Following the most recent (and still ongoing) aggregation of new objects digitized in the context of the EUreka3D-XR projects, four new galleries on Europeana were created by Bibracte. Start your journey: The Hidden Side of Bibracte A Gaulish public space: … Continue reading
EUreka3D-XR has finalised its booklet “EUreka3D-XR: 3D and XR in the European Digital Cultural Heritage“: the publication describes the EUreka3D competence centre, including the EUreka3D Data Hub, their training and capacity building work, its impact, sustainability and future plans, and … Continue reading
Topic: EU projects
Ultraorbism was an interactive distributed action between two networked connected spaces in two cities: Barcelona and Falmouth. The story was a linear interpretation of the first of the two books of True Story by Lucian of Samosata (a Syrian writer who lived in the second century AD), who tells an impossible journey on which everything is invented, with references to the mythology and literature of the era. Ultraorbism, a project directed by Marcel•lí Antúnez Roca, is part of the European project SPECIFI and case study of the RICHES European project’s research area. Continue reading
The article “Digital curation and quality standards for memory institutions: PREFORMA research project” has just been published in the Archive Science Journal – S.I. Digital Curation – and it is available as ‘Online First’ on SpringerLink. Continue reading
The historically important city of Mosul holds artefacts of huge cultural and historical importance and the Mosul Museum is the second largest museum in Iraq after the National Museum of Iraq in Baghdad. Photo of Ishtar temple lion from Project Mosul website. Photo in public domain. Special thanks go to the volunteers who have submitted the images: Suzanne E. Bott, Col. Mary Prophit, and Diane Siebrandt
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A collaboration between academics from Goldsmiths, University of London, and Coventry University, Photomediations: An Open Book is the outcome of the Open and Hybrid Publishing pilot – which is one of six Europeana Space pilots. Through a comprehensive introduction and four specially commissioned chapters on light, movement, hybridity and networks that include over 200 images, it tells a unique story about the relationship between photography and other media. Continue reading
Europeana Space is establishing a Technical Space as a framework for storing, accessing and processing cultural heritage content and metadata. Based upon IPR licensing, curators, scholars, professional users and developers will be able to search for and manage resources within … Continue reading
The review meeting, hosted by the project Coordinator Fred Truyen at the premises of KU Leuven, welcomed the Project Officer Krzysztof Nichczynski and the reviewers Makx Dekkers and Tom Wachtel with whom the Europeana Photography WP leaders had the possibility to illustrate and discuss the project achievements. Photo courtesy TopFoto.co.uk Continue reading
On March 6th 2015, the six suppliers who are currently working in the first design phase of the PREFORMA PCP project presented to the PREFORMA Consortium and to the external experts of the Evaluation Committee the results of their work. Stay tuned on our Open Source Portal! Continue reading
Antonella Fresa, Technical Coordinator of PREFORMA, attended the second concertation meeting for on-going PCP projects in DG Connect, organised by the European Commission in Brussels on the 5th of March 2015. Presentations and minutes of the meeting are now available for download. Continue reading
On 25-26th of February 2015, the EuropeanaTV team organized a workshop at Rundfunk Berlin-Brandenburg (RBB) in Potsdam to work out a SmartTV app. It had to use RBB content about the Berlin wall together with related materials from Europeana. This workshop is part of the work realized in the TV pilot of Europeana Space project. Continue reading
The IPR workshop was an opportunity to begin to explore some of the issues that are likely to arise during the project as pilots and tools are developed and as open content is monetised. Continue reading
