ATHENA Workshop Training for the ‘Management Plan’ in Amman

Silvia Barbone (Director of Jaylag) discusses point of detail with one of the groups

It’s a marathon, hardcore training in the field of site-management sustainability to upgrade the level of culture and create a permanent link between heritage and tourism.

This is the sum total of the recent workshop titled “Training for Sustainability, Site Management Plan: From Theory to Practice”, that was attended by 39 site managers and other archaeological professionals in Amman between 18-22 November, 2012.

The training was organized by the Department of Antiquities/ATHENA Project and conducted by Silvia Barbone, Director of Jaylag in Brussels and London. She flew directly to Amman to give the five-day session that was attended by those who work in the field from Amman and different archaeological directorates in the governorates of Jordan.

ATHENA Project Manager Mr Nizar Al Adarbeh spoke at the beginning of the first session contextualizing the workshop within the ATHENA Project philosophy to enhance and sustain ancient theater sites by providing new techniques, methods and concepts to improve the level of sustainability. The Ancient Theaters Enhancement for New Actualities is funded by the European Union under its Euromed Heritage 4 Program.

Silvia Barbone said it is important to understand the linkage between heritage and tourism sustainability when creating a management plan to realize that great benefit can be achieved in the end for tourism.

Right from the beginning she set the tone, telling the trainees they will be expected to come up with a concrete management plan that would integrate all the elements combining heritage, sustainability, tourism, local actors including NGOs, and the public and private sector.

Animated discussion at working groups level.

As this was a practical training workshop, she first spoke to the trainees who sat on a U-shaped table about the different features of a management plan, different sites involved, criteria expected to follow and the international standards involved and should be followed.

The different processes were discussed, importance of terminology, external and internal linkages involved, local community involvement as well as different national, regional and state actors.

The trainees were split in the afternoons into groups that represented different archaeological sites like the Amman Citadel, Karak, Mkeiwer, Jarash, Umm Rassass, Umm Qais and Umm Jmal all of which are important archaeological and heritage sites in Jordan that existed since time immemorial.

These sites are important because the groups are expected to present management plans for each of these important ruins to be completed in 20th December, 2012, which is after all the purpose of this training workshop.

Linked to this, something which Barbone talked about is the international certification the trainees might be able to get at the end of the course when the second part of the training is held between 6-10 January, 2013.

The PM4ESD (Project Management for European Sustainable Development) is an important accreditation by APMG-International that is promoted at the European Union and Mediterranean levels and will be the first to be applied in Jordan among the ATHENA trainees.

Barbone stated that the eligibility to sit the exam is commensurate with each group presenting a draft of the Management Plan and taking a mock test which they have to pass.

The sessions during the five days were highly interactive between the trainer and trainees. Away from the U-shaped table, the trainees networked with each other as separate groups. The trainer stayed in the background, going among different groups to see if any help was needed.

At the U-shaped table

At the end of the afternoon sessions trainees were back to the U-shaped table to present their findings to the whole of the groups. For the whole four days—the last being practical fieldwork in the Jarash ruins taken as a practice study to the theory—the atmosphere was productive and congenial.

The interaction was underlined during the group sessions, and which continued during the field visits, with much animated discussion between the members who were from different archaeological directorates, like those from Karak in the south to Amman in the center and Umm Qais in the north.

The training was important because it aimed at readjusting the mindset and the creation of methodological linkages between heritage and tourism. Managers and professionals in archaeology were for instance introduced to new concepts of tourism sustainability.

Thinking hats and issues of balance were important and stressed between the two. Trainees were reminded of the need for a balancing process that extended to the heritage site, its surrounding environment, local community, the business angle, question of knowledge community that involve universities and research institutes.

The last day of the session was spent amongst the Jarash archaeological ruins. It was a field trip for practice onsite work. The trainees started their observations at the car park and handicraft shops with Barbone telling them to make an assessment of the place.

They looked for obvious things like signage about the location and services available like toilets for visitor’s as they made their way through the old, now restored Hadrian Gate onwards to the ruins, and passing through the Roman Hippodrome.

Before they went to the South Theater which is one of the sites under study in the ATHENA Project, they passed through to the Jarash Visitor’s Center which also house the offices of the Department of Antiquities, whose hall was filled with information on the Jarash ruins.

At the South Theater everyone sat and contemplated at the detailed structure of the place. A well-worthwhile visit for the expected management plan.


