As part of its networking activity, the SECreTOUR project participates in the webinar organised by the VERNE project, in collaboration with Cross Re Tour, Green2Grow and Regenera4MED. The webinar will take place online on 24/2/2026. The joint event brings together … Continue reading
From February 6th to 10th, Italy and China met through the Italian Chinese Cultural-Tourist Week 2026 in Pisa: during this week, fifteen studentns from Mongolia were guests of the City and Province of Pisa as part of an agreement between … Continue reading
Topic: audio video & music
Programmed by professionals working in the field, the annual AMIA Conference is the largest gathering of motion picture and recorded sound archivists and interested professionals. More than 550 people from around the world, interested in the preservation and use of moving image materials, meet every year to share information and work together. The 2017 edition of the AMIA Conference will be held on 29 November – 2 December 2017 in New Orleans. Continue reading
Patchlab Digital Art Festival, organised in Krakow since 2012, is an international event dedicated to interdisciplinary (post)digital art forms, created at the intersection of art, new technologies and creative programming. During the 6th edition, taking place 24-29th October this year, … Continue reading
The Collecting Social Photo project is happy to invite creative participants for a workshop in Helsinki, in November 2017, where we will develop prototype interfaces for social digital photography collections. The purpose of the workshop is to ideate together around … Continue reading
This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
Considering the relevance of audiovisual material as perhaps the biggest wave of data to come in the near future (Smith, 2013, IBM prospective study) its relatively modest position within the realm of Digital Humanities conferences is remarkable. The objective of … Continue reading
Julia Kim is the Digital Assets Specialist at the American Folklife Center at the Library of Congress. So far, she has primarily used MediaConch to create reports for new and incoming born-digital video from the Civil Rights History Project and the DPX files from digitizing celluloid film. Continue reading
Since July 19, 2017 until December 31, 2017 will be shown art from Santiago Ribeiro at Times Square Nasdaq OMX Group, New York city. Nasdaq, MarketSite is located in New York City’s Times Square. The presentation of the works of … Continue reading
Marion is a video archivist at the Austrian Mediathek, the Austrian video and sound archive. Her main area of work is the digitization of analogue videos and quality control of video files entering the digital archive. The main use case for MediaConch is to check if files that were produced outside of the default workflow procedure meet the policy for the archival master. Continue reading
This is the third in a series of interviews with people using MediaConch within their institutions. Kieran O’Leary has an intership with the Irish Film Archive within the Irish Film Institute, mostly working on code, workflows, metadata, digitisation, migration, and facilitating access to collections. He is using MediaConch’s GUI to check files delivered from vendors. MediaConch automates a lot of this work via local policy creation. Continue reading
