Digital Cultural Heritage in the Era of AI and Extended Reality 26 May 2026 All-day event. Onsite at the auspices of our Partner UNESCO Chair on Digital Cultural Heritage at the Cyprus University of Technology in Limassol, Cyprus During the … Continue reading
For the 2026 IIIF (International Image Interoperability Framework) Annual Conference and Showcase, that will be held in the Netherlands June 1–4, 2026, The IIIF Conference Program Committee invites proposals through Call for Proposals has been made available. Proposals for presentation … Continue reading
Tag: C-DaRE
“Memory ^ sentiment ^ body ^ space ^object – Dialogues across and between dance and art” is an interdisciplinary symposium that emerged from Body Space Object Roundtables at the School of Art and Design at Coventry University. It aims to consider how performative and material practices have articulated the embodied nature of memory and sentiment in relation to objects and space. Contributions are invited, registration is open! Continue reading
Coventry University Centre for Dance Research (C-DaRE, http://c-dare.co.uk/) held the 5th edition of the Digital Echoes Symposium. Digital Echoes Symposium 2015: Intangible and Performance-based Cultural Heritage 13 February 2015, Institute for Creative Enterprise, Coventry University Convenors: Sarah Whatley, Rosamaria Cisneros, Amalia Sabiescu Digital … Continue reading
Ethics and Repair: Continuing Dialogues within Somatic Informed Practice and Philosophy Venue: Centre for Dance Research (C-DaRE), Coventry School of Art & Design, Coventry University The third international Dance and Somatic Practices Conference invites somatic practitioners, dance artists and scholars … Continue reading
Perhaps the greatest barrier for dancers with disabilities accessing dance at a Higher Educational (HE) level is the perception that a career in dance is ‘off limits’ to them. Professor of Dance and Director of the Centre for Dance Research (C-DaRE) at Coventry University (RICHES’ Partner) Sarah Whatley argues for a change in perceptions for every body dancing. Continue reading