Augmented reality: enriching culture

Augmented Reality was initially used for military, industrial, and medical applications, but was soon applied to commercial and entertainment areas as well. In the cultural sector, it can be of particular relevance in the fields of archaeology, architecture, art, city planning, for applications in tourism, education, social innovation… At the moment, the most relevant applications for cultural field are webcam augmented reality and mobile (or handheld) augmented reality. They provide enriched, interactive and digitally manipulable information.

CultureClic | Augmented culture 

CultureClic is a mobile cultural application to discover geolocated works of arts in high definition, to access to french museums information, and to discover cultural events, through augmented Reality:

  • 900 art works geolocated (mainly in Paris) are accessible in Augmented Reality, and through map and lists.
  • Thanks to the Réunion des musées nationaux (RMN) catalogue and Bibliothèque Nationale de France (BNF – French National Library) archives, users can discover how the places were several centuries before: the building of the Eiffel Tower, the first pictures of Notre-Dame…
  • 1350 French museums are geolocated, with their practical information and cultural offer.

For now, the application is available on IPhone, and will be soon available on other platforms. This project has been developed by the Living Lab e-marginal, for Proxima Mobile, in cooperation with BNF, RMN and French Ministry of Culture and communication.

http://www.cultureclic.fr/

 

HistoryPin | Pin your history to the world

HistoryPin is a collaborative website and application, offering the opportunity for people to share and explore personal archives and memories. Everyone can add geolocated photographic images, videos, audio clips and descriptive and narrative text. HistoryPin is collaborating with over 200 libraries, archives and museums around the world to help them share their content with a global community of users. The main long-term objectives of this project are the followings:

  • To get as many people as possible taking part in the history of their family, streets, country and world.
  • To bring neighbourhoods together around local history and help people feel closer to the place they live in.
  • To get people from different generations talking more, sharing more and coming together more often.
  • To conserve and open up global archives for everyone to enjoy, learn from and improve.
  • To create a study resource for schools and universities.
  • To be the largest global archive of human history.

The website allows exploring the map and adding content. Thanks to the application, people can explore the map, add content, but also explore the streets: the app uses the camera view to display nearby images. By selecting the image, it can be overlaid onto the modern view to create an historical comparison.

http://www.historypin.com

This project has been developed by We are what we do, a not-for-profit company based in London, www.wearewhatwedo.org

 

CYNETART AR POP UP CITY Dresden| Augmented and mixed reality: Parcours         

CYNETART, the international festival for computer based art in Dresden, is a countrywide and internationally recognised platform of digital culture – providing an in-depth overview of current developments of technology-based art. It will take place from 15th to 21st November 2012. In this framework, a specific programme is dedicated to the exploration of the city of Dresden through Augmented Reality.

Various virtual projects will make the city become a sensitive experience, between physical and virtual world, through the cost free LAYAR-app.

It is a cooperation between computer scientists and media designers from TU Dresden. Artists and TU students works in tandems on different approaches of border-crossing use of Augmented Reality technology. Throughout collaborative work they question social and artistic potential of it.

http://t-m-a.de/cynetart/f2012/cynetart-arpop-up-city?lang=en

UAR | Urban Augmented reality

This architecture application has been developed by the Netherlands Architecture Institute (NAI). It provides information about the build environment, through texts, images, archives. By means of advanced 3D models, UAR shows the user what is not there: The city as it once was – for instance by showing buildings that once stood there. The city as it might have been – by showing scale models and design drawings of alternative designs that were never implemented. And the city of the future – by showing artist’s impressions of buildings under construction or in the planning stage.

UAR was originally created to make the NAI collections available. It has now become a broad mobile platform for architecture and urban design, in which numerous parties cooperate: architecture centres, firms of architects, art institutions, municipal archives, museums, local authorities and market parties.

UAR is available in 8 cities in The Netherlands includingRotterdamandAmsterdamand is still growing. Since the beginning of 2011 there is an English-language version, and users can add objects themselves, such as their own home or other unusual buildings. The application is free and collaborative: users add content and thereby contribute to the expansion of the database. Users can also correct one another.

