Following the most recent (and still ongoing) aggregation of new objects digitized in the context of the EUreka3D-XR projects, four new galleries on Europeana were created by Bibracte. Start your journey: The Hidden Side of Bibracte A Gaulish public space: … Continue reading
EUreka3D-XR has finalised its booklet “EUreka3D-XR: 3D and XR in the European Digital Cultural Heritage“: the publication describes the EUreka3D competence centre, including the EUreka3D Data Hub, their training and capacity building work, its impact, sustainability and future plans, and … Continue reading
Topic: museum & library information systems
Extended deadline until 31st March: proposals for presentations, workshops, case studies, for CIDOC’s annual conference. Visit the CIDOC 2018 Call for Papers page for submission guidelines and selection criteria: http://www.cidoc2018.com/call-papers. *About the CIDOC 2018 Theme* The ‘Provenance of Knowledge’ is a core element … Continue reading
It is with great pleasure to announce that the 42nd International Conference of the European Library Automation Group will be held at the National Library of Technology in Prague, Czech Republic from June 4 to 7 2018. The European Library Automation … Continue reading
From Data to Wisdom: Resilient Integration across Societies, Disciplines, and Systems. The ACM/IEEE Joint Conference on Digital Libraries in 2018 (JCDL 2018) will be held in conjunction with UNT Open Access Symposium 2018 on June 3 – 6, 2018 in Fort Worth, … Continue reading
Auckland Live is a part of Regional Facilities Auckland, committed to promoting the arts, and supporting inclusiveness and access to the arts for all. In early December 2017, Auckland Live launched the first Accessibility Virtual Tour for the Town Hall– … Continue reading
Merle Friedrichsen attended the “No Time To Wait 2” symposium organised by PREFORMA in November 2017 and gave a presentation on “Open Source Tools in the Digital Archive Workflow” from the perspective of the German National Library of Science and Technology. They both veraPDF (PDF/A), and MediaConch (for Matroska/FFV1 – for film) and the result is that all the requirements that they identified regarding open source software for validation are fulfilled (or are possible to fulfill) by these tools. Continue reading
Virtual Multimodal Museum (ViMM) is a high-visibility and participative Coordination and Support Action (CSA), funded under the EU Horizon 2020 programme (CULT-COOP-8-2016). ViMM brings together Europe and the world’s leading public and private sector organizations working on Virtual Museums and … Continue reading
The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. There are also a number of other fixes and improvements which are documented in the latest release notes. Continue reading
A new exhibition, dedicated to the civic engagement, is currently on view at the Philadelphia Museum of Art. Set up by the artist Jeanne van Heeswijk, Philadelphia Assembled is different from any other exhibition because it is not putting pleasure … Continue reading
This is the nineth in a series of interviews with people using MediaConch within their institutions. Brian is the head of the Digital Production Unit for the Special Collections & Archives Research Center at Oregon State University Libraries & Press. He is using MediaConch for validation and policy checking during the quality control process for the video files. He also used DPF Manager and veraPDF for quality control of TIFF and PDF files. Continue reading
This is the eight in a series of interviews with people using MediaConch within their institutions. Patricia Falcao is a time-based media conservator at Tate. She uses MediaConch to check files that have resulted from migration. Francesca Colussi is one of the senior time-based media conservation technicians at Tate. She mainly uses MediaConch both for local policy checking and in-house quality control, as a comparison and ‘problem solving’ tool to spot anomalies in exhibition format files. Continue reading
