The term ‘authenticity’ can be used to describe a thing, including heritage objects, an experience, or a person. In all instances the term conjures up notions of originality, truth and sincerity, or a quality of being real as opposed to being fake. For example, we can speak about ‘an authentic tourist experience’ or about ‘the authentic self’ or ‘an authentic painting’. The notion of ‘authenticity’ has had a long history within the social sciences and humanities and is still commonly used in everyday life. Earlier definitions of authenticity eschewed ideas of commodification, placing greater emphasis on ideas of tradition. An object, for example an artefact in a museum, was deemed authentic if it was made by a traditional artist to serve a traditional function. Objects made for the consumer or tourist were deemed inauthentic. Such definitions have however come under significant criticism in recent years with some critics pointing out the socially-constructed nature of authenticity. Authenticity, in this sense, is negotiable. Such criticisms have led to the development of new ways of thinking about what is authentic, giving rise to terms such as ‘staged authenticity’, used, for example, to describe touristic experiences of particular cultural practices.
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Upcoming events
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- online on 22-23 July 2025. The deadline for proposals is 31 March 2025.
The Museum Digital Summit will take place online 22-23 July 2025. MuseumNext is a global conference series on the future of museums. Over the past 12 months the events have brought together more than 20,000 museum professionals for their … Continue reading →
- 11-12 June, POLIN Museum (Warsaw, Poland) and online
Europeana 2025 – Preserve, Protect, Reuse will be held on 11-12 June 2025 during the Polish Presidency of the Council of the EU. The Conference is going to be hybrid and is organised in collaboration and partnership with the Ministry … Continue reading →