UAR is a collaboration between NIA, Agentschap NL, the BankGiro Loterij, the VSB fund and SNS Reaal. UAR was developed in cooperation with IN10 Communicatie, Layar and DPI Animation House.

http://en.nai.nl/museum/architecture_app

 

Reflections and experimentations are led on future AR applications, evolving very fast. Linked Data and open data have a strong potential to enrich them, and will be an important component in future developments. However, whatever new applications may provide, it is obvious that AR technology itself is not enough to create real users’ experience: it is a tool, the content has priority.

See also the experimentations led by Dedale, in the framework of the Smart City Living Lab, on digital urban services for mediation, heritage and tourism applications: http://www.smartcity.fr   

 


India for digital preservation

from our Referent dr. Ramesh C. Gaur

DESIDOC Journal of Library & Information Technology, in July dedicated a special issue about Digital Preservation: Vol. 32, No. 4, July 2012

The Journal endeavours to bring recent developments in information technology, as applicable to library and information science, to the notice of librarians, documentation and information professionals, students and others interested in the field. It is published bi-monthly. The articles published in the Journal are covered in Scopus, LISA, LISTA, EBSCO Abstracts/Full-text,Library Literature and Information Science Index/Full-text, The Informed Librarian Online, DOAJ, OpenJ-Gate, Indian Science Abstracts, Indian Citation Index, Full text Sources Online, WorldCat, and OCLC.

The issue about Digital Preservation is available here:

http://www.publications.drdo.gov.in/ojs/index.php/djlit/issue/view/115

 

Download the full editorial article by dr. Gaur (PDF, 439 Kb)

Abstract:

India is a country of vast cultural heritage resources both tangible and intangible. With an estimated 5 million ancient manuscripts, India is the largest repository of manuscripts. Besides, a large amount of other cultural resources are available in various archives and museums in India. The preservation of these resources was never a priority subject, so large resources have either vanished or have gone out of India. An approach on preservation of its physical resources was never discussed. In similar way, the concepts of digital preservation have been introduced in India very lately, i.e., sometime in year 2008 only.

Digital preservation is a process of preserving both digitised and born-digital contents to a distant future in reusable condition for access by its users. It involves a set of systematic guidelines, processes, strategies, technology and approaches. The technological obsolescence, shorter and uncertain life-period for current storage media, information glut, and Internet revolution are some of the major factors which have made preservation of digital information more complex and challenging.

My introduction to digital preservation started in 2005 when I visited Germany with the support of Max Mueller Bhawan. My three-week stay, one week each at Belfield University, Belfield; German National Library, Frankfurt; and State Gottingen University Library, Gottingen; provided me opportunity to closely study some of the digital preservation initiatives in Germany in particular and in Europe in general. The interaction with researchers working at project like NESTOR, KOPOL, and REUSE, etc., helped me in learning the basics of digital preservation. After coming back from Germany, I shared my experience in the form of various lectures delivered at various national and international conferences in India. Since then, digital preservation is prime area of my interest.

National Digital Preservation Programme (NDPP) of India http://www.ndpp.in/ was launched by Ministry of Communications & Information Technology in 2008. Dr Dinesh Katre from C-DAC, Pune was named as one of the coordinators of the project. The first major step by the NDPP was in the form of Indo-US workshop (http://www.ndpp.in/index.php/events/indo-us-workshop.html), which was organised in March, 2009 at Pune. The Indo-US workshop was attended by over 25 professionals from USA, Europe, and India. The next major achievement came in March, 2010 with organisation of Expert Group National Meet by C-DAC, Pune. In this meeting position papers from 26 different sectors were presented. On the basis of these presentations, a detailed proposal was submitted by C-DAC, Pune and as a result of which, a project entitled, ‘Centre for Excellence in Digital Preservation’ with 4 pilot projects were approved in April 2011.

Development of digital repository of cultural heritage at Indira Gandhi National Centre for Arts (IGNCA) is one of the projects of these pilot projects. On the invitation of UNESCO-IFAP and Russian Federation, I went to attend the International Conference ‘Preservation of Digital Information in the Information Society’ held in Moscow during 3-5 October 2011. There, I also presented a paper ‘Development of Digital Repository on Indian Cultural Heritage: A Collaborate Project under the National Digital Preservation Programme (NDPP) of India’. I was also invited to submit as External Partner the proposal to contribute in Digital Cultural Heritage – Roadmap for Preservation (DCH-RP) that has been submitted to the European Commission as part of the FP7 Capacities Programme – Research Infrastructures Theme – Topic INFRA-2012-3.3: Coordination actions, conferences and studies supporting policy development, including international cooperation, for e-infrastructures.

