyse the weighted … Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
Emotive is an EU-funded heritage project that aims to use emotional storytelling to dramatically change how we experience heritage sites. For heritage professionals, the Emotive application will provide a powerful storytelling engine and a set of rich digital media assets … Continue reading
The PREFORMA project that commissioned and funded the development of veraPDF draws to an end this year. Recent activity has been focused on PREFORMA acceptance testing, formalising the decisions of the PDF Association’s Technical Working Group and fixing issues reported by the community. In this webinar, the veraPDF Consortium will present the results of recent development and the plans for life after PREFORMA. Continue reading
FICC 2018 provided a forum for researchers from both academia and industry to share their latest research contributions, future vision in the field and potential impact across industries. FICC2018 allowed attendees to exchange knowledge with the common goal of shaping … Continue reading
Julia Kim is the Digital Assets Specialist at the American Folklife Center at the Library of Congress. So far, she has primarily used MediaConch to create reports for new and incoming born-digital video from the Civil Rights History Project and the DPX files from digitizing celluloid film. Continue reading
Digital preservation means taking precautions to ensure long-term access to digital content. It mitigates the risk of files becoming obsolete or unusable in the future. The PREFORMA tools help you validate incoming file formats and codecs against their standard specification, define custom acceptance criteria, and build an efficient ingest workflow. Download and try them from the PREFORMA Open Source Portal! Continue reading
Marion is a video archivist at the Austrian Mediathek, the Austrian video and sound archive. Her main area of work is the digitization of analogue videos and quality control of video files entering the digital archive. The main use case for MediaConch is to check if files that were produced outside of the default workflow procedure meet the policy for the archival master. Continue reading
