Refers to a method of developing software that relies on the distributed authorship of several software developers. The designation of a software as ‘open source’ needs to abide by a number of criteria. These include: free redistribution; access to source code; allow modifications and derived works; no discrimination against persons, groups or fields of endeavour; the licence must be generic, not specific to a product, not restrict other software and must be technology neutral.
If you have interesting news and events to point out in the field of digital cultural heritage, we are waiting for your contribution.
On 17th – 19th September 2025 the Centre for Regional and Tourism Research (CRT) on the island of Bornholm will host the Nordic Symposium 2025 under the theme “The transformative power and potential of tourism”. In conjunction with the Symposium, … Continue reading
On 10th and 11th March representatives of partners of the SECreTour project met in Lugano to visit the places of the pilot about Monte San Giorgio. This is a very special place, full of cultural heritage, environamental and historic excellence, … Continue reading
The SECreTour Network is growing! Europeana empowers the cultural heritage sector in its digital transformation. It develops expertise, tools and policies to embrace digital change and encourage partnerships that foster innovation. It makes it easier for people to use cultural … Continue reading
After four years of planning, considering, building, refining, testing, releasing, reconsidering, fretting, cropping, finetuning and re-cropping, Rijksmuseum launched Collectie Online—the successor to the Rijksmuseum’s ground-breaking Rijksstudio collections platform. Here are some of the possibilities the platform offers: Allow the viewer … Continue reading
In the digital transformation of the cultural heritage sector, the concept of Persistent Identifiers (PIDs) is becoming more known and used by heritage institutions to enrich their online collections and improving their discoverability, accessibility, interoperability and reusability over time and … Continue reading
#participateinculture #societalvalueofculture #unchartedculture 3D 3D digitisation AI Amsterdam animation Antonella Fresa archaeology Athens audiovisual augmented reality Berlin big data Brussels call for papers Caterina Sbrana citizen participation Citizen science Civic Epistemologies co-creation conference Conference and events conferences and events conformance check Coventry University creative industry CULTURA cultural heritage cultural participation cultural tourism dance DCH-RP digital art Digital Cultural Heritage Digital Heritage digital humanities digital libraries digital preservation digitisation digitization DPF Manager e-Infrastructures E-Space EAGLE education EGI EUDAT EUreka3D Euromed Europa Nostra Europeana Europeanaphotography Europeana Space European Commission Eötvös Loránd University file formats Fred Truyen Girona Granada Hackathon INCULTUM incultum project innovation IPR KU Leuven Linked Heritage London MediaConch MEMOLab museums open source software Paris participatory approaches participatory approaches to cultural heritage PDF/A performing arts Photoconsortium photography Pisa PREFORMA preservation Promoter REACH project RICHES Sarah Whatley standards sustainable tourism technology UGR University of Granada UNCHARTED community UNCHARTED event UNCHARTED Project UNESCO VeraPDF Vienna WEAVE Webinar workshop
DIGITAL MEETS CULTURE periodico iscritto al n. 295/2018 R.N.C-n1/'19 Registro della stampa Tribunale di Pisa, direttore responsabile Nella Deangeli
|