My active participation in all above events and projects has helped in further understanding of the subject.

There was very good response for special issue of DESIDOC Journal of Library & Information Technology on digital preservation. Among all proposals, 6 papers have been selected for this issue. Out of 6 papers, there are 3 papers from outside India, i.e., one each from Germany, South Africa and South America.

 

Dr. Gaur and dr. Tripathi also contributed to the journal with an article “Digital Preservation of Electronic Resources”.

Download the full article (PDF, 439 Kb)

Abstract: 

Due to huge advances in information communication technologies (ICTs), there has been an astronomical growth of e-resources—e-journals, e-books, online databases and so on; libraries spend phenomenally on acquisition of these e- resources as these are very popularly used by the students and researchers. Unfortunately, this growth is accompanied by many threats. Digital content (of the e- resources) is fragile and not durable. Its accessibility and use by future generations depends on technology which very rapidly evolves and changes. Hence, ensuring access of e-resources for future generation of users is a big challenge for libraries. The present paper highlights various problems of digital content and elaborates how digital preservation is more demanding and challenging than preserving print copies of journals. It also gives a bird’s eye view of various projects initiated for archiving digital content of scholarly journals.

For further information:

DESIDOC website: http://publications.drdo.gov.in/ojs/index.php/djlit/index

JNU Jawaharlal Nehru University website: http://www.jnu.ac.in/

 


The 4th Euro-Mediterranean conference on Digital Cultural Heritage

by Steve Brewer, EGI

EuroMed 2012 brought together researchers from many countries across Europe and beyond in the historical city of Limassol, Cyprus to present hundreds of papers on the rapidly expanding field of Digital Cultural Heritage (DCH). Presentations covered a wide spectrum of activity from 4D historical recreations of Hamburg during significant periods in its history superimposed onto Google Earth, to ARCHES, a geospatial catalogue of immovable artifacts, to various mathematical and chemical models of fire damage and corrosion and their adverse effects on cultural artifacts. Traditionally, much of the research into DCH has been undertaken by individuals or small teams in universities and museums, or memory institutions as they are now often called, reflecting their underlying purpose as custodians of our irreplaceable collective memory. However, increasingly researchers are turning to their colleagues in engineering and science departments to enable them to dig deeper into our understanding of the processes involved in understanding preservation and curation.

In order to further support this need for technological support and wider collaboration, the DCH specialists were joined in Limmasol by representatives from the European Grid Infrastructure, the EU-DAT project and SCIDIP-ES project as well as the recently started DCH-RP project in which EGI.eu is a partner. The driver for this sharing of services and requirements came from the European Commission and was supported by representatives from various Directorates that span these areas.

Read the full article on the EGI blog.

Related Links:

 


Training Workshop for Site Managers takes “Training for Sustainability Site Management Plan: From Theory to Practice”.

Amman (Jordan) 18-22 November 2012

Training Workshop for Site Managers takes “Training for Sustainability Site Management Plan: From Theory to Practice”.

The workshop is for archaeological site managers, those working in the different sites in Jordan and those interested from the Department of Antiquities in Amman.

Venue: Amman (Jordan)

More information: http://www.athenaproject.eu/home/


Under the eye of the scanner in Algeria

from Dr. Marwan Asmar (Chief Project Editor of Ancient Theatres Enhancement for New Actualities-ATHENA Project)

The scanning of the Cherchell and Tipaeza Theaters in Algeria are being digitally fashioned to categorize  the intertwining of heritage, culture and tourism. Through the scanner and total station they are being reproduced graphically to bolster their role in different aspects of development, from the local community to attraction hubs.

Cherchell lies in the middle of an urban environment amidst a housing conurbation while the Tipaeza Theater is part of extensive ruins marooning by the sea. The new latest state-of-the-art digital technologies used recently aims to reignite the process of preserving and conserving these sites through  high resolution documentation.

Spotlighted under the eye of the scanner, the Cherchell and Tipaeza Theaters was subject to digital capturing in the latest ATHENA digital activities, 14-24 October, 2012, as important antiquated structures, both of whom on the Mediterranean sea, 15 kilometers from each other, and about 75 kilometers from the capital Algiers.

