3D Digitisation Guidelines: Steps to Success was designed and produced within the to help anyone on their 3D digitisation journey. It is specifically aimed at Cultural Heritage professionals who are considering, or in the middle of, digitising their cultural heritage … Continue reading
On 13 and 14 June 2026, as part of the European Archaeology Days, the Bibracte team presented several activities and tools developed or promoted through the EUreka3D-XR project at the Archaeology Village in Paris. Over the two-day event, around 300 … Continue reading
On June 4th 2026, under the auspices of the Cyprus Presidency of the EU Council and within the Digital Cultural Heritage Summit 2026, EUreka3D-XR held an additional event that addressed the full pipelines for the use and re-use of 3D … Continue reading
Area: digital heritage
by Catherine Cummings, Research Fellow (RICHES), University of Exeter From the shape of guitars, fashion brands, parody, dance, disability and re-mixing to museum collections, digitisation, data-mining and folklore, this interdisciplinary conference addressed the many varied and complex relationship between Intellectual … Continue reading
by Sarah Wassermann, SPK On 22nd July 2015, the Institute for Museum Research – Stiftung Preußischer Kulturbesitz (SPK) went to the Museum of European Cultures and the Ethnological Museum for a very special “photoshoot” with quiet but very interesting models. … Continue reading
by Rosemary Cisneros, Coventry University Europeana Space and RICHES projects were presented at the Tenth International Conference on the Arts in Society which took place at Imperial College London from the 22nd– 24th of July. Each year, the International Conference … Continue reading
The International Conference on Theory and Practice of Digital Libraries (TPDL) constitutes a leading scientific forum on digital libraries that brings together researchers, developers, content providers and users in the field of digital libraries. TPDL 2015 is organised by Poznań Supercomputing and Networking Center and will be held in Poznań, Poland, on September 14-18, 2015. EARLY REGISTRATION CLOSES ON 31ST OF JULY! Continue reading
The Stiftung Preussischer Kulturbesitz (SPK) is one of the key partners of Europeana Space in the sector of Cultural Institutions. SPK is active member of the Museums Pilot, and will host the E-Space final conference in Berlin at the end of the … Continue reading
This policy brief presents evidence and recommendations emerging from the research undertaken to develop the RICHES “Taxonomy of terms, concepts and definitions”, aimed at ensuring appropriate standard for research in the CH sector and at developing a common CH language to serve the interests of the wider CH community. Continue reading
“RICHES Taxonomy of cultural heritage definitions”. “Digital Copyright Framework. The move from analogue to digital and new forms of IPR”. These the titles of the two policy briefs produced by the RICHES project and recently published in the e-Library of the European Commission. The RICHES papers are intended as practical resources to provide support and advice to decision-makers at all levels. Other policy papers are in the works…stay tuned! Continue reading
A cooperation agreement has been signed between PREFORMA and the Impact Centre of Competence in digitisation for the promotion and presentation of the respective results and the organisation of joint events and activities, focusing in particular on the use and quality check of common standards for digitisation and long term preservation of textual content. Continue reading
The first public prototype of veraPDF’s validation software has been released. veraPDF is developing the definitive open source, file-format validator for all parts and conformance levels of ISO 19005 (PDF/A). The software is designed to meet the needs of memory institutions responsible for preserving digital content for the long term. Continue reading
Photomediations: An Open Book, produced by one of the pilots of the Europeana Space, has recently enjoyed an enthusiastic response from a variety of international audience. Continue reading
