FILE – Electronic Language International Festival is now accepting project submissions and invites artists, researchers, creators, and developers to participate in its next edition. An international reference in the fields of art, technology, and innovation, FILE will take place in … Continue reading
The international conference “Cross-border cooperation in the era of challenges and transformation – space, energy, climate, culture” will be held on 4 March 2026 at the Wrocław University of Environmental and Life Sciences, in Wrocław, Poland. The conference will explore key issues facing border regions, from … Continue reading
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iPRES 2018 BOSTON – Where Art and Science Meet – The Art In the Science & The Science In the Art of Digital Preservation – will be co-hosted by MIT Libraries and Harvard Library on September 24-27, 2018. The call for contributions seeks abstracts for papers that tell stories about bridging knowledge gaps in teams, implementing technologies, and overcoming barriers towards proper digital stewarding of digital items, assets, works and collections. Continue reading
Preserving Cultural Heritage is a complex task that requires skills and techniques which need to be constantly upgraded. This 2-days event is thought not only as a classic conference, but also as a multi-level tutoring and an multidisciplinary collaboration opportunity … Continue reading
Aura is an immersive sound, light and video projection-mapping experience, staging in Montreal’s landmark Notre-Dame Basilica. The viewer is absorbed in a spectacle in which the Basilica’s grandiose architecture is enriched with a layer of augmented reality and spatialized orchestral … Continue reading
Screening the best in International contemporary short cinema at venues across the Scottish capital in Autumn and curating programmes for other festivals across the UK & Internationally. This year, we’re also excited to be curating film programmes from submissions for … Continue reading
Merle Friedrichsen attended the “No Time To Wait 2” symposium organised by PREFORMA in November 2017 and gave a presentation on “Open Source Tools in the Digital Archive Workflow” from the perspective of the German National Library of Science and Technology. They both veraPDF (PDF/A), and MediaConch (for Matroska/FFV1 – for film) and the result is that all the requirements that they identified regarding open source software for validation are fulfilled (or are possible to fulfill) by these tools. Continue reading
The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. There are also a number of other fixes and improvements which are documented in the latest release notes. Continue reading
The November 2017 updates for Acrobat DC, now available from Adobe, include some significant news for those who pay attention to ISO standards-adoption. Among the enhancements of the preflight tools there is also PDF/A compatibility with veraPDF. Now, Acrobat preflight tools can find and report issues that are not compatible with the veraPDF tests. Continue reading
This is the nineth in a series of interviews with people using MediaConch within their institutions. Brian is the head of the Digital Production Unit for the Special Collections & Archives Research Center at Oregon State University Libraries & Press. He is using MediaConch for validation and policy checking during the quality control process for the video files. He also used DPF Manager and veraPDF for quality control of TIFF and PDF files. Continue reading
This is the eight in a series of interviews with people using MediaConch within their institutions. Patricia Falcao is a time-based media conservator at Tate. She uses MediaConch to check files that have resulted from migration. Francesca Colussi is one of the senior time-based media conservation technicians at Tate. She mainly uses MediaConch both for local policy checking and in-house quality control, as a comparison and ‘problem solving’ tool to spot anomalies in exhibition format files. Continue reading
MediaArea is immensely grateful to have been involved in the PREFORMA challenge over the past three years. Through this initiative, MediaArea has been given the opportunity to further contribute the cultural heritage sector through the development of the open source audiovisual conformance checker tool, MediaConch. To better understand our users and plan more efficiently for the future of this software, MediaArea would appreciate your feedback via this MediaConch Users Survey Continue reading