“It’s an important scanning mission and follows in line with the scanning of the other theater sites in the countries of the  ATHENA Project consortium including in Jordan, Spain, Tunisia, Italy and Algeria,” says ATHENA Project Manager Nizar Al Adarbeh.

It’s a mission of cooperation. The Jordanian Team led by Jamal Safi, Tawfiq Al Hunaiti and Assem Asfour had a full program of both scanning and training jointly coordinated between the Department of Antiquities/ATHENA Project in Amman and Project Leader in Algeria Dr. Fattoum Kharchi of the Laboratory of the “Built in the environment” in the University of Science and Technology, Houari Boumediene.

It had a distinct ATHENA pattern of methodology because of the experience gained in scanning different sites including those in Jordan, Spain, Italy  and Tunisia. A theoretical workshop was followed by field training among the ruins of both theaters.

Archaeologists, architects and other professionals divided on many sectors gained first hand  documentation in new technologies as 23 trainees from the Ministry of Culture, Ministry of Public Works and Housing  and University of Science and Technology in Algiers, hovered around the Tipaeza and later Cherchell Theaters, amidst lusciously green environments and concrete slab structures.

The photos reflected the sites were surveyors, trainees, tripods took part in different digital recapturing of walls, steps, and trodden pathways to get the best angles. It wasn’t just the Tipaeza theater that got digital attention, the Nympheum next door, didn’t do too badly either for in the end 44 station point-clouds were captured over a five-day period.

The trainees got the best of both worlds, learning the different functions of the scanner and total station while at the same time getting a big helping of how actual digital scanning was made. The surveyors made them go through different techniques before they were allowed to participate in the scanning process.

“Both the scanning and training were worthwhile in terms of acquiring knowledge on the state of the sites that is now digitally restored, and in terms of training local cadres, and adding to their knowhow,” explains Jamal Safi, one of the trainers.

The Cherchell Theater glowed as parts of its structure was meticulously eyed by the scanner and total station, zooming in different angles. From an aerial point of view photography, the site looks small and desolate.

“This is not the case at all, when you stand in the centre, having a relatively big wide span, and then there is the back which you can enter through its doors,” says surveyor Tawfiq Al Hunaiti, who adds 26 station point-clouds were captured by the lens.

 “The scanning of the Roman Cherchell Theater is very important as a subject of study in a busy built-up city but it certainly can be rehabilitated for boosting its tourism potential and cultural role as in the past,” points out Dr Kharachi.

It was a 10-day trip of much work and enjoyment as the Jordanian team intermingled freely with their Algerian counterparts.  Dr Yousef Shinawi who works as a consultant on the ATHENA Project, Curator of the Tipaeza Museum Daleela Zabda and Dr Abed Al Wahab Zakar, director-general of the National Bureau for Easing and Exploiting Cultural Protective Properties in the Ministry of Culture, showed much enthusiasm in the scanning and training mission.

Dr Abed Al Wahab Zakar was invited to present Certificates of Attendance to the trainees that included both men and women who are already working on different archaeological sites. Many said they have been updated on the new technologies in digital scanning to improve the status of heritage.

It’s in Algeria as elsewhere scanning was made in the ATHENA spirit where digital technology is working for cultural development and heritage through its message of enhancing and sustaining ancient theaters in the Euromed region.

See related articles for Athena Project on Digitalmeetsculture

See presentation article for Athena Project on Digitalmeetsculture


How EGI is supporting digital cultural heritage

by Steve Brewer, EGI

EGI.eu, the not-for-profit organization that manages the European Grid Infrastructure is participating in EuroMed 2012 in Limassol, Cyprus in order to bolster its involvement in the Cultural Heritage research community as well as glean further insight into future directions in this dynamic and fast expanding field. The rapidly growing collections of digital cultural resources and the associated research have rapidly transformed this field into a data-based science. It is therefore appropriate that an e-Infrastructure explores what offerings there are that meet the requirements of cultural heritage researchers. In order to make progress with this objective, EGI must work with the key players from the Ministries of Culture and cultural institutions such as museums, libraries and archives to learn more of their needs whilst at the same time understanding the big picture for ICT in Cultural Heritage research including the broader European Union perspective.

photo from EGI Technical Forum 2012

The EuroMed 2012 conference is a large event that brings together a wide range of experts from across the field of DCH coving both interdisciplinary and multi-disciplinary research on both tangible and intangible Cultural Heritage. Of particular interest is the use of cutting edge technologies for the protection, preservation, conservation, large-scale digitalisation as well as the visualization and presentation of the Cultural Heritage content. The scope of the event covers both practitioners and policy makers which should contribute to the awareness-raising aspect of the event as well as the future direction of activity.

