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UPCOMING EVENTS:
From August 18 to October 11, 2026; submissions due February 19.FILE – Electronic Language International Festival is now accepting project submissions and invites artists, researchers, creators, and developers to participate in its next edition. An international reference in the fields of art, technology, and innovation, FILE will take place in … Continue reading →
Wrocław University of Environmental and Life Sciences, 4th of Match 2026The international conference “Cross-border cooperation in the era of challenges and transformation – space, energy, climate, culture” will be held on 4 March 2026 at the Wrocław University of Environmental and Life Sciences, in Wrocław, Poland. The conference will explore key issues facing border regions, from … Continue reading →
Tag: audiovisual
The International Federation of Television Archives (FIAT/IFTA) promotes co-operation amongst television archives, multimedia and audiovisual archives and libraries, and all those engaged in the preservation and exploitation of moving image and recorded sound materials and associated documentation. The FIAT/IFTA Annual World … Continue reading
A presentation of PREFORMA has been delivered by Erwin Verbruggen at the workshop “Digital AV Archiving Workflows; Digitisation, Ingest, Preservation, Conversion, and Delivery” organised on 22 and 23 September 2014 in Copenhagen by the PRESTO4U project. Continue reading
A Memorandum of Understanding has been signed between the two projects for the promotion and presentation of the respective results and for the organisation of joint events and activities, focusing in particular on the long term preservation of audiovisual content. Continue reading
DAVID project will hold its first test workshop on the 20th and 21st of May in Vienna. This represents for PREFORMA a good opportunity to disseminate the project, to understand what DAVID is doing and to evaluate possible opportunities of cooperation. Continue reading
This Preservathon is made possible by the Presto4U project. The first day will be a hands-on workshop where teams will learn what is involved in selecting the best long-term audiovisual digitisation solution. The second day will host a mini-conference. Continue reading
PREFORMA project has been invited to the final evaluation and user-test-workshop organised by the sister R&D-project DAVID (Digital AV Media Damage Prevention and Repair) in Vienna at the ORF-Centre on 28-29 April 2015. Continue reading
The IBC Conference is an unrivaled global destination for discussion and debate about the many different challenges facing the electronic media and entertainment industry, both in its sessions and in the range of networking opportunities it affords. Featuring some of the foremost thought-leaders, innovators and policy makers in their fields and covering a wide breadth of topics, it is the place to explore new strategies, understand business disrupters, chart future technological progress and uncover the future roadmap of the industry. Continue reading
The 2015 FIAT/IFTA World Conference – Audiovisual Culture, a bridge to the future – will take place in Vienna from October 7 until October 10. This year’s conference will provide a unique occasion in which archives can discuss & learn about the many challenges and innovations for archives in their quest towards the future. Continue reading
The annual AMIA Conference is the largest gathering of motion picture and recorded sound archivists and interested professionals, involving every year more than 550 attendees from the world’s major media, library, university, military and other institutions. The paper “Validate Your Digital Assets: PREFORMA, MediaConch and File Compliance” has been accepted and will be presented by MediaArea and NISV. Continue reading
Content in Motion: Curating Europe’s Audiovisual Heritage is the second and final international conference organised by EUscreenXL. During two eventful days the EUscreen network will involve archivists, curators, broadcasters and researchers to discuss the benefits and challenges arising from the openness of archives and collections in the digital age. Continue reading
































