- the festival of lights curated by ADAF is on display until 7th January.
Athens Digital Arts Festival (ADAF), undertook the art direction and curated the luminous interactive installations at Stavros Niarchos Park of the Stavros Niarchos Foundation Cultural Center, in Athens. The Stavros Niarchos Park is full of light and sounds, through a series … Continue reading →
- a new project financed by EU will realize 10 pop-up exhibitions of cultural heritage across Europe!
REvivEU is a project financed by the EU in the framework of the European Year of Cultural Heritage. The objective is to realize a series of pop-up exhibitions across 2019 in various European cities, to celebrate the diversity of European … Continue reading →
Topic: digital archive
From Data to Wisdom: Resilient Integration across Societies, Disciplines, and Systems. The ACM/IEEE Joint Conference on Digital Libraries in 2018 (JCDL 2018) will be held in conjunction with UNT Open Access Symposium 2018 on June 3 – 6, 2018 in Fort Worth, … Continue reading
Auckland Live is a part of Regional Facilities Auckland, committed to promoting the arts, and supporting inclusiveness and access to the arts for all. In early December 2017, Auckland Live launched the first Accessibility Virtual Tour for the Town Hall– … Continue reading
How can digital culture enrich your daily life and work? Do you share, access or use cultural heritage materials online? Today, the Commission launches a public consultation to hear the opinions from citizens and organisations with a personal or professional … Continue reading
Merle Friedrichsen attended the “No Time To Wait 2” symposium organised by PREFORMA in November 2017 and gave a presentation on “Open Source Tools in the Digital Archive Workflow” from the perspective of the German National Library of Science and Technology. They both veraPDF (PDF/A), and MediaConch (for Matroska/FFV1 – for film) and the result is that all the requirements that they identified regarding open source software for validation are fulfilled (or are possible to fulfill) by these tools. Continue reading
A 3D digital re-creation and preservation of Bethel African Methodist Episcopal Church, the oldest African-American church in Indianapolis, was performed by Indiana University and recently presented to the public. Bethel AME Church has historically been the heart of the African … Continue reading
The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. There are also a number of other fixes and improvements which are documented in the latest release notes. Continue reading
The November 2017 updates for Acrobat DC, now available from Adobe, include some significant news for those who pay attention to ISO standards-adoption. Among the enhancements of the preflight tools there is also PDF/A compatibility with veraPDF. Now, Acrobat preflight tools can find and report issues that are not compatible with the veraPDF tests. Continue reading
This is the nineth in a series of interviews with people using MediaConch within their institutions. Brian is the head of the Digital Production Unit for the Special Collections & Archives Research Center at Oregon State University Libraries & Press. He is using MediaConch for validation and policy checking during the quality control process for the video files. He also used DPF Manager and veraPDF for quality control of TIFF and PDF files. Continue reading
This is the eight in a series of interviews with people using MediaConch within their institutions. Patricia Falcao is a time-based media conservator at Tate. She uses MediaConch to check files that have resulted from migration. Francesca Colussi is one of the senior time-based media conservation technicians at Tate. She mainly uses MediaConch both for local policy checking and in-house quality control, as a comparison and ‘problem solving’ tool to spot anomalies in exhibition format files. Continue reading