The rapid shift in working practices within DCH has occurred as a result of many independent initiatives. EGI.eu is committed to reaching out the DCH community by promoting the benefits of the Infrastructure as well as helping to tailor services to this community’s particular needs. The European Grid Infrastructure (EGI) is a federation of computing resource providers set up to support collaborative and innovative research projects from all fields of science. EGI supports over 20,000 researchers from 15 different disciplines in their intensive data analysis. Expanding the user base, in both absolute numbers and diversity is a key priority for the sustainable future of the e-Infrastructure. EGI is therefore keen to engage with researchers working in the humanities, a community that is currently under-represented in the EGI ecosystem.

photo from EGI Technical Forum 2012

In addition to coordinating access to the computing resources and data storage provided by the EGI community through open source software solutions, international scientific communities can draw many benefits from a strong partnership with EGI. Benefits that include an open process to improve its user community oriented services, workshops and forums to collect and refine community input, help and support on resolving specific technical issues, as well as involvement in the evolution of EGI’s production infrastructure.

The prime scope of this collaboration with the Humanities in general and DCH in particular is to research, construct and operate services for the arts and humanities. Key areas of collaboration include: long-term data storage and availability, the curation of datasets, hosting and monitoring of middleware services, and authentication and authorisation services. In addition to on-going interaction with the DARIAH, CLARIN, DASISH projects, EGI is a partner in the DCH-RP project which will deliver a Roadmap for Preservation for the DCH community. EGI.eu is leading the running of Proofs of Concept tests which will demonstrate the progress and opportunities in this area and will bring together resources from the NRENs and the commercial sector as well as EGI and the traditional DCH sector. Work to date in the Cultural Heritage sector by EGI has included the ASTRA project led by DANTE using EGI resources which has been able to recreate the sound and feel of old musical instruments, such as the barbiton, or the epigonion last heard in Ancient Greece. The research is multidisciplinary and uses archeological remnants and document analysis as a base to reconstruct the sounds of the instruments via physical modelling techniques. The method is very useful to resurrect old acoustics, but it is also computing intensive since the complex models of the musical instruments are solved by integrating differential equations numerically. By using grid computing, the ASTRA team was able to run digital signal processing algorithms in reduced times.

photo from EGI Technical Forum 2012

EGI is tracking trends in the field of Cultural Heritage research as far as possible in order to identify opportunities where integration and support for the infrastructure that supports researchers in this field can be addressed. Many of these e-Heritage initiatives cover the Asia-Pacific region including China and Australia. Google, too, has made an impact with its bold move to digitise many of the world’s texts under the Google Books Library Project.

EGI provides significant added value to multi-disciplinary, collaborative research in Europe through its e-Infrastructure and services. This ensures that researchers have access to uniform and reliable computing resources, enabling faster scientific results and avenues of multi-disciplinary research otherwise not possible and guarantees an integrated, reliable and uniform service provided across organisational and national boundaries thanks to the monitoring and operational services.

Official website: www.egi.eu

 


Museum of History of Photography in Krakow MHF

by Hubert Francuz and Marta Miskowie , Museum of History of Photography in Krakow

Founded in 1986, the Museum of History of Photography is the only museum in Poland entirely dedicated to photography. It is located a 15 minutes’ walk from Krakow’s main square in a historic villa built at the beginning of the 20th century. The museum runs a number of departments and holds a variety of different events. The main scope of the museum’s activities at present is exhibitions, education and digitization. In each of these fields we are planning and implementing actions in accordance with the MHF mission which emphasizes improving the availability of its collection through a variety of media.

Exhibitions next year will be entirely dedicated to the idea of “opening”. We will be organizing three complex events presenting never-shown-before parts of our collection. Two of them will concern photography and one will be dedicated to old cinematographic equipment. The exhibition program for 2013 has been designed not only to show the diversity and richness of our collection, but also to be a strong statement, understandable and approachable for visitors.

Photo from Limanowa village, Poland, Klementyna Zubrzycka-Bączkowska.

As mentioned, MHF is particularly interested in implementing and developing high profile digitalization processes. Since 1997 the museum runs its own website and constantly adds more records to its digital catalogue. Since 2010 we have been sharing our collection via an online catalogue. The Internet catalogue built for MHP was one of the first of its kind in Poland. Right now more than 40,000 records with the metadata are available, of which 14,000 are images.

Musill family and Kosiński family in Zakopane, Poland, author unknown, 1927.

An important step in achieving such good results and taking digitalization to the next level was the participation of a program founded and supported by the Polish Ministry of Culture and National Heritage. Since 2010 the MHP Department of Digitization has been offering a more and more professional approach to issues related with reproducing vintage photographs.

Although digitization is a very important part of our work, the real treasure is our collection. It includes a large number of portrait-atelier pictures from the 19th century, photographs documenting the civil engineering projects in the Eastern Europe, and social and historical events. The museum also owns an interesting collection of amateur photography taken by unknown authors. This amateur photography, as one the most fascinating phenomena in western culture, has a unique place in our collection.

Construction of the Vistula-Danube canal, Poland, author unknown, ca. 1912.

As a partner of the “Europeana Photography” project, the Museum of History of Photography will make 3,000 images available via the “Europeana” portal. An important part of our contribution will be our collection of autochromes, which is the oldest colour photography technique. Such valuable slides are extremely rare in Polish collections. The Museum houses a collection of 193 autochromes taken by Tadeusz Rząca, photographer and entrepreneur. Images show historic sites in Krakow and Tarnow, street scenes, foothills and the Tatra Mountains. In “Europeana” we will also be showing small groups of different object, which give almost complete picture of our whole collection.

We are very happy to work with international partners. Europeana Photography is a great chance for our collection to be noticed by a wide audience all over the world.

 

Museum website: http://www.mhf.krakow.pl/

 


Scanning of Siracusa Theater Reflects Italy’s ATHENA Week

from Dr. Marwan Asmar (Chief Project Editor of Ancient Theatres Enhancement for New Actualities-ATHENA Project)

The 3D laser scanning of Sicily’s Siracusa Theater taking place between 21-26 October 2012, is a major event within the ATHENA Project of the Ancient Theaters Enhancement for New Actualities.

“The Siracusa digital surveying is part-and-parcel of the scanning being carried out in all the ATHENA sites, and is in parallel to the scanning currently going on of the Cherchell and Tipaeza by a Jordan team of surveyors from the Department of Antiquities,” says ATHENA Project Manager Nizar Al Adarbeh. “This will lead to the collection of raw data to be used for the protection and long-term sustainability of ancient theaters in the Euromed region,” adds Al Adarbeh.

The Siracusa scanning is the result of networking between ATHENA Project Amman and the Dipartimento di Storia dell’Architettura, Restauro e Conservazione dei Beni Architettonici e stato of the Sapienza Universita di Roma (Department of History of Architecture, Restoration and Conservation of Heritage, Sapienza University of Rome).

A full team from the Dipartimento di Storia in Rome is hence performing the scanning that is part of a “ATHENA Week” aimed at improving the general knowledge and creating awareness of ancient theaters in the Euromed region.

As with other scanning made in the theaters of Merida (Spain), Petra and Jarash (Jordan), and Carthage (Tunisia) the profiling and documentation activity is accompanied by the training of local professionals officials and students on the latest digital technologies to improve and protect the state of ancient theaters in that region of Italy.

“This is the fourth ATHENA Week after the full activities made in Spain, Jordan and Tunisia, and we are following suit to strengthen the links between the theater, its history, functions and use” says Italian Project Leader Dr Carlo Bianchini.

The six-day activity, which ends in a final conference for dissemination and discussion, is made in cooperation with the Department of Antiquities/ATHENA Project, Jordan, Parco Archeologico di Siracusa (Archaelogical Park of Siracusa, Sicily), Dirección Regional para el Patrimonio Cultural (Regional Direction for Cultural Heritage) and the Centro Regionale per il Restauro (Regional Center for Restoration).

view all articles related to Athena Project


The Workers’ Museum: Home to History

The Workers’ Museum and The Labour Movement Library and Archives were merged in 2004, and the institution today consists of both a museum, an archive and a library open to the public.

Arbejdermuseet, The Workers’ Museum

The Workers’ Museum, which opened in 1982, shows exhibitions on everyday life of the workers’ and the labour movement’s history primarily in Denmark, but with an international perspective. The museum has both topical and historical exhibitions as well as exhibitions on art history.

The coal storage of the Workers’ Federation’s Fuel Firm at the Copenhagen docks, 1930s

The Workers Museum collaborates with other museums in several European exhibition projects, as well as Nordic and Danish exhibition projects. The Workers’ Museum is both an art museum and a cultural history museum. From the early days in 1982 when the collections did not contain a single exhibit and until today, the Workers’ Museum has generated holdings of 63,000 museum exhibits and 12,000 works of art.

Among the exhibitions, the museum features a brand new interactive installation “Under Our Own Roof – The Workers’ First Assembly Hall 1879-1983”, to  bring alive the story of the workers’ first assembly hall in Denmark. Through touchscreens visitors can interact with 18 short films that tell the story of the building and the many activities that have taken place here through more than 100 years.

Working-class children in the backyard of Fredericiagade 59, Copenhagen, 1905

The Sørensen-family exhibition covers the period from  1885 to 1990, and follows the journey of a working-class family from life in rural Denmark to Copenhagen at the time of the turn of the 19th century. The point of departure for this exhibition is an original 1915 flat, and it shows how the family lived its life – in everyday circumstances and when something special was afoot.

The flat is a two-roomed flat in which the living room faces the street and the bedroom and a narrow kitchen face the backyard. Virtually no alterations had been made to the flat and its appearance since 1915 when the family originally moved in. The proprietors, particularly Mrs. Yrsa Sørensen, always took great care to ensure that nothing was changed.  The original varnished pinewood floors are still there, and moving any of the furniture it is evident that everything has always been in the same places, as the floors are totally untreated in the places where the furniture has always stood – the floors have simply been varnished around the furniture. Yrsa’s  heirs then donated the flat and everything in it to the Workers’ Museum and it can now be exhibited as an example of a general worker’s home in the early years of the 20th century.

Åge Fredslund Andersen. Fitter at the face lathe, Sabroe Machine Works, Århus, Denmark, 1934

The Workers Museum’s exhibition about the 1950s depicts the living conditions of a working-class family in the years following the Second World War. Despite shortages and rationing this period heralded a new time to come: families had more money to spend and the consumer culture, heavily influenced by American ideals, gained ground.

The Labour Movement Library and Archives

The Arbejderbevægelsens Bibliotek og Arkiv (The Labour Movement Library and Archives) was founded in 1908 and has for more than 100 years collected documentation on the Danish labour movement in all its branches. The Original photo collection counts approximately 3 Million photos. The largest collections are the press collections from the social democratic newspaper Socialdemokraten (later: Aktuelt) and the communist newspaper Land og Folk. In addition, there are large photo collections from the trade unions and private persons. The collection contains many portraits mostly of prominent Danes, but also internationally famous people, and photos of almost every aspect of life among ordinary people.

In 2007 the photo archive began a digitization and registration of the photos in a database. Registration takes place in an adapted format of the library registration program which is also used in registration of archives. All materials can be searched by simultaneous searches in the system. There are now digitized and registered 40.000 photos in the database. The photos are enriched with metadata and keywords to speed retrieval of images. The photo collection delivers photos partly for our own exhibitions and publications, but is also used widely by publishers, museums and film and television stations. The photos are also used for research and teaching. The photo archive works closely together with photo collections in other archives, museums and libraries.

Åge Fredslund Andersen. Home killing, Denmark, 1930s

EuropeanaPhotography project

The Workers’ Museum and Library is one of the partners in the EuropeanaPhotography project, planning to provide about 25.000 images from the 1870s until 1939 taken by many different photographers (among others Mogens Voltelen, who documented important cultural events in the thirties, such as Berthold Brecht’s exile in Denmark, and Åge Fredslund Andersen, whose photos show the transition from agrarian to industrial society).

EuropeanaPhotography will then enriched with contributions about important persons and events in the Danish labour movement, recurrent activities of the labour movement, such as demonstrations on May Day and on the Constitution Day, important events in the international labour movement history, such as the congress of the Second International in Copenhagen in 1910, life in factories and workshops, leisure activities, changes in urban life, housing and living conditions.

Official website: www.arbejdermuseet.dk

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Address: 22 Rømersgade, 1362 Copenhagen K, Denmark, Tel: +45 33 93 25

Opening hours: All days 10.00 – 16